31% OFF

Thornton Wilder's Pulitzer Prize-winning play Our Town is given the Hollywood treatment in this adaptation directed by Sam Wood featuring an evocative score by Aaron Copland and outstanding production design by William Cameron Menzies. Frank Craven is Mr. Morgan, the narrator and our guide through the small town of Grover's Corners in the more innocent American times of 1901, 1904, and 1913. Mr. Morgan chronicles the lives of a handful of Grover's Corners citizens, centering upon Emily Webb (Martha Scott), the daughter of the local newspaper editor (Guy Kibbee), and George Gibbs (William Holden), the son of the local doctor (Thomas Mitchell). Emily and George fall in love and the film details their difficult courtship, marriage, and tragic childbirth. The film was nominated for a Best Picture Oscar, losing out to Rebecca.

In this romantic comedy, a humble country girl lives her life in the ramshackle mansion of her aged uncle. Feeling sorry for her "poor" relation and selflessly keeping him company until he dies, she is later shocked to learn that he has left her an enormous fortune. One might think such a windfall a dream come true, but not for the girl. Things immediagely go wrong when her fiance, the town doctor, wanting to focus on his career, refuses to abandon his patients and go galavanting across Europe. Angrily, she goes anyway and finds herself surrounded by gigolos more interested in her assets than in her perosonality. This causes her to reasses her new values and return to the man who loves her for herself.

In this thriller, a nearly bankrupt businessman blackmails a buddy into to murdering him within a week so that his wife can collect on his hefty insurance policy. Unfortunately, his business takes a sudden upswing, and he no longer has to die. Too bad his friend doesn't know that. The hero suffers several near misses before learning that it is partner and another who really want to kill him, not his friend whom they have kidnapped and framed. In the end, the villains shoot each other.

Rick Richards (Elvis Presley) is a helicopter pilot who is grounded when his chopper runs federal aviation official Donald Beldon (John Doucette) off the road in Paradise, Hawaiian Style. Already suspended as a airline pilot, he and partner Danny Kohana (James Shigeta) struggle to keep their business flying. Suzanna Leigh plays the pretty secretary, but Elvis does not limit his affections to just one girl. Technical credits and locations scenes of the beautiful islands are the highlight of the film. Presley warbles his usual slew of songs, but most are unremarkable.

People Will Talk was less a movie than a conduit for the genteel liberalism of screenwriter/director Joseph M. Mankiewicz. Cary Grant plays Dr. Praetorius, an unorthodox medical professor at a sedate midwestern college who seems more interested in the human soul than in the cold facts of the human body. Praetorius' nemesis is a conservative rival doctor (Hume Cronyn) who presses for an investigation of our hero's clouded past--with special emphasis given the mysterious old man (Finlay Currie) who lives with Praetorius and waits on him hand and foot. In the course of the film, Praetorius falls in love with one of his students, an unmarried pregnant girl (Jeanne Crain). At the climactic hearing concerning Praetorius' fitness, the presiding judge (Basil Ruysdael) decides that Praetorius' "modern" methods are more worthwhile than the pragmatic, cut-and-dried theories of his enemies. Based on a German play by Curt Goetz, People Will Talk is a bit too proud of its own cleverness, with Mankiewicz' political planks being wedged in at all the inappropriate times (while conversing with the father of the pregnant girl, Praetorius launches on a gratuitous attack against farm subsidies!) Still, the film is ten times more intelligent than most of Hollywood's 1951 output, and contains one of Cary Grant's best and subtlest seriocomic performances. Bonus: In the first scene of People Will Talk, the snoopy lady who brings Praetorius' "shady" past to the attention of Hume Cronyn is played by an uncredited Margaret ("Wicked Witch of the West") Hamilton.

Striving for a better life for his two sons, a Puerto Rican immigrant named Popi (Alan Arkin) goes about his mission in a singularly eccentric fashion in this comedy from director Arthur Hiller. So intent is Harlem resident Abraham "Popi" Rodriguez (Arkin) upon providing his boys with the American dream, that he puts off marrying his beautiful girlfriend Lupe (Rita Moreno) in order to carry out the mother of all harebrained schemes. After instructing his boys how to row with lessons in Central Park, Popi takes them to Florida and sets them adrift on the ocean, knowing that two cute "refugees from Cuba" seeking asylum in the U.S. will become celebrity cases and probably be adopted by rich WASP's. Popi's plan works like a charm, with his sons even earning an audience with the president, but a visit to the hospital where they're recovering from their ordeal at sea sinks his big plans.

Cecil B. DeMille's The Greatest Show on Earth is a lavish tribute to circuses, featuring three intertwining plotlines concerning romance and rivalry beneath the big top. DeMille's film includes spectacular action sequences, including a show-stopping train wreck. The Greatest Show on Earth won Academy Awards for Best Picture and Best Story.

The studio concocted the film as a showcase for its 9-year-old discovery Joan Carroll, here cast as precocious Bridget Potter. Little Bridget has been willingly "kidnapped" by secretary Linda Norton (Ruth Warrick), who hopes that the girl's disappearance will precipitate a reunion between Bridget's divorcing parents (John Miljan, Marjorie Gateson). Instead, Linda's well-intentioned crime results in a film-length slapstick chase, largely involving two rival newspaper reporters (Eve Arden and Edmond O'Brien). Obliging Young Lady was directed by Richard Wallace, who as a former employee of Hal Roach Studios was well-grounded in this sort of frenetic farce.

In this drama, a hard working printer gets wanderlust, leaves his wife and family, and hits the road. Ten years pass. His wife has become a prominent citizen and runs a big newspaper. He returns, impoverished, and though bitter, she gives him a job as her house servant so he can be near his daughters. Meanwhile, she is being harassed by local mobsters who wreck her printing press to put her out of business. Her estranged husband saves the day, by operating a hand press to help her put out a special edition. Sparks begin to fly, and she comes to forgive him.

In the wake of Shirley Temple, every Hollywood studio scrambled to find a child star who might possibility match Temple's selling power. Warner Bros.' candidate was South Africa-born Sybil Jason, who starred in several of the studio's short subjects and was headlined in a handful of features like Little Big Shot. Here she is cast as Gloria Gibbs, whose daddy is knocked off by gangsters early in the picture. Left in the care of confidence tricksters Steve Craig (Robert Armstrong) and Mortimer Thompson (Edward Everett Horton), it doesn't take long for Gloria to twist her surrogate "parents" around her little finger. With the help of Steve, Mortimer and lunch-counter waitress Jean (Glenda Farrell), our heroine not only puts the finger on the gang responsible for her father's demise, but collects a huge reward as a result.

Life Begins is an episodic Warner Bros. programmer about one unusually busy night in a maternity ward. Loretta Young is the central character, a convicted murderess who has been impregnated by her gangster boyfriend. She is moved to the hospital to give birth, sharing ward space with hard-boiled Glenda Farrell, who's willing to sell her unborn child, and several other mothers-to-be from various walks of life. Under the benign supervision of head nurse Aline MacMahon, most of the babies are born safely, though the repentant Young dies in the process. Based on a play by Mary McDougal Axelson, Life Begins was remade as A Child Is Born (1940), which was not nearly as effective (or as frank) as the original.

James Cagney is Chesty O'Connor, a tough-as-nails, always-ready-for-a-fight shipyard worker, who loses out to US Navy CPO Biff Martin (Pat O'Brien) in a fight over a girl -- he not only loses the girl, but his job, and decides he wants a rematch. But to get it, he has to join the navy, which he does, along with his buddy Droopy (Frank McHugh). And he's assigned to the same ship as Martin, but he can't goad the chief petty officer into a fight and doesn't seem to understand much about navy discipline or regulations. He manages to get on the wrong side of virtually everyone on the ship, and especially Martin, because he's attracted to the latter's sister (Gloria Stuart), who would like nothing more than to make peace between the two men in her life. None of this is close to being sorted out, along with a few misunderstandings that only worsen the feelings between the two men, before O'Connor is transferred off the ship and into a naval air service unit, as part of a dirigible crew. It's there that O'Connor begins to straighten up and fly right, and during an airborne exhibition, that he starts to show what he's really made of, in a way that neither Martin nor his sister can ever forget.

Like the contemporaneous Columbia feature Party Wire, RKO Radio's Grand Old Girl paints a surprisingly bleak and cynical portrait of "respectable" small-town America. After 38 years of faithful service as a schoolteacher, Laura Bayles (May Robson) is unceremoniously fired when she challenges local gambling interests in a heated political campaign. Evidently, virtually everybody in town knows that the gamblers are corrupting their youth in the back room of the local drug store, but nobody cares. In fact, many are hostile toward Laura for blowing the whistle. Refusing to give up on her campaign, Laura ultimately brings the sordid situation to the attention of the President of the United States (Gavin Gordon), who, as luck would have it, was one of Mrs. Bayles' former pupils. Although Fred MacMurray and Mary Carlisle were borrowed from Paramount and MGM (respectively) for box office insurance, Grand Old Girl is May Robson's show all the way.

A tough, bitter fugitive's travels lead him to a grungy rundown oil town. There the transient is taken in by an oil-rigger who gives him a job working a well. They must work double-quick for the well's lease is due to expire. Unfortunately, they become so focused on striking oil quickly, they forget about safety and several men are hurt. Meanwhile the kindly crew boss and the fugitive vie for the affections of a life-hardened woman until tragedy strikes the supervisor. Suddenly the fugitive must take on the responsibility of reaching the oil. In so doing, he makes some important decisions about taking responsibility for his actions as well.

This laudable RKO programmer casts Chester Morris as a fearless pilot whose misdeeds have exiled him to a remote flying field in the Andes mountains. Morris and his fellow pilots are all exiles of sorts, and as such are willing to take on the near-suicidal task of flying supplies to miners in the most treacherous mountain ranges. The all-male atmosphere is disrupted when young air ace Van Heflin shows up with his wife Whitney Bourne. Morris tries to keep the sex-starved pilots away from Whitney, buts ends up falling in love with her himself. Heflin proves himself a weakling, but redeems himself by eliminating evil flight-commander Onslow Stevens. Heflin also dies in this endeavor, leaving a clear path for Morris and Bourne. One could point to Flight From Glory as the precursor to Howard Hawks' more famous Only Angels Have Wings, except that the earlier film succumbs to corniness and cliche a bit too often.

Warner Bros.' Devil Dogs of the Air is very much a "formula" picture -- but what a wonderful formula it is! James Cagney plays reckless stunt flyer Tommy O'Toole, who is encouraged to join the Marine Flying Corps by his old Brooklyn buddy Lt. William Brannigan (Pat O'Brien). An undeniably talented flyboy, Tommy is also brash, obnoxious and pugnacious, quickly earning the enmity of his fellow trainees. He even falls out with Brannigan over the affections of pretty waitress Betty Roberts (Margaret Lindsay). Very nearly "washing out" of the service, Tommy is eventually brought into line by the combined efforts of Brannigan, Betty, and the rest of the "devil dogs." After earning oodles of money for Warners during its first release, Devil Dogs of the Air proved equally as successful when it was reissued six years later, just before America's entry into WW II.

Eleanor Browne's novel Highway to Romance was the source for this moneyspinning RKO Radio comedy. Obviously inspired by It Happened One Night, the story is set in motion by runaway heiress Diane (Wendy Barrie), who hopes to escape from her impending marriage. Stowing away in the trailer owned by San Francisco-bound doctor Larry (Gene Raymond), Diane proves to be a most contentious travelling companion, though the audience is well aware that the couple will cease bickering and start smoothing somewhere around Reel Five. Adding to the comic intrigue is the fact that Larry is unaware of Diane's true identity, leading to several uncomfortable scrapes with the Authorities. Cross Country Romance marked the return to the screen after a two-year absence by Gene Raymond; his director on this auspicious occasion was Frank Woodruff, late of radio's Lux Presents Hollywood.

In this sleazy melodrama a defiant Southern farm girl marries a poor dirt farmer instead of the wealthy landowner her mother picked out. After her new husband is drafted and leaves, the girl descends into a life of cheap thrills, moving from man to man. She is beautiful and the men fight over her like dogs. During one of the scuffles one man runs another over with his car. The bereaved father of the dead man comes to the woman's house and shoots her.

The title of this Errol Flynn vehicle sprang from an "inside" joke at Warner Bros. Whenever the studio depicted a marquee or poster of a fictional film in one of their productions, the film's title was inevitably Another Dawn. When time came to shoot this Flynn epic, the studio, stuck for a title, opted for Another Dawn -- and had to cast about for another phony film title whenever the necessity arose. An unabashed soap opera, the film casts Flynn as Captain Denny Roark, a British army officer stationed in a remote Sahara outpost. Against his better judgement, Roark falls in love with Julia (Kay Francis), the wife of his commanding officer Colonel Wister (Ian Hunter). Wister knows what's going on, but he is too much the gentleman to interfere, just as Roark is too much the gentleman to demand that the Colonel grant Julia a divorce. Wister finally does the honorable thing by volunteering for a suicide mission, allowing Roark and Julia to continue their romance unencumbered. About the only distinguishing aspect in this dreary exercise in restraint is the lush Erich Wolfgang Korngold musical score.

Affectionately Yours offers the spectacle of glamorous Merle Oberon and gorgeous Rita Hayworth jockeying for the best camera positions, virtually pushing male leads Dennis Morgan and Ralph Bellamy right off the screen! Here's the deal: Neglected wife Sue Marberry (Oberon) obtains a quickie Nevada divorce from her globetrotting war-correspondent husband Rick (Morgan). Still in love with Sue, Rick rushes home to win her back, but by now she has found solace in the arms of her new fiancee Owen Wright (Bellamy). To arouse Sue's jealousy, Rick pretends to carry on an affair with female journalist Irene Malcolm (Hayworth), a scheme that backfires when Irene decides she wants Rick for keeps. Of interest is the supporting-cast presence of Hattie McDaniel and Butterfly McQueen, two years away from their domestic duties in Gone with the Wind.

"Slight" is right: this harmless comedy programmer is as inconsequential as it is enjoyable. It's the tale of two Army buddies: go-getter Geechy Cheevers (Mickey Rooney) and sedate family man Freddie Clopp (Eddie Bracken). Inveigling his way into Freddie's household, Geechy drives everyone bonkers with his get-rich-quick schemes. After convincing Freddie to quit his job and mortgage his home in order to set up a gas station, Geechy cooks up an underhanded scheme to tap the gas pipe of a rival station. Standing on the sidelines is Geechy's long-suffering girlfriend Beverly (Elaine Stewart) and Freddy's far-from-understanding wife Emily (Marilyn Erskine). An obligatory slapstick chase finale caps this exercise in lunacy.

College mineralologist Bob (Richard Dix) decides to put his education to good use by prospecting for gold out West. Teaming with desert rat Solitaire (Andy Clyde), Bob strikes it rich, but while en route to town to stake their claim, he stops long enough to rescue Nellie (Leila Hyams) from a gang of stagecoach robbers. Alas, in the meantime villainous Hanway (Onslow Stevens) has jumped our hero's claim. The rest of the picture concerns Dix's efforts to get back his gold, a dilemma solved in the traditional climactic gunfight. Surprisingly threadbare for a Richard Dix vehicle, Yellow Dust is one of the few RKO Radio westerns that really looks like a "B" picture.

Uncertain Glory finds Errol Flynn atypically cast as French criminal Jean Picard, a craven coward whose many misdeeds have earned him a date with the guillotine. Detective Marcel Bonet (Paul Lukas) intends to see that Picard keeps his appointment with the executioner, despite the fact that there's a war on. When the Nazis capture 100 French hostages to force a resistance saboteur to surrender himself, Picard offers to pose as the saboteur and thereby save the lives of the innocent villagers. In truth, he plans to escape once he's turned himself over to the Nazis, leaving the villagers in the lurch, but at the last moment his latent patriotism overcomes his sense of self-preservation. Errol Flynn's character is almost as inconsistent as the script, but war films invariably made money in 1944.

The thoroughbreds invoked by the title are a stray colt and the teenaged boy (Jimmy Lydon) who raises the animal. Despite the objections of his miserly uncle (Arthur Hohl), Lydon cares for the seemingly worthless colt with the help of a crusty but kindly groom (J. M. Kerrigan). The boy discovers that the colt actually belongs to the wealthy father of his girl friend (Joan Brodel, later known as Joan Leslie), but is hesitant to return the horse he has grown to love. The right thing is done at last, and a happy ending results. Two Thoroughbreds avoids wallowing in sentiment, thanks to the carefully controlled performance of Jimmy Lydon, whose energies were later shifted to the less demanding Henry Aldrich series at Paramount.

In this randier-than-usual teen comedy, Brad (Will Friedle) is madly in love with Brooke (Marley Shelton), but she happens to have a boyfriend who is a star on the school football team. Brad's best friend Leah (Jennifer Love Hewitt) doesn't think much of Brooke or Brad's interest in her, but this is largely because she's secretly in love with him and wishes he felt the same way. Brooke is having problems with her boyfriend and decides she wants to make him jealous, so while Brad and Brooke are studying together, she tells him she'd be more than happy to have sex with him that night. Good news for Brad, but there's one small problem -- Brad doesn't happen to have any condoms, and as the evening wears on, he has a harder time finding some protection than any man since the dawn of time. Leah, of course, is heartbroken -- as much as she wants Brad to get what he wants, she knows that Brooke is merely using him, and would never give him the love she feels for him. Trojan War was also shown under the title Rescue Me.

Adapted from his autobiography The Eddie Chapman Story, this is the story of a British safecracker who was in prison when WWII broke out. When the Germans occupy the area, he offers to work for them if they will set him free, and they do so, sending him as a spy to England. Once there, however, he offers his services to the British and becomes a double agent.

In this experimental 1954 Western, director William Wellman uses black-and-white backgrounds with occasional splatches of color on certain characters' bodies and clothes. On a snowbound ranch in northern California, the Bridges family is trapped by winter weather and its own internal conflicts. It is run by a stern matriarch, Ma Bridges (Beulah Bondi), who lords it over her weak, alcoholic husband (Philip Tonge) and her bitter, unmarried daughter, Grace (Teresa Wright). The three sons squabble constantly. Staying at the ranch is a young neighbor, Gwen Williams (Diana Lynn), who is smitten with one of the sons, Harold (Tab Hunter). But the arrogant Curt (Robert Mitchum) wants to take control of the ranch and take possession of Gwen too. During the winter, a black panther has been killing the cattle on the ranch. Curt and the third brother, the quiet Arthur (William Hopper), set out to kill the panther, but when Curt leaves to get more food, the cat kills Arthur. The grief-stricken family blames Curt, who then sets out on his own to kill the beast.

Briefly breaking away from her high-gloss modern soap operas, Kay Francis stars as Florence Nightingale in this reverent Warner Bros. biopic. The screenplay concentrates on Nightingale's humanitarian activities during the Crimean War of 1854-55. Defiant in the face of military bureaucracy and the male hierarchy, she organizes a volunteer group of nurses to tend to the military wounded, and also works tirelessly to update and improve the primitive, almost barbaric medical conditions of the Victorian Era. Of the supporting characters, only Ian Hunter as Fuller evinces any sort of humanity; the rest, especially Montague Love, are grim-visaged stereotypes. Critics were unkind to Kay Francis' performance in White Angel, with the New York Times speaking for many by suggesting that Francis was too overwhelmed by the historical importance of her character to deliver a believable performance. By today's standards, however, Francis is most effective despite her miscasting, delivering her difficult speeches with quiet and assured eloquence.

The action never stops in this western, which has a surprise ending. Ann-Margret stars as Mrs. Lowe, a widow who wishes to recover some gold stolen by her husband and hidden away. She says she wants to return it to the bank it was stolen from and clear her family name. In order to do this, she persuades Lane (John Wayne) to ride into Mexico with her and recover the loot. Once they cross the border, they discover two very different pursuers: a large group of bandidos, and a lone horseman who seems to know their every move (Ricardo Montalban).

Like MGM's Whistling in the Dark, Warner Bros.' The Smiling Ghost was inspired by the success of Paramount's comedy-mystery The Ghost Breakers--even unto the casting of Ghost Breakers' Willie Best in a similar role. During a gloriously oversized thunderstorm, hapless hero Lucky Downing (Wayne Morris) arrives at the mansion of his fiancee, heiress Eleanor B. Fairchild. Lucky hopes to break the jinx that seems to hang over Eleanor, whose last three boyfriends all met with mysterious deaths ("Anyone can be bitten by a snake." "On the fourteenth floor of a New York Hotel?") To do this, he tries to solve the triple mystery himself, aided and abetted by troublesome girl reporter Lil Bastow (Brenda Marshall) and timorous black manservant Clarence (Best). After a night of terror, replete with clutching hands and sliding panels, the murderer is revealed-after which Clarence participates in a closing gag which single-handedly sets race relations back 50 years. The Smiling Ghost was cowritten by Stuart Palmer, the creator of spinster sleuth Hildegarde Withers and a past master of locked-room mysteries with a comic touch.

It has now become a film-review clich to preface a write-up for I Married a Monster From Outer Space with the cautionary "Don't be misled by the title." The fact remains, however, that this one of the better and more intelligent horror outings of the late 1950s. The "I" of the title is Marge Farrell (Gloria Talbott), who can't help noticing that her husband Bill (Tom Tryon) has been acting very strangely since their dark-and-stormy wedding night. For one thing, the formerly demonstrative Bill behaves listlessly, as though possessing no emotions whatsoever; for another, though he spends much of his free time at Grady's Bar, Bill never takes a drink (now that is weird!) It isn't long before Marge discovers that Bill, along with several of his male friends, have been taken over by aliens from the Andromeda Nebula, who have arrived on earth to replenish their species. There's only one flaw to this plan: the aliens are unable to procreate! Once the authorities are alerted, a posse of non-possessed men attack the alien spaceship, paving the way for the not-altogether-predictable finale.

Loving You was the most autobiographical of all Elvis Presley's movies, and, not coincidentally, features the most naturalistic, easygoing performance of his early career. He plays Deke Rivers, a truck driver with a penchant for singing and a raw animal magnetism where women are concerned. He attracts the business interest of publicity agent Glenda Markle (Lizabeth Scott), who sees a potential gold mine in Deke. She hires him to appear with a band that she handles, fronted by aging country & western singer Tex Warner (Wendell Corey), who used to be romantically involved with Glenda and is now a client. Pretty soon he's pulling in bigger crowds and generating more excitement than Tex did during his best days (which drives the older singer to start drinking again), but also a lot more controversy, too. Deke is so provocatively sexual a presence on-stage that some citizens in the southern and border states where the band is working think that what he does is immoral. Girls can't keep away from him, their boyfriends despise what he symbolizes, and their parents are aghast, even as concert promoter Carl Meade (James Gleason) smells a fortune to be made from this boy. Glenda parlays these disputes and a ban on one of Deke's performances into a national television event. Amid all of this, Deke reveals the private, vulnerable side that no one ever knew -- that he's not even Deke Rivers (it was a name he took off a gravestone), but an orphan named Jimmy Tompkins, and that he's never had a home. He also reveals that he's attracted to Glenda, mistaking (with her encouragement) her interest in his talent with a personal involvement, but he's also drawn the the band's female singer, Susan Jessup (Dolores Hart), who could genuinely love him, and offers him a caring family of her own that would accept him. Deke and Glenda's conflicts are eventually straightened out, and Deke gets to say his piece and sing his music on network television.

Set in the American West after the Civil War, this drama is the pull-no-punches story of a lethal family feud. Colt Saunders (Charlton Heston) fought for the Confederacy in the war, and he returns to his family's Texas cattle ranch after impulsively marrying Lorna Hunter (Anne Baxter) following a very short courtship. During the war, Mexican foreman Innocencio (Gilbert Roland) and his sons have run the ranch. Colt's one-armed brother, Cinch (Tom Tryon), who hasn't been much of a help, wants Colt to give him money for his part of the land. When Colt refuses to give him gold in exchange for his share of the inheritance, Cinch launches a scheme to sell the place to a wealthy Northerner. Colt chafes at the notion of selling to a former enemy. Lorna gets pregnant with their first child, and Colt then discovers that she once worked as a prostitute. Soon after, a plot to kill Colt is unleashed.

Elephant Walk was several weeks into production when the film's original leading lady, Vivien Leigh, was replaced by Elizabeth Taylor (you can still see Leigh in a few long shots). Based on a novel by Robert Standish, the film casts Taylor as Ruth Wiley, the new bride of solemn plantation owner John Wiley (Peter Finch). At first thrilled at the prospect of living in the wilds of Ceylon, Ruth rapidly becomes a beautiful bird in a gilded cage. When American overseer Dick Carver (Dana Andrews) arrives on the scene, Ruth falls in love. Before she can leave her husband, though, the region is devastated by cholera. Making things worse, the local elephants go on a rampage, destroying her husband's mansion, which his father had maliciously built in the middle of the pachyderm's ancient right of way. Fraught with sexual symbolism, Elephant Walk works on a high-gloss soap opera level. The climactic stampede, however, is disappointingly filmed on a studio interior set, robbing what should have been a rousing climax of much of its credibility.

Something to Live For is the last of director George Stevens' "small" films, before he concentrated full-time on such blockbusters as Shane and Giant. Joan Fontaine plays a popular actress who descends into alcoholism. Ray Milland, in an unofficial extension of his Lost Weekend role, plays a reformed drunkard who comes to Fontaine's rescue. He encourages her to join Alcoholics Anonymous--one of the first times that this organization was given any kind of screen treatment. Milland's concern strains his relationship with his wife (Teresa Wright), who doubts that Ray's interest in Fontaine is merely humanitarian. But Milland refuses to endanger his marriage no matter how strong his feelings towards Fontaine--nor how much the audience wants him to.

Peking Express was the second remake of Josef von Sternberg's Shanghai Express. In the original film, a group of railroad passengers escaping war-torn China are overtaken by Chinese; in the first remake, Night Plane to Chungking, a plane is forced down in a jungle surrounded by Japanese troops. In Peking Express, the chief villains are Chinese again, but the passengers are now refugees of the Communists. Joseph Cotten (as a doctor) and Corinne Calvet (as a "woman of the world") are among the pilgrims threatened by Oriental outlaw Marvin Miller and his gang. The elements of social and religious hypocrisy in the original Shanghai Express are downplayed in the 1951 version, as is the shady past of leading lady Calvet (who inadequately fills the role originated by Marlene Dietrich). Peking Express is not the classic that the von Sternberg film had been, but on its own is a snappy little melodrama.

Bing Crosby stars as Paul Merrick, an irresponsible songwriter in Mr. Music. Merrick's improvidence and prodigality has made him persona non grata in show business, so his secretary Katherine Holbrook (Nancy Olson) takes it upon herself to rehabilitate her boss. Meanwhile, producer Alex Conway (Charles Coburn) desperately needs a hit show to survive. Conway takes a chance on Merrick, who then enlists several of Katherine's college-student friends to put on a musical revue. All the group needs now is some money--$300,000, to be exact. Mr. Music is enlivened by several guest-star appearances, including Marge & Gower Champion, Dorothy Kirsten, Peggy Lee, the Merry Macs, and Groucho Marx who performs an amusing vaudeville turn with Crosby. Director Richard Haydn shows up in a pivotal cameo role, billed as "Claude Curdle."