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For immediate release:

August 25, 2023



INDIE AMERICANA FOLK BAND

MIPSO

SHARE EARNEST

SIXTH STUDIO ALBUM

BOOK OF FOOLS

OUT NOW


LISTEN TO THE LP HERE


PURCHASE THE VINYL HERE


& SHARE SYNTHY TRACK

"RADIO HELL"


LISTEN HERE


SEE MIPSO LIVE

THROUGHOUT NORTH AMERICA

NOW


GET TICKETS HERE

Download hi-res LP artwork

"Every band member is a master of their own songwriting craft, delivering differing lyrical approaches that expand their artistry’s previous bounds."

"“Hurt So Good” rolls along at an amiable pace, with lilting hoe-down fiddle from Libby Rodenbough and an earworm lead vocal by Joseph Terrell."

"Mipso adds electronic sounds and experimental directions but keeps deeply personal, finely crafted songwriting at the core."

"Prevailing warmth defines Mipso’s sound"

"While the band's patented group vocals remain, they're joined this time by electric guitars and Moog synthesizers. It all adds up to their most laid-back and groove-driven record yet."

Photo credit: Sarah Wells | Download hi-res image

Today, North Carolina based indie-Americana folk quartet Mipso share their earnest, propulsive sixth studio album Book of Fools, out everywhere now, including on vinyl here. Alongside the full project is the fuzzy synth and guitar-driven, lively "Radio Hell," out now, an ambivalent nod to the music industry. Plus, the band has hit the road on an extensive tour across North America with tickets on sale now via mipsomusic.com/tour.


Book of Fools, the sixth studio album by Mipso out today, sees the band at their most assured, guided mostly by their own intuition and less impacted by time constraints, expectations or outside forces. Over ten cohesive tracks, driving rhythms, earnest, thoughtful lyricism guide the band back to their roots and who they are at their core. As Terrell puts it, "'Book of Fools' feels more relaxed, more confident, more us – like we’re wearing our favorite clothes and telling our favorite story and it feels exciting again.” There's a fresh, solid confidence and profound understanding of one another that radiates through the music. It's this palpable connection that can only come from this group playing together around the world several hundreds of times and it's here they rediscover their joy and unmatched connection as musicians and as best friends.


Longtime leading Bluegrass and roots outlet The Bluegrass Situation named Mipso their Artist of the Month this August, calling them a "prolific foursome," and wrote of the album, "It’s exciting, encouraging, and energizing, to appreciate an album that isn’t merely a rung on a career ladder, but is meant to be its own constituent journey – both for Mipso and their listeners." Local publication Axios Raleigh called the new album "adventurous," and added, "While the band's patented group vocals remain, they're joined this time by electric guitars and Moog synthesizers. It all adds up to their most laid-back and groove-driven record yet."


Also out today is Mipso's ambivalent pop song about making pop songs and the music industry, "Radio Hell." Touching on the exploitative nature of working in entertainment, it begins with the striking lines, “I don’t want to dance with somebody who doesn’t want to dance with me.” Expanding on the meaning and inspiration of the track, Terrell explains, “A pop song can feel like a miraculous kind of medicine that makes the world feel not just bearable but beautiful. I love them except when I hate them. A pop song can also feel corrosive, like a cloying advertisement, like someone evil turned what should be a gift into a trojan horse of toxic commercial insincerity." Fuzzed out electric guitar, out-of-tune synths and a pretzel-twisted bass line take the band's sound to new heights.


The previously shared tracks "Broken Heart / Open Heart," "The Numbers," and "Carolina Rolling By" have captivated fans who are eagerly anticipating the forthcoming project. "Carolina Rolling By" earned the band the cover of Spotify's Roots Rising and number one spot on the playlist, plus placements on Summer Acoustic, Chill Folk, Fresh Folk, Apple's New in Americana, Southern Craft and Amazon's Fresh Folk & Americana. "The Numbers" also appeared on Fresh Folk and New in Americana.


"Broken Heart / Open Heart," was built around the idea that a broken heart can become an open heart. On the track, the band builds to a simmering pace, but it never boils over–the intimate vocal is gripping, alongside the muted piano and an overdriven guitar that add grit to the bittersweetness. Mandolinist and vocalist Jacob Sharp and guitarist Joseph Terrell wrote the track together that became a vessel for his processing of the grief that comes in the wake of losing someone you love.


Referencing the gut-wrenching opening lyrics, "How do you tell someone you’re lonely, when they’re sitting by your side?" Sharp shares, "I’ve had a couple friends recently who lost a family member for the first time. My mom was sick for a long time - I remember hard times, and I was broken for a while after she passed." Despite the immense pain and heartache Sharp endured, he's able to embrace the brokenness to rebuild himself. Sharp continues, "Now I look back grateful to have been broken enough to have had to decide how to put myself back together. There’s a universal binding in that feeling of realizing you’re broken enough to be wide open - and I think with the right support and love that openness can be a gift."



No Depression praised the "gorgeous" track, calling it, "A rumination on grief and its ability to be a force for positive rebuilding. Tender piano and distorted guitar work together to give the song both a gentleness and an edge, a sonic representation of the complexity of loss that complements Sharp’s heartfelt lyrics." Manchester Journal adds, "The melody is aching and mournful, and just when it slips to tenderness, a jangle unsettles the beauty."


"The Numbers" is a rhythmic, wry, finger-wagging observation of the market-obsessed culture that permeates American society. Inspired by NPR's Kai Ryssdal and his signature phrase, "Let’s do the numbers!," the band wonders how tracking the daily economic tea leaves became a veritable religious observance for the ruling class. Fiddler and vocalist Libby Rodenbough recalls hearing an Iowan voter on TV discussing presidential candidates and saying, “I like the incumbent because the stock market’s doing well.” Rodenough says, "I looked around at this cruel place where we live and I felt forlorn that the NASDAQ offers anybody any kind of comfort. How do I know things are bad? Because I feel it, and I see it.” The notion that the success of the stock market had very little to do with the actual lived experiences of everyday people laid the foundation for the groovy, slick "The Numbers."


Longtime tastemaker Glasse Factory raved about the track, "As the lead vocals artfully intertwine with the captivating groove, Mipso weaves a musical tapestry that captures the essence of their distinctive sound. The vocals, light and airy, blend effortlessly with the melody, never overpowering the composition."


The first taste of the project, "Carolina Rolling By" is a relaxed, country-tinged groove that tells the story of a down-and-out pill-popping truck driver trying to get back on his feet. Written in part as a love letter to driving around their home state, Mipso's signature layered, poignant harmonies paint a vibrant portrait of the view out of the driver's window–the deep, clear blue sky with the sun beating down and the crisp air floating by. Terrell says the song came about after a boating accident that led to him needing to take painkillers during recovery. Similar to previous Mipso releases, the track finds beauty in pain and allowed Terrell the space to craft the ode to driving through North Carolina that he's always wanted to make. It was during his recovery that the song materialized. Terrell says with a fresh understanding of the power of pills, "I couldn’t walk for 12 days but I had my grandma’s guitar and some hydrocodone and worked on this song I think because I fully understood for the first time how anyone could get addicted to those."


No Depression called it, "a peaceful summer groove on the surface with a story in the lyrics that cuts much deeper." Americana UK added the track is "a wistful rumination." "Carolina Rolling By" has been widely supported by several streaming platforms, including placements on Amazon's Fresh Folk & Americana, Spotify's Fresh Folk and Apple's New in Americana playlists.


Formed in 2012, Mipso began as a pastime between classes in Chapel Hill, NC. Made up of Joseph Terrell (guitar/vocals), Jacob Sharp (mandolin/vocals), Wood Robinson (bass/vocals) and Libby Rodenbough (fiddle/vocals), the group blends their music-filled upbringings and captivating harmonies to create a sound all their own with tinges of the timeless musical traditions of their home state and hints of jazz, strings, and old Americana. Mipso's acclaimed debut album Dark Holler Pop, produced by Andrew Marlin (Watchhouse), arrived in 2013 and quickly turned the recent grads into a full-fledged touring band and solidified the group as one to watch. With 2015's groovier, poppier Old Time Reverie, Mipso earned a spot at the the Macy's Thanksgiving Day Parade, a number one spot on Billboard's Bluegrass chart, and honed their sound as they deepened their near-telepathic musical and on stage connection.


The band's Brad Cook-produced (Bon Iver, Waxahatchee) 2017 effort Coming Down the Mountain, expanded their sound with drums, bass and a pedal steel. This refined, elevated sound resulted in a wildly popular title track and landed them on Rolling Stone's 10 New Country Artists You Need To Know list. Just when the band wasn't sure if five years of near-constant touring was something they'd wish to continue, 2018's Edges Run took off and eliminated any doubt. It spawned an instant fan favorite in "People Change" which has garnered over 104M+ streams on Spotify alone. PopMatters encouraged listeners to, "Let its tried-and-true virtues—from intricate harmonies to magnetic musicianship to splendid storytelling—soak in before feeling an emotional rush that you’ll want to experience again and again." The band's self-titled, fifth album arrived in 2020 where the band explores the trauma of a near-fatal car accident and find refuge and healing in each other with a moodier, more experimental soundscape. Paste Magazine praised the project's warmth and their ability to find beauty, joy and harmony.


Now, in 2023, with Book of Fools out, Mipso looks to strengthen their sound and rekindle their bond yet again, led purely by their love of making music together. The band is currently bringing the new music and longtime fan favorites on the road across North America. After dates in Woodstock, NY, Richmond, VA, and Louisville, KY, the band will move through Nashville, TN followed by four dates in their home state of North Carolina. They will then move through the South throughout the end of October before making their way up through the Midwest, including Chicago, IL. By Early November, the band will make their way through Canada including Toronto, ON, Ottawa, ON and Montreal, QC. Next, Mipso will make their way back through the East Coast including Burlington, VT, Boston, MA and Brooklyn, NY before wrapping up in Philadelphia, PA on November 19. See a full list of dates below and get tickets here.


Mipso's driving, layered sixth studio album, Book of Fools, is here, out everywhere now. See Mipso live this fall across North America with tickets on sale now here. Connect with Mipso on Instagram, Facebook, Twitter and stay tuned for more to come from the band of best friends.


Listen "Broken Heart / Open Heart"

Listen "The Numbers"

Listen "Carolina Rolling By"

Mipso

North American Tour 2023


Aug. 27 - Richmond, VA - Iron Blossom Music Festival

Sept. 14 - Newport, KY - Southgate House Revival

Sept. 15 - Louisville, KY - Zanzabar

Sept. 16 - Ferdinand, IN - Ferdinand Folk Festival

Sept. 21 - Carrboro, NC - Cat's Cradle

Sept. 22 - Asheville, NC - Orange Peel

Sept. 23 - Charlotte, NC - Neighborhood Theatre

Sept. 24 - Raleigh, NC - Lincoln Theatre

Oct. 21 - Chattanooga, TN - Barrel House Ballroom

Oct. 22 - Birmingham, AL - Saturn

Oct. 25 - Atlanta, GA - Terminal West

Oct. 26 - Nashville, TN - Basement East

Oct. 27 - St. Louis, MO - Old Rock House

Oct. 28 - Kansas City, MO - The Bottleneck

Oct. 29 - Iowa City, IA - First Ave Club

Nov. 1 - Minneapolis, MN - Fine Line Music Cafe

Nov. 2 - Chicago, IL - Thalia Hall

Nov. 3 - Madison, WI - High Noon

Nov. 4 - Indianapolis, IN - Hifi

Nov. 5 - Detroit, MI - The Ark (Ann Arbor)

Nov. 8 - Toronto , ON - Velvet Underground

Nov. 9 - Ottawa, ON - Red Bird Live

Nov. 10 - Montreal, QC - Bar Le Ritz

Nov. 11 - Burlington, VT - Higher Ground

Nov. 12 - Portland, ME - Portland House of Music & Events

Nov. 15 - Boston, MA - Sinclair

Nov. 16 - Brooklyn, NY - Brooklyn Made

Nov. 17 - Washington, DC - 9:30 Club

Nov. 18 - Charlottesville, VA - Jefferson Theater

Nov. 19 - Philadelphia, PA - Johnny Brendas

Download hi-res LP artwork

Book of Fools (LP) Tracklisting:


01. Starry Eyes/Book of Fools

02. Radio Hell

03. East

04. Broken Heart/Open Heart

05. I Wait For Your Call

06. Carolina Rolling By

07. The Numbers

08. Called Out Loaded

09. Thirsty

10. Break It To You Anyhow



Mipso Bio


Mipso formed in 2012 as an excuse to play music between classes in Chapel Hill. Joseph Terrell came from a family of banjo-playing uncles and a guitarist grandma, and he’d gotten curious again about the string band music he’d heard as a kid. Jacob Sharp was raised on equal parts Doc Watson and Avett Brothers in the mountains of North Carolina and he was hunting for a chance to sing some harmonies. Wood Robinson added a Charlie Haden-esque interest in bridging jazz and grass sensibilities on the double bass, and Libby Rodenbough soon joined on fiddle, unsatisfied by her classical violin training but drawn like a moth toward the glow of old, weird Americana. 


Their first album, “Dark Holler Pop,” produced by Andrew Marlin (Watchhouse), included Terrell-penned fan favorites “Louise” and “Couple Acres Greener” and turned recent-grads Mipso (“let’s try this for a year,” etc.) into a full-blown touring band. Although it hung out on the Billboard Bluegrass top 10, its sonic mission statement was in the name: “Dark Holler Pop” was groovier and catchier than its string band contemporaries; its unabashed poppiness belied the songs’ durability and depth. 


2015’s “Old Time Reverie” earned them an invitation to perform in the Macy’s Thanksgiving Day Parade wherein they rolled down 5th Avenue on a 12 foot bucket of fried chicken. They got to have breakfast on the green room bus with Pat Benatar and Questlove, but in hindsight the whole experience was a little beside the point. They doubled down on touring, playing upwards of 175 shows a year, honing a telepathic, sibling-esque connection onstage. 


2017’s “Coming Down The Mountain,” produced by Brad Cook (Bon Iver, Waxahatchee) added drums, bass, and pedal steel and put the band on bigger stages with an expanded Americana sound, including the Rodenbough-fronted title track, another streaming hit and live staple. 


Mipso considered hanging up their hats in 2018 while recording “Edges Run” with Todd Sickafoose (Ani DiFranco, Anais Mitchell). After five years of near-constant touring, they had started to wake up in hotel rooms wondering what state they were in; they’d never had pets. The album took off. Sharp’s intimate vocal on “People Change” floated into dorm rooms and coffee shops across America, cementing Mipso as a bona fide streaming success across four albums and placing them in that rarefied strata of bands with three distinct lead singers: The Band, Fleetwood Mac, The Beatles, Sonic Youth, The Wailers, The B-52’s, Phish, Mipso. 2020’s self-titled start-fresh album on Rounder Records brought experimental Canadian producer Sandro Perri into the mix and minted a collection with moodier landscapes and unexpected textures such as “Hey, Coyote” and “Big Star”. 


Post-pandemic Mipso is starting fresh again with “Book of Fools”. The songs might be their best yet: “Carolina Rolling By” shows Terrell at his most relaxed and confident while the band turns a story of a pill-popping truck driver into a meditative cosmic country-tinged head bopper. “The Numbers” flirts with 60s surf rock while Rodenbough winks and wags a finger at our market-obsessed culture, and “Broken Heart/Open Heart” features Sharp at his most heart-wrenching and earnest. Other standouts “East” and “Radio Hell” will infect you with earworms made of guitar riffs, Robinson’s pretzel-twisted upright bass lines, and saturated “ooohs” drifting in as if on AM radio waves.


Rock, country, indie-Americana: genre descriptors try but miss the point, which is that these four people and only these four people could’ve made this album. Only a decade in the van could’ve made this album. Only four personalities held in sustained, frictional balance could’ve made this album with its sizzling energy and unlikely cohesion. Mipso did it again. These are searching, driving songs from a band that’s still trying to say something different, still going somewhere new.

Photo credit: Ginger Fierstein | Download hi-res image

For more information on Mipso, please visit:


Website | Instagram | Facebook | Twitter | YouTube | Bandcamp | Soundcloud


For all Mipso press materials and inquiries, please contact:


Leigh Greaney / leigh@bighassle.com

Romy Bayhack / romy@bighassle.com