Elmo Peeler Note-for-Note Piano Transcriptions | | |
Dear Elmo,
Today is the first day of October and time again for my monthly newsletter, to keep you informed of recent transcriptions and other news of the last month.
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My new transcription this month is truly extraordinary - perhaps the most important one I've ever done - the long album version of Meat Loaf's "Bat Out of Hell" - all 9:48 of it, with the great Roy Bittan playing piano.
There are many sections in the recording, and Bittan plays in a different style in almost every one - a beautifully conceptualized piano track.
Plus, there are two new exercises this month - one that explains Richard Tee's most famous riff, and another that explains how to play a 'shuffle'.
BTW, to make sure that my email doesn't end up in your Spam folder, please add me to your Contact list and/or mark my email as "Not Spam".
Note that every Title Heading is clickable.
Elmo Peeler
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ALL of the Sheet Music listed on my website has been personally transcribed by me, and guaranteed to be note-for-note perfect.
Whether you:
- have a cover band and want to get your keyboard parts exactly correct,
- are a professional who wants to study the styles of rock's greatest keyboard players, or
- are a hobbyist that wants to learn how to play pop/rock and great piano music,
...these note-for-note transcriptions will prove extremely helpful.
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In 1975 Meat Loaf and his partner/composer Jim Steinman chose Todd Rundgren to produce their first album, Bat Out of Hell, released in 1977 and becoming one of the best-selling albums in history - 43 million albums sold, and still selling about 200,000 copies per year.
Rundgren chose Roy Bittan (of Bruce Springsteen's E Street Band) to play piano on the album.
Born in 1949 in Queens, New York City, Roy Bittan said that music first entered his life when, as a child, he saw an accordion player, Dick Contino, on the Ed Sullivan Show.
"I said, 'I want to play that.' He was pre-Elvis; from like 1949 to 1952, he was one of the biggest entertainers in the U.S. - very Italian-looking guy, muscular. Women in those days would throw their hotel room keys at him.
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I was too little to understand that part, but I
loved the instrument, so I wanted to take accordion lessons, and my
parents indulged me. I studied the accordion.
"The two sides of the accordion are broken up, the right hand being the
melody and the left hand being sort of chordal. I suppose you could say
the same thing about the piano, but it's not really the same on the
piano, because when you play the accordion, you tend to play melody with
a harmony of thirds and maybe sixths, and it's a very, very
melodically evocative instrument. The accordion also has a sense of
pathos, as well as a sense of joy. I mean, it's a woodwind. It's wind
blowing over a reed. And it can be very expressive when played
properly. So I think the training I had on the accordion gave my
playing an expressiveness.
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"Also, when I studied the accordion, I had a teacher who gave me the pop songs of the week to write out a chord chart, which is basically the melody of the song and then a symbol above it of what the chord is underneath it.
"You have to figure out how to play the song. So, that sort of extemporaneous, spontaneous training of taking a melody and then embellishing the accompaniment gave me a leg up on those who took piano lessons and maybe just studied classical music. I was trained early on in expressing myself and getting the most out of a particular piece of music."
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Roy first met Bruce Springsteen in 1974 at Max's Kansas City, a nightclub in NYC where Springsteen and his E Street Band were sharing the bill with Bittan's band. "So for a few nights, our bands would trade sets, and we would pass in the hall. I would go, 'Ah, man, you're so great,' and he would go, 'Hey you played really great.' We would pat each other on the back: 'Hey, have a good set.' There was no question in my mind that he was going to break through."
And the rest, as they say, is history.
Here are my Roy Bittan transcriptions:
Meat Loaf - "Bat Out of Hell" (Long Version) - Roy Bittan, piano - NEW!
Bruce Springsteen - "Because the Night" - Roy Bittan, piano
Bruce Springsteen - "Jungleland" - Piano Interlude - Roy Bittan, piano
Bob Seger - Roll Me Away - Roy Bittan, piano
Here are my transcriptions of other E Street Band members:
Bruce Springsteen - "Born To Run" (album) - David Sancious, piano
Bruce Springsteen - "Hungry Heart" - B-3 Solo - Danny Federici, organ
Pat Benatar - "Looking for a Stranger" - Charles Giordano, organ
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October's New Transcription - Meat Loaf - "Bat Out of Hell"
Note-for-Note Accuracy
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This month my new transcription is not only the longest recording I've ever transcribed (9:48 - over a minute longer than Don McLean's "American Pie") but it also has probably the most remarkable piano track - Roy Bittan's piano part elevates rock piano-playing to a new level.
Over the course of this very long song - almost ten minutes - there are many sections and tempo changes.
Bittan plays a different style in almost every section, from terrific rocking in the fast sections to beautiful, almost classical stylings in some of the slower sections.
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There are two brand-new exercises this month, addressing two quite different styles.
Being able to play a 'shuffle' rhythm is important for rock/pop pianists and my new "Shuffle Exercise" will help you understand how to play a 'shuffle', i.e., a song in 12/8 meter. It will also increase your Left Hand/Right Hand independence and coordination.
It includes six sections:
1) Basic right-hand rhythm
2) Bumps, where the chord briefly changes
3) Flips
4) Octaves
5) Octaves and flips
6) Chords and Flips
It also repeats those six sections but with a different, slightly more challenging 'walking' broken-octave Left Hand pattern.
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My other new exercise will help you to better understand Richard Tee's (and Billy Preston's ) style, especially one of his main 'licks', a descending series of R&B-flavored chords.
It explains the underlying scale (or mode) and gives two ways of harmonizing each note of that seven-note 'scale'.
It then gives four examples of how to use those chords to achieve the Richard Tee 'sound', including how he phrased them, plus gives an example of a typical Left Hand accompanying pattern.
BTW, if you need other good, effective technical exercises, please check out all of the 97 exercises
available.)
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Gospel Corner - Say 'Amen' Somebody
The Hangout Place for Gospel Classics
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You don't have to be from the Deep South to love Gospel piano, nor do you need to belong to any particular religion. All you have to have is a love for wonderful old-time, swinging, uplifting piano-playing.
Leon Russell, Billy Preston, Richard Tee and Ray Charles, some of the greatest keyboard players ever, loved the style and infused their own performances with Gospel licks and rhythms.
Inspired by the wonderful playing of the portly Associate Pastor/Musical Director of my childhood's Baptist Church deep in the piney woods of Mississippi, in recent years I've transcribed and/or arranged a few Gospel classics.
This little corner of my newsletter is where I'll keep you informed of my latest efforts to share that old-time Gospel sound.
Here are my Gospel transcriptions and/or arrangements, plus some exercises:
Full-blown Gospel:
Heavily Gospel Influenced:
Moderately Gospel Influenced:
Gospel-related Exercises:
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MIDI Corner - Transcriptions Turned into MIDI Files
Helpful for Those that Don't Read Sheet Music Well
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Most of my transcriptions have heretofore been available only as sheet music in PDF's. That is gradually changing - some are now also available as MIDI files, which can be especially helpful for those who would prefer to listen to them than to read the sheet-music notation.
This section of my newsletter is where I'll keep you informed of which transcriptions and exercises are available as MIDI files.
BTW, if you'd like my sheet music in a MIDI file, just let me know which one(s).
Here are the currently available MIDI files of my transcriptions, arrangements, and exercises:
MIDI Files of Rock, Pop & Classical Transcriptions:
Meat Loaf - "Bat Out of Hell" (with Tempo Map).mid - NEW!
Bach - Violin Concerto, BWV 1042 - 2nd Mvmt - For Synth/Sampler or Piano.mid
Bach - Double Violin Concerto, BWV 1043 - 2nd Mvmt - For Synth/Sampler or Piano.mid
Booker T. & the M.G.'s - "Chinese Checkers".mid
Dave 'Baby' Cortez - "Rinky Dink".mid
Richard Tee - Contemporary Piano - First Piece.mid
Booker T. & the M.G.'s - "Hip Hug-Her".mid
Billy Vera & the Beaters - "At This Moment".mid
The Beatles (with Billy Preston) - "I've Got a Feeling" (transcribed by Elmo Peeler).mid
Floyd Cramer - "One Day at a Time (Sweet Jesus)" (transcribed by Elmo Peeler).mid
Gerry & the Pacemakers - "How Do You Do It" - Piano Solo (transcribed by Elmo Peeler).mid
Glenn Frey - "Route 66" (transcribed by Elmo Peeler).mid
Don Henley - "You Don't Miss Your Water" (transcribed by Elmo Peeler).mid
Billy Preston & The Beatles - "Without a Song" (gospel jam)(transcribed by Elmo Peeler).mid
Ray Charles - "Makin' Whoopee" (transcribed by Elmo Peeler).mid
Bonnie Raitt - "I Can't Make You Love Me" (transcribed by Elmo Peeler).mid
The Beatles (with Billy Preston) - "Get Back" (transcribed by Elmo Peeler).mid
Mavis Staples - Hard Times Come Again No More (transcribed by Elmo Peeler).mid
Elvis Presley - Love Me Tender (arranged by Elmo Peeler).mid
Sugar Chile Robinson - Numbers Boogie (transcribed by Elmo Peeler).mid
Sugar Chile Robinson - Numbers Boogie - with Left Hand in Broken Octaves.mid
The Beatles - Ob-La-Di, Ob-La-Da (transcribed by Elmo Peeler).mid
Van Morrison - Benediction - Piano Part (transcribed by Elmo Peeler).mid
The Meters - Cabbage Alley - Piano Part - Intro & Verse (trans. by Elmo Peeler).mid
Elmo Peeler - A Whiter Shade of Pale - (arranged for Solo Piano).mid
Leon Russell - Shoot Out on the Plantation (studio version) (transcr. by Elmo Peeler).mid
Leon Russell - Shoot Out on the Plantation (Solo Piano version) (transcr. by Elmo Peeler).mid
The Zombies - This Will Be Our Year - Piano Solo (transcribed by Elmo Peeler).mid
Liberace - Chopsticks (transcribed by Elmo Peeler).mid
Long John Baldry - Conditional Discharge (transcribed by Elmo Peeler).mid
Jerry Lee Lewis - Great Balls of Fire (1957) (transcribed by Elmo Peeler).mid
Jerry Lee Lewis - Trouble in Mind - 2 Pianos: Jerry Lee &Tony Ashton (transcr. by Elmo Peeler).mid
Jerry Lee Lewis - Whole Lotta Shakin' Goin' On (transcribed by Elmo Peeler).mid
Allman Brothers Band - Southbound - Complete Piano Part with Solo (transcr. by Elmo Peeler).mid
Bill Payne - The Ballad of Davy Crockett (transcribed by Elmo Peeler).mid
Saving Mr. Banks (8 Different Songs) - Richard Sherman demos from "Mary Poppins".mid
Stevie Ray Vaughan - The House Is Rockin' - Piano Intro & Solo (transcribed by Elmo Peeler).mid
MIDI Files of Exercises:
Elmo Peeler - Propulsion Exercise.mid
Elmo Peeler - Exercise in Flips & Tremolos in 3rds.mid
Elmo Peeler - Exercise - Transform a Melody into Floyd Cramer's Style - Mary Had a Little Lamb.mid
Elmo Peeler - Alberti Bass Exercise.mid
Elmo Peeler - Exercise in Harmonized Arpeggios for Two Hands.mid
Elmo Peeler - Exercise for Crossing Hands, No.2.mid
Elmo Peeler - Exercise for the Wrists - Banjo on the Piano.mid
Elmo Peeler - Articulation Exercise in 6ths, Inspired by Bach's Invention No.8.mid
Elmo Peeler - Exercise in Chromatic Double-thirds.mid
Elmo Peeler - Leon Russell Exercise.mid
Elmo Peeler - 4-5-2-1 Exercise for the 4th & 5th fingers.mid
Elmo Peeler - 4-5-4-1 Exercise for the 4th & 5th fingers.mid
Elmo Peeler - Rhythmic Exercise - Splitting the Left Hand.mid
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These are the most highly-organized and best-sounding synth patches available anywhere, guaranteed. Get the most out of your vintage hardware with these large patch libraries:
Ensoniq
Kawai
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Roland
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Even if you don't use the actual hardware synthesizers, there are software emulations that will allow you to play these patches on your computer, as VSTI's in your sequencer. These include:
Nils' K1v – Kawai K1 Emulation Plugin
Korg Legacy Digital Edition (for M1 & T1 synths)
Native Instruments FM8 (for DX7 synths)
Aurora FM (for DX7 & TX81Z synths)
SQ8L (for ESQ-1 synths)
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I've had the good fortune to have taught some of the biggest names in the entertainment industry, and if you're serious about learning, I'll be happy to help you, too.
By means of Skype lessons (or in-person if you're in L.A.), I can coach you and help you to improve your technique, your rhythm, your ability to improvise, your knowledge of music theory, your sight-reading, and to develop relative pitch.
I've had the good fortune to have toured the world playing keyboards and arranging/conducting for these Rock and Roll Hall of Fame Artists:
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- The Beach Boys
- Rod Stewart - All 'Unplugged' Concerts
- Ricky Nelson - Stone Canyon Band
And I've also won classical piano competitions performing Beethoven, Rubinstein and Saint-Saens' Piano Concerti. See me playing here. "Josie's Boogie" is quite the virtuoso dramatic minor-key showpiece; check out the ascending double-octave run at the ending... :)
Thanks to the internet, I can help you play piano better - rock or classical, by ear or by note.
Or if you live near the Hollywood Hills, I'll teach you in my home or yours.
If you'd like to improve, drop me a note at info@manymidi.com. Tell me three things:
1) Your musical background
2) Where you are currently, musically-speaking
3) Your musical goals
To see me playing piano with Ricky Nelson on the Tonight Show, click here.
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My students include members of:
- Weezer (Rivers & Brian)
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Vampire Weekend (Ezra & newest addition, Greta)
- Incubus (Mike)
- The Strokes (Nick)
- Rooney (Robert)
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Jason Schwartzman (Mozart in the Jungle)
- Courteney Cox
- Pablo Dylan
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Franz Liszt - Improvising on
"Bat Out of Hell"
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"Thanks for the really superior job you did with Hip-Hug-Her. I've played the B-3 professionally in local groups since 1965, with Booker T's tunes in many of those groups' repertoire, but I've never quite gotten some parts of Hip-Hug-Her exactly right. You've enlightened me!
Also, the notes you added at the end of the score have undoubtably helped others - especially players who aren't familiar with how Hammond's classic organ functions - understand how the drawbar settings, percussion and the two manuals must be used to achieve the right sound. That information alone is worth price of the transcription for them.
With admiration and respect for you and your work,"
- Wayne T.
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Los Angeles, CA
323-650-6602
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