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April 3, 2023
Today wraps my multi-part series reviewing the new M2 Mac mini. It is a powerful tool for editors looking for a capable system that won't break the bank. In this review, I suggest three system configurations, depending upon your needs and budget, that are optimized for media.


Along with the Mac mini, Apple also loaned me an Apple Studio Display. While initial reviews of this monitor were not kind, the one sitting on my desk has a gorgeous display and much to recommend it. But, it isn't without a few flaws -- and not the ones you think. Here's my review.


Last week, I upgraded to macOS Ventura 13.3. While the upgrade went fine, a problem developed with FCP. Before the upgrade, Final Cut displayed a warning about incompatible ERA audio plugins from Accusonus. After the upgrade, FCP wouldn't launch. It hung on those plugins. 

I fixed the problem by manually searching and removing all files - about two dozen - whose file names started with ERA or Accusonus; most of which were in the System or Library folders. But this was a pain. I also, out of caution, reinstalled FCP from the Mac App Store. 

The point of this story is that when Accusonus was acquired by Meta a couple of years ago and took their plugins off the market, I should have uninstalled them then. The uninstaller was readily available on their website and the process would have been fast and trivial. But, I was lazy and didn't. Now, their website doesn't exist and this manual process resulted in several hours of work to remove them before FCP would function again. 

This is a reminder that keeping legacy software that no longer works - or is no longer supported - on your system is an easy way to cause problems in the future. If you don't need it, it is wise to uninstall it. If you need it, just be careful.

In the news:

Hedge turned seven this week. CEO and founder Paul Matthijs writes about how Hedge came to be, how they got to today, and where they're going next. It is a quick and fascinating read on beginning and running a software startup.


Miller Tripods announced its new Versa camera plate, which will debut at the 2023 NAB Show. Versa is a universal camera plate that is designed to allow users to switch between tripods from various manufacturers with ease. The Versa is also capable of 105mm sliding range, up to 4.1” of travel, for a variety of broadcast and film applications.


Waves Audio recently announced a move to subscription pricing. After immediate public outcry, they quickly decided to bring back the perpetual plugin license model, side-by-side with the new subscriptions. You will again be able to get plugins as perpetual licenses, just as before. Here are the details.
  

Foundry published a blog "What's on the horizon for machine learning in 2023?" Machine learning went — and is still going — through all the stages of any trend: skepticism and curiosity, experimentation, and, ultimately, implementation into workflows.


Sound Ideas recently acquired SoundDogs, whose sound effect library included the Soundelux library of unique and versatile sounds that were created for hundreds of Hollywood motion pictures and television series. They are releasing this library as a Master Collection at NAB.


Avid unveiled the next generation of its shared solutions with the new Avid NEXIS | F2 Solid State Drive (SSD) flash storage engine. This significantly accelerates media workflows, empowering post-production teams to create and deliver higher-quality finished content faster than ever before. 


Maxon announced updates for their entire product line including Cinema 4D, Redshift, Red Giant, ZBrush, Forger and more. The list of features is far more than will fit in this newsletter. Learn more here.

Webinars return week after next with sessions on creating speed changes in video clips. Wednesday, April 12, looks at Final Cut while Wednesday, April 19, looks at Premiere. In addition to showing internal tools, I'll also be demoing 3rd-party software that can create eye-dazzling slow-motion. Topaz Video AI is on the list and I'm contacting a few other companies for permission to demo their software as well. As always, my live webinars are free. Register for any of these sessions at the link below.


As I was testing the new Mac mini, one task I investigated was how well it handled Topaz Video AI. The more I worked with Video AI, the more I realized it deserved its own review. So, for the last week, I've put it through its paces. In this review, you can compare image quality between settings, see how long it takes to create effects and discover a workflow that improves image quality and saves time. Overall, this is an important tool and the images it can create are stunning.


Over the last three weeks, I've looked at the power and versatility of the M2 Pro Mac mini. During this time, I created five in-depth articles. In case you missed any, here they are.






Apple announced last week that WWDC will start June 5. At that time, as is traditional each year, they will introduce their new family of operating systems, including macOS 14. Hopefully, they will also introduce new hardware. What I'm looking for is more clarity on what's happening with the Mac Studio and Mac Pro. I feel that, with the release of the M2 Mac mini Apple dropped the first shoe. But, in so doing, now the entire desktop line feels unsettled.

Yes, the Mac mini is a solidly-competent system for media editing. Truly. So is the Mac Studio, though a step above in performance and price. And, while the newly rumored Mac Pro may be overkill for video editors, it will meet the needs of those who are creating complex visual effects or 3D renders to insert into our programs. How will these three hardware systems fit together? Are all three likely to survive? What differentiates them? 

The answers, of course, are imponderable as Apple hasn't explained their plans. Hopefully they will share their thinking at WWDC. In the meantime, we just need to wait.... I hate waiting.

Until next week, stay safe, stay hopeful and edit well

TUTORIALS & REVIEWS
» Configurations for the 2023 Mac mini for Video Editing (Tutorial)
  » Here's what I learned and how to configure it during three weeks of testing.

» Review: The Apple Studio Display (Review)
  » This has a gorgeous screen, but it has both too much and too little.

» Topaz Video AI - A Wonder at Deinterlacing (Review)
  » Video AI excels at deinterlacing and up-scaling, but it isn't fast.
347: Working with Stills in Adobe Premiere
* Use SilverFast 9 for better scans of still images
* Repair and optimize stills using key tools in Photoshop
* Improve images using Photo AI from Topaz Labs
* Import, scale and animate stills in Premiere Pro

Everything you need - all in one place.
346: Working With Stills in Final Cut Pro
* Use SilverFast 9 for better scans of still images
* Repair and optimize stills using key tools in Photoshop
* Improve images using Photo.ai from Topaz Labs
* Import and animate stills in Final Cut Pro
* Animate still images and objects Apple Motion

Everything you need - all in one place.
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