Structure Of Longarming-
Shown here is a "sandwich" [top, batting, and backing combination] that has been loaded onto one of our Innova longarms. At the top, just under the roller bars, note the sections of Red Snappers [labeled "A" in white]
The mechanism [whether it is pinning, Red Snappers, or a host of other mechanisms] that is used to attach the sandwich to the leader cloth requires the use of backing fabric that goes well beyond the size of the quilt top.
Likewise, there are connection mechanisms on the right and left sides [labeled "C" and "B" in black, respectively]. Similarly to the mechanisms at the top, there are many techniques and gadgets used to keep the sandwich taut, from side-to-side.
So, you look at all that space above and below the clamps and wonder why can't that be used? Well, then, let's continue our journey.
Things That Quilters Do -
Often quilters test the tension of their set-up using the piecer's backing and batting on the edge of the sandwich, with a piece of their standard quilting fabric on top. We do a tight meander [jig-saw puzzle-like] pattern that shows us the tension on the straights, in all four directions, as well as the right and left curves.
The other thing that quilters often do in Edge-To-Edge [E2E] quilting is use patterns that fit together when the alternate rows are off-set by 1/2 of the pattern's repeat. This means that half of a pattern must go past the edge of the quilt, taking the space of half of the pattern. This is not an issue at Forever In Stitches as our Innovas will automatically trim off the extra stitching. It is, however, an issue with other machines and older software.
The third thing that quilters do in E2E quilts, is to stitch "off the edge" of the quilt top so that the connection stitches between rows is not stitched on the quilt top. The amount of stitching off the edge is highly affected by the squareness of the quilts.
At first this may seem counter-intuitive. Aren't most quilts rectangles or squares? That may have been the original design for the quilt, but by the time the top is brought in for longarming, it is often a different story.
Many quilts are parallelograms - four sides, all of which are parallel, but the corners are not 90 degrees. Thus, when the top is aligned with the rollers at the top, by the time it gets to the bottom, then the top has drifted either to the right or to the left. There have been times when the "drifting" has gone beyond the backing. Thus, we must have adequate backing.
There are also situations where the top and bottom are parallel, and the corners are 90 degrees, but the center "bulges", similar to the shape of a hurricane lantern. So, we must have adequate backing and batting to allow for this.
So, obviously, the back and batting must be wider than the top. And, the extent of these factors often cannot be determined until the quilt is mounted on the longarm machine. Therefore, have adequate batting to begin with.
Things Caused By The Nature Of Batting And Fabric -
This really is a combination of "Materials" and "The Nature Of Longarming.". That is because as one rolls the quilt up, and onto the "take-up bar," each of the three layers travels a different distance. The top, on the inside of the "roll" travels the least. The batting, in the middle, travels slightly further, by the width of the top fabric. However, it is a different story with the back.
|