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Less than Two Weeks Left!

Three Feature Exhibitions Closing After Sept. 2, 2024

Don’t miss your chance to see these three exhibitions at the Museum of Vancouver:



All three are set to close after the Labour Day long weekend due to HVAC system upgrades in our building.


The last day to see these exhibitions will be Monday, September 2nd. Plan your visit before the end of Labour Day!

Events at the MOV

Books, Gardens and Drag

ResiStories: Living Archives of Pride 

Thursday, August 22

Honour local 2SLGBTQIA+ icons and histories with drag! Emceed by Shay Dior, prepare to be wowed by performances from Continental Breakfast, Count Cupid and Mx Bukuru—who are taking inspiration from queer historical moments and icons to create their sets. Afterwards, scholars of queer culture—and drag of course—will share info on the lesser-known references in each performance. Plus, there’ll be a panel discussion between the artists and scholars, an MOV Queer Video Interlude and a reception catered by Friendship Catering to close out the night. Tickets available here. 


Want more drag? Our neighbours at the HR MacMillan Space Centre are hosting a 19+ drag event on Aug. 24 called Bright Lights! A Space Drag Extravaganza! Find info and use code SPACEDRAG2024 for a discount here. 



The Roots of Our Gardens: Tour & Chat

Sunday, August 25

Explore food, land and culture through the Backyard Garden at the Museum of Vancouver and the Fare Farm Garden at the Vancouver Maritime Museum! Both gardens engage with issues of food security and culture with the Backyard Garden focusing on Chinese immigrants while the Fare Farm Garden focuses on the Afro-Indigenous community. The program will include a tour of both gardens, followed by a discussion about the the issues they connect to. Book your spot here.


Indiginerds: A Book Launch

Friday, August 30

Launching Alina Pete’s new comics anthology, Indiginerds: Tales from Modern Indigenous Life! The book includes 11 stories from an all-Indigenous creative team and it celebrates the fusion of traditional knowledge and pop culture. Alina will lead the night alongside other writers, artists and collaborators who created the book, including Raven John and Jordanna George. They’re planning to showcase their stories in unique ways as part of the launch party. There’ll be an opportunity to buy the book, get it signed, and mingle with the artists. Get your tickets here.

Man on the Poster

A Q&A with Jerrid Lee Miller from True Tribal

You may not know Jerrid Lee Miller’s name, but if you’ve visited the True Tribal: Contemporary Expressions of Ancestral Tattoo Practices at the Museum of Vancouver… or seen any promotion for the exhibition, you’ve seen Jerrid.


Jerrid is a Cherokee Nation citizen, US Army veteran and the current Language Archivist for the Cherokee Nation Language Department. He’s also featured in True Tribal and its marketing. We reached out to Jerrid to learn more about his tattoos and how he came to be part of the exhibition. 


How did you know Nathalie Standingcloud was the right tattoo artist for you?

Nathalie has an amazing local reputation as an artist working in traditional Southeastern iconography, so her reputation proceeds herself. I was looking for just the right artist and BAMMM. I lost count how many body markings she has done for me since.


Do you feel your tattoos connect you to your ancestors? Your history? Your culture? If so, how? 

All of my markings tell a story because they are a form of military and hunting shorthand or pictography that was used throughout the Eastern Woodlands historically. As a veteran, it tells my story and in a way, my healing.


In Cherokee, we say ᎤᏙᏪᎸ ᎠᏰᎸ (udowelv ayelv) or ᏚᏙᏪᎸ ᎠᏰᎸ (dudowelv ayelv), “for it is marked on the body,” which describes permanent body markings. By being marked, the connection for me is that continuity of military service and tradition that is still held in high regard by my people going back to Kitu’hwa (our mother town). Body markings can be read and written to tell lived experiences. 


I think that as you are getting those markings, what you say, what you do, and how you take care of them goes into the body like an ongoing prayer. Basically, you are identifying yourself by those markings and it becomes a spiritual reflection of how you are as a Cherokee and as a person. You forever become marked by that. I don’t know if that’s true or not, but that’s what I know.


How you do you feel about being on advertisements to promote True Tribal?

It was very humbling for me. I live in the middle of nowhere in the back of the woods on bluff top and am an archivist by profession. So it was a cool thing to give my usdi (kids) posters of their unassuming dad.


I hope people visiting the exhibition and seeing the posters enjoy the beauty of skin art expressions and break preconceived notions and stereotypes of our Indigenous communities. We are not static. We still very much exist in the here and now, rooted in the past but moving forward on our terms, in our way, into the future as distinct Indigenous peoples.


Visit True Tribal: Contemporary Expressions of Ancestral Tattoo Practices before it closes on September 2nd.

Remembering Grace Eiko Thomson

Community Elder, Writer, Curator and Activist

We were sad to hear about the recent passing of Grace Eiko Thomson. Grace was curator at the Burnaby Art Gallery before becoming founding executive director and curator of the Japanese Canadian National Museum at the Nikkei Centre (which later became the Nikkei National Museum & Cultural Centre). Grace and her family were persecuted during Japanese Canadian Internment in 1942. During a time when many understandably did not dare to reflect or share on the injustice of this experience, Grace always spoke out and dedicated her life to justice for her community. 


Early in 2023, she was on a panel at the Museum of Vancouver, which you can view on our YouTube channel. This event was held with the Nikkei National Museum and the Arts Club Theatre Company as part of the latter’s production of Finding Forgiveness. Based on Mark Sakomoto’s memoir, it was adapted for the stage by Hiro Kanagawa. Grace and Hiro were joined on the panel by Vivian Wakabayashi Rygnestad, Carolyn Nakagawa and Laura Fukumoto. 


Hiro shares this about Grace:

One of the most important moments of the panel for me was Grace saying that she did not agree with the title "Forgiveness" for my play and for Mark Sakamoto's book because she could never forgive Canada for what it had done to her parents. Despite this, I felt in Grace's presence a tremendous generosity and expansiveness of spirit. She did not carry herself with bitterness, she did not allow the wrongs that had been committed against her family to define her relationship to the world. She was grace itself.


Grace’s story can be read in her memoir, Chiru Sakura: Falling Cherry Blossoms, available through Caitlin Press.

📸: Christian Zane Media

Know before you go:


  • Museum of Vancouver is open from Sunday-Wednesday 10:00am-5:00pm and Thursday-Saturday 10:00am-8:00pm.
  • Ticket sales end 45 minutes before closing.
  • Visit on the first Sunday of the month and pay what you can for admission.
  • Visit on the last Sunday of the month for Low Sensory Sundays.
  • The MOV is located at 1100 Chestnut Street in Vanier Park in Kitsilano.
  • The Museum is wheelchair, stroller and scooter accessible, including washrooms, ramps and elevators, and has wide entrances and exits.
  • When booked in advance, groups of 10 or more are eligible for a discounted rate. Learn more.
  • The Museum is accessible by Mobi Bike Share, TransLink (#2 bus), Evo Car Share and False Creek Ferries.
  • Car parking is available in the parking lot run by EasyPark. Please remember to pay for parking before entering the building. Street parking is also available. Learn more.
  • Admission is free for people who self-identify as Indigenous.

We acknowledge that MOV is located within the unceded, ancestral territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and səlilwətaɬ (Tsleil-Waututh) Nations.

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