To our clients, friends and artists: While closely monitoring local, state and federal mandates and guidance on the COVID-19 virus, Alexandre Gallery will now be open to the public by appointment only during regular Tuesday through Saturday business hours. To schedule an appointment, please either call the gallery at 212-755-2828 or e-mail at  inquiries@alexandregallery.com . Requests made during regular hours will be responded to promptly. Please be assured that the gallery is following cleanliness protocols as prescribed by the  Centers for Disease Control and Prevention   to maintain a safe environment for our staff and those who schedule a visit. We will continue to monitor the situation in real-time and offer updates on our website and social media. Wishing the best to all during this difficult time.
Pat Adams, Works from the 1970s and 80s installation view.

With regret, all public events scheduled for our new exhibition  Pat Adams: Works from the 1970s and 80s  will be postponed indefinitely, including the opening reception originally scheduled for March 21 st . We will hope to re-schedule – and will likely re-present this extraordinary aspect of Pat Adams’s work again next season.
Willingness , 1977, acrylic, mother of pearl, pastel and ink on paper, 16 ½ x 15 inches.
Cardinal , 1978, oil, isobutyl methacrylate and eggshell on canvas, 80 x 86 inches.

The overlapping transparent and semi-transparent layers, the multitude of abstract vocabularies engaging with each other in various ways, become an invitation to immerse oneself in the many different pleasures and possibilities that her paintings bring together. On every scale that she has worked, Adams’s work invites a slow contemplative engagement, which runs counter to the quick visual consumption of a signature image or motif, which has become a commonplace experience in today’s art world.  —John Yau, 2020
Out Come Out , 1980, oil, isobutyl methacrylate, pastel, mica, sand and eggshell on linen.
One of the most startling things about Ms. Adams’s works is that their flat surfaces, as active, various and sometimes seemingly chaotic as they are, still maintain clockwork precision and clarity. It’s as if we were seeing the stages of growth or the steps of transformation, each accompanied by its gaseous residue or shed skin. — Lance Esplund, 2007

American Art always on view by appointment – and now digitally by request. 

Please contact  inquiries@alexandregallery.com  for inquiries about works by pre-war American modernists and the Stieglitz Group.
Marsden Hartley,  New Mexico Recollection, No. 3 , c. 1923, oil on canvas, 31 ½ x 41 ¼ inches. 

Alexandre Gallery | 212-755-2828 | www.alexandregallery.com