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CONDUCTOR THOMAS SØNDERGÅRD TO MAKE HIS NEW YORK PHILHARMONIC DEBUT, APRIL 18–20


Søndergård, who recently began his tenure as Music Director of the Minnesota Orchestra, leads a program including works by Sergei Prokofiev, Lili Boulanger, and the U.S. premiere of Olga Neuwirth’s Keyframes for a Hippogriff — Musical Calligrams



© Andy Buchanan

NEW YORK, NY (March 7, 2024)Thomas Søndergård, Music Director of the Minnesota Orchestra, makes his New York Philharmonic debut on April 18, 19, and 20, 2024, at the Wu Tsai Theater, David Geffen Hall. The program includes the U.S. premiere of Olga Neuwirth’s Keyframes for a Hippogriff — Musical Calligrams, a co-commission of the New York Philharmonic, Berliner Philharmoniker Foundation, the Royal Stockholm Philharmonic Orchestra, and BBC Radio 3 — as well as Lili Boulanger’s D’un matin de printemps and Prokofiev’s Symphony No. 5.


Thomas Søndergård's tenure as Music Director of the Minnesota Orchestra has been marked by ambitious programming and a focus on fostering a deep connection between the conductor and the ensemble. Søndergård first conducted the Minnesota Orchestra in December 2021 performances, establishing an immediate rapport with musicians and audiences; he was quickly reengaged for an April 2022 concert and then announced as the next music director in July 2022. His inaugural season began in September 2023 with two weeks of historic concerts highlighted by Richard Strauss’ Alpine Symphony and, with the Minnesota Chorale, Ravel’s complete ballet score Daphnis and Chloé. Søndergård's debut with the Minnesota Orchestra was celebrated across Minneapolis, with landmarks lighting up in the red-and-white colors of the Danish flag, symbolizing a warm welcome to the conductor from Denmark. 

Thomas Søndergård: Taken by the Sound

Thomas Søndergård's performances as Music Director of the Minnesota Orchestra have garnered significant praise, capturing the essence of his innovative vision and collaborative spirit. The Star Tribune highlighted his dynamic approach, noting, "Søndergård seemed a leader with firm ideas about what he wanted from the music and a very graceful way of communicating them." This sentiment is echoed by the Saint Paul Pioneer Press, which remarked on the seamless integration between Søndergård and the orchestra, stating, "the new conductor and the orchestra find a sublime groove with each other."


Søndergård’s New York Philharmonic debut features a program comprising two works by women, Lili Boulanger’s D’un matin de printemps and the U.S. premiere of Olga Neuwirth’s Keyframes for a Hippogriff, co-commissioned by the Philharmonic as part of Project 19, an ongoing initiative launched in 2020 to commemorate the centennial of the ratification of the 19th Amendment, which granted American women the right to vote. Through the initiative, the Philharmonic commissioned 19 new works by 19 female-identifying composers. In an interview, Neuwirth said that the work is about “trying to remain a free soul despite the despair and pain in this world.” Keyframes for a Hippogriff will feature countertenor Andrew Watts along with the Brooklyn Youth Chorus. 


Also featured on the program is Prokofiev’s Symphony No. 5 — a work Søndergård has previously recorded with the Royal Scottish National Orchestra, of which he also serves as Music Director. Of a recent performance where he led the London Symphony Orchestra in Prokofiev’s Symphony No. 6, BachTrack praised the conductor’s “keen sense of musical architecture,” adding that he was “on inspired form…and  portrayed the tension between private melancholy and Soviet authority with devastating impact.” 


Following his debut with the New York Philharmonic, Søndergård returns to the Minnesota Orchestra to lead a program which includes Qigang Chen’s The Five Elements, a piece that blends Eastern musical tradition with the Western orchestral format, alongside Strauss and Rachmaninoff, featuring pianist Kirill Gerstein. 


Søndergård's inaugural season as Music Director of the Minnesota Orchestra culminates in a special Pride program in June 2024, showcasing the orchestra's support for the LGBTQ+ community and celebrating Pride month. This program, significant to both Søndergård and the orchestra, will feature works by composers from the LGBTQ+ community, featuring pianist Francesco Piemontesi, and will conclude with Tchaikovsky's Fourth Symphony.

Wu Tsai Theater, David Geffen Hall, Lincoln Center

Thursday, April 18 at 7:30 p.m.

Friday, April 19 at 8:00 p.m.

Saturday, April 20 at 8:00 p.m.  


Thomas Søndergård, conductor

New York Philharmonic

Andrew Watts, Countertenor

Brooklyn Youth Chorus 

Diane Berkun Menaker, Director 


L. BOULANGER D’un matin de printemps

OLGA NEUWIRTH Keyframes for a Hippogriff — Musical Calligrams

U.S. premiere–New York Philharmonic Commission as part of Project 19

PROKOFIEV Symphony No. 5


Tickets priced $53-$188 are available at nyphil.org, the David Geffen Hall box office, or by calling 212-875-5656.

ABOUT THOMAS SØNDERGÅRD


Danish conductor Thomas Søndergård is a highly regarded conductor in both the orchestral and opera spheres. He has earned a reputation for incisive interpretations of works by composers from his native Denmark, a great versatility in a broad range of standard and modern repertoire, and a collaborative approach with the musicians he leads.


In addition to his recent appointment as Music Director of the Minnesota Orchestra, since 2018, Søndergård has been music director of the Royal Scottish National Orchestra (RSNO). Between 2012 and 2018, he served as principal guest conductor of the RSNO and principal conductor of BBC National Orchestra of Wales (BBC NOW), after stepping down as principal conductor and musical advisor of the Norwegian Radio Orchestra.


Søndergård has appeared with many notable orchestras in leading European centers such as Berlin (including the Berlin Philharmonic, Rundfunk-Sinfonieorchester Berlin, Mahler Chamber Orchestra and Konzerthausorchester Berlin), Leipzig (Gewandhausorchester), Paris (Orchestre National de France), London (London Philharmonic, BBC Symphony, London Symphony and Philharmonia Orchestra), and Amsterdam and Rotterdam (Royal Concertgebouw Orchestra, Netherlands Philharmonic and Rotterdam Philharmonic). He is a familiar figure in Scandinavia, with such orchestras as the Oslo Philharmonic, Gothenburg Symphony, Danish National Symphony, Royal Stockholm Philharmonic, Swedish Radio Symphony, Finnish Radio Symphony and Helsinki Philharmonic. His North American appearances to date have included the symphony orchestras of Atlanta, Chicago, Baltimore, Cincinnati, Detroit, Houston, Seattle, St. Louis, Montreal, Toronto and Vancouver. He has made highly successful tours to China, Korea, Australia and New Zealand.


After launching the Minnesota Orchestra’s 2023-24 season in September, Søndergård opened the RSNO’s season the following month with piano soloist Lise da la Salle performing concertos by Grieg and Beethoven. His busy slate with both ensembles is complemented by upcoming guest engagements with major orchestras including the New York Philharmonic, London Symphony Orchestra, Aalborg Symfoniorkester, Bergen Philharmonic Orchestra, Danish National Symphony Orchestra and Iceland Symphony Orchestra.


The 2022-23 season saw Søndergård return to the Edinburgh International Festival (Mahler Symphony No. 3) and the BBC Proms with the RSNO. The two Proms performances were centered around Wynton Marsalis’ Violin Concerto, performed by Nicola Benedetti. On the operatic stage, following his Reumert Award-winning appearance in early 2022 for Die Walküre, he returned to the Royal Danish Opera to conduct Richard Strauss’ Elektra. In his native Denmark, he returned to the Danish National Symphony Orchestra to conduct the world premiere of Rune Glerup’s new violin concerto with Isabelle Faust.


In 2015, as part of the 150th anniversary celebrations of both Jean Sibelius and Carl Nielsen, Søndergård conducted a wide variety of their works with many leading orchestras. A passionate supporter of the music of Nielsen, he led a performance with Swedish Radio Symphony of Nielsen’s Symphony No. 5 that was praised as “equal of the great pioneers of Nielsen interpretation...It’s hard to imagine a finer performance of this remarkable symphony” (Dagens Nyheter); in 2019 he participated in a special concert to celebrate Nielsen’s work with the Royal Danish Academy of Music Copenhagen.


Following his acclaimed debut for Royal Danish Opera (Kafka’s Trial), he has returned regularly to conduct a broad repertoire, ranging from contemporary to mainstream, including The Marriage of Figaro, The Barber of Seville, La Bohème, The Cunning Little Vixen, Il viaggio a Reims, and Die Walküre. His Stockholm productions of Tosca and Turandot (both with Nina Stemme) led to his Bayerische Staatsoper debut, conducting main season and Opera Festival performances of Turandot with Stemme; he most recently returned for the Opera’s Akademiekonzert series. He made his Deutsche Oper Berlin debut with the world premiere of Scartazzini’s Edward II and has since returned for Berlioz’s Romeo and Juliet.


Søndergård’s discography covers a broad range of contemporary and mainstream repertoire, including Sibelius symphonies and tone poems with BBC NOW and Prokofiev and Strauss with RSNO for Linn Records; Vilde Frang’s celebrated debut recording of violin concertos by Sibelius and Prokofiev with the WDR Symphony Orchestra Cologne (on EMI); works by Poul Ruders with the Aarhus Symphony, Norwegian Radio and Royal Danish Opera (Kafka’s Trial) for Dacapo and Bridge Records; and Lutosławski and Dutilleux concertos with cellist Johannes Moser and Rundfunk Sinfonieorchester Berlin (Pentatone).


In January 2022, Søndergård was decorated with a Royal Order of Chivalry – the Order of Dannebrog (Ridder af Dannebrogordenen) by Her Majesty Margrethe II, Queen of Denmark. And in 2023, Søndergård received the prestigious honorary award from the Carl Nielsen and Anne Marie Carl-Nielsen Foundation to support his continued development as a conductor.

As only the 11th music director in the Minnesota Orchestra’s 120-year history, Søndergård succeeds Emil Oberhoffer, Henri Verbrugghen, Eugene Ormandy, Dmitri Mitropoulos, Antal Dorati, Stanislaw Skrowaczewski, Sir Neville Marriner, Edo de Waart, Eiji Oue and, most recently, Osmo Vänskä, who led the Orchestra from 2003 to 2022.

ABOUT OLGA NEUWIRTH


Olga Neuwirth, born in Graz, Austria in 1968, is a distinguished composer known for her innovative and multidisciplinary approach to music. Trained at the Academy of Music in Vienna and the San Francisco Conservatory of Music, Neuwirth's work spans opera, radio plays, film music, and multimedia installations, reflecting her interests in film, literature, visual arts, and science. Her career highlights include international recognition for her mini-operas at age 22, collaborations with Elfriede Jelinek, and awards such as the Grand Austrian State Prize and the Ernst von Siemens Music Prize. Neuwirth's notable compositions include Clinamen/Nodus, Lost Highway, and Masaot/Clock without Hands, alongside her groundbreaking opera Orlando. Her recent works address social-political themes and blend live musicians, electronics, and visual elements to create immersive audio-visual experiences.


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