Third World Newsreel is part of the POC communities that have been under attack and decries the systemic racist oppression and white supremacy that underlies the continued murders and attacks on Black, Brown, and Asian peoples. We are horrified by the recent massacre in Atlanta and condemn the rising racist attacks on Asians. TWN continues to support those who challenge oppression and fight for change - and urges all to be part of that effort. #StopAsianHate
“Fantastic film! The story of the formation of the Puerto Rican Studies Department at Brooklyn College became the model for similar critical curricula adopted by many Universities and Colleges around the U.S., some of which remain in place today because of the activists and scholars captured in this film.”
- Michelle Materre, Founder and Director, Creatively Speaking

Produced by Gisely Colón López, Tami Gold and Pam Sporn
Edited by Sonia Gonzalez-Martinez and Pam Sporn
Featuring music by Arturo O’Farrill, Oscar Hernández and BombaYo
A Production of the Alliance for Puerto Rican Education and Empowerment (APREE)
From Spikes to Spindles
Available on Vimeo on Demand

This raw, gutsy portrait of New York's Chinatown captures the early days of an emerging consciousness in the community. We see a Chinatown rarely depicted, a vibrant community whose young and old join forces to protest police brutality and hostile real estate developers. With bold strokes, it paints an overview of the community and its history, from the early laborers driving spikes into the transcontinental railroad to the garment workers of today.

"Technique for us is secondary. The people themselves have a rich life experience, a knowledge of history and their culture and community organization. And these people are far more qualified to make films than people who have learned their skills in a school." -Christine Choy
Films by Camille Billops and James V. Hatch
Available on The Criterion Channel

Trailblazing artist and polymath Camille Billops (1933–2019) and her partner in life and work, James Hatch (1928–2020), left behind invaluable legacies as archivists who worked tirelessly to preserve records of Black cultural life and as filmmakers who turned their unflinching camera on Billops’s own, often painful personal experiences. The films they made together, while grounded in documentary, use a range of techniques including reenactments, dramatization, and satire to illuminate the ways in which race, gender, and class shape everyday life. In their Family Trilogy—SUZANNE, SUZANNE; FINDING CHRISTA; and A STRING OF PEARLS—the pair cover more than thirty years of troubling truths from Billops’s own family, tackling issues of drug addiction, abuse, unwanted pregnancy, and motherhood with fearless honesty.
A Dream Is What You Wake Up From
Available on kweliTV

Originally released in 1978, A DREAM IS WHAT YOU WAKE UP FROM explores the role of Black families in American society. The everyday lives of three Black families with different approaches to their struggle for survival in the United States are represented through a mix of fiction and documentary scenes, a docudrama style inspired by the work of Cuban filmmaker Sara Gómez.
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More Info

Deadline: Spring 2021

Deadline: July 2, 2021

Deadline: 2021

Opens: 2021

Opens: 2021

Deadline: 2021

Deadline: 2021

Opens: Spring 2021

Deadline: 2021

Deadline: 2021

Deadline: 2021

Deadline: 2021

Opens: 2021

Deadline: 2021

Deadline: 2022

Deadline: Open

Deadline: Open

Deadline: Open

Deadline: Open

Deadline: Open

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Third World Newsreel Briefly includes interviews with JT Takagi, Executive Director, Bev Grant, Newsreel filmmaker, Desi del Valle, former staff and TWN Workshop Fellow, and Kazembe Balagun, TWN Workshop Fellow. Thanks to Pablo Arribas of LaVitrola.cl for the interview and trailer and the TWN family for their support!

Read Third World Newsreel's updated monograph with articles about our history and films.
TWN is supported in part by the National Endowment for the Arts, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, public funds from the New York City Department of Cultural Affairs in partnership with the New York City Council, the National Film Preservation Foundation, and the Peace Development Fund, as well as individual donors.

TWN also gratefully acknowledges support from an NEA CARES grant, the NY Community Trust, and a Humanities New York CARES Grant with support from the National Endowment for the Humanities and the federal CARES Act. Any views, findings, conclusions, or recommendations expressed in our programs do not necessarily represent those of the National Endowment for the Humanities.