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A church mouse may be quiet, but not in this zippy British comedy from Warner Bros.' Teddington Studios. Hollywood's Laura LaPlante plays a meek, drab secretary in the employ of handsome banker Ian Hunter. She takes off her glasses, and--gosh!--she's gorgeous. Old silent-comedy hands W. Scott Darling and Tom Geraghty fashioned their screenplay from a play by Ladislas Fodor and Paul Frank (previously filmed as a silent). The Church Mouse was directed by slapstick comedian Monty Banks, who essays a small role as Harry Blump.

No, this society drama is not related in any way, shape or form to the 1949 Katherine Hepburn/Spencer Tracy comedy. It's one of Cecil B. DeMille's most critically savaged pictures. At 34, Anna Q. Nilsson was a bit young to play the neglected middle-aged wife of business man Michael Ramsay (Milton Sills). The deposed King of Morania (Theodore Kosling) begins to draw Mrs. Ramsay's attention away from her marriage and she makes plans to run off with him. Ramsay, meanwhile, is trying to keep his marriage intact by spending his fortune in an attempt to get the king back on his throne. All this is viewed with disgust by the Ramsay's flapper daughter, Mathilda (Pauline Garon). Although she is engaged to professor Nathan Reade (Elliott Dexter), Mathilda makes a play for the king, just to keep him away from her mother. She winds up saving her mother but ruining her own reputation and destroying Reade's trust. Ramsay makes himself a new fortune and reconciles with his wife, who writes a confession for Mathilda to hand to Reade. She takes it down to him in the tropics, where he is working, but he decides to believe her and destroys the letter without reading it. The last part of the film contains a sequence shot on color film. DeMille was famous for his fantasy sequences and this one, which takes place in caveman days, is one of his worst.

Vincente Minnelli takes another of his occasional dips into situation comedy (i.e. The Long Long Trailer) in The Courtship of Eddie's Father. Ron Howard is the precocious Eddie, who wants to see his recently widowed father, Tom Corbett (Glenn Ford), get married again. He even has the lucky bride picked out -- their attractive neighbor Elizabeth Marten (Shirley Jones), a young divorcee. When his father's interest isn't whetted, he strikes up a friendship with Dollye Daly (Stella Stevens), a shy, beauty contest winner. But, much to Eddie's disappointment, Dollye falls in love with Tom's friend Norman Jones (Jerry van Dyke). When Tom meets stylish fashion consultant Rita Behrens (Dina Merrill) and announces their plans to marry, Eddie -- who disapproves of the match -- runs away from summer camp and hides out in Elizabeth's apartment. Tom breaks off his engagement to Rita and tries to find Eddie. Arriving at Elizabeth's apartment, Tom confronts Elizabeth and decides to try to get to know her a little better.

In this sea-going suspense drama, Edwin Rumill (James Mason) is the former first mate of an ocean liner who leaps at the chance to have a vessel under his full command. However, the S.S. Berwind is no ship to write home about, a freighter from the mothball fleet whose captain has recently died. The crew is often ill-tempered, and Mahia (Dorothy Dandridge), the wife of the ship's cook, doesn't make anyone more comfortable with her flirtatious nature. Rumill learns that the bad attitude of his crew has a sinister undercurrent: two of the hands, Leroy Martin (Stuart Whitman) and Henry Scott (Broderick Crawford), have hatched a scheme to murder Rumill and the rest of the crew, bring in the ship as salvage, and sell it to the highest bidder, expecting to earn close to a million dollars. Rumill must rally support if he and the other men hope to survive.

In this western, which combines Old West authenticity with a modern outlook and neo-feminist perspective, Sarah O'Rourke (Linda Fiorentino) is a tough-minded woman who made the mistake of marrying a violent, abusive man. Sarah decides that she can take no more and kills her husband. It's Sarah's poor fortune that her late spouse's father is Marshall Bill Speakes (Sam Elliott), a bitter, no-nonsense lawman who will see to it that Sarah pays for her crime with her life. Sarah is being transported by stagecoach to another town; riding with Sarah and Speakes is Jack Cooper (Craig Sheffer), who is carrying $2,500 with him. En route, bandits attempt to hold up the stage; in the confusion, Sarah escapes with the money. Jack gives chase to get the money back, and while he catches up with her, they soon find they're both being pursued by Speakes, who is not about to let the niceties of the law prevent him from taking his revenge.

In this crime drama, an avaricious, successful gambler is not content with fabulous wealth and aspires to become a member of the British nobility after he falls in love with one of the country's more prominent blue-blooded women. Unfortunately, to have her, he must mend his ways. He then dumps his girl friend, a nightclub singer who becomes murderously jealous. He must also deal with the mobsters who try to take over his clubs.

Set against the anti-war protests, rock & roll revolution, and mind-expanding psychedelia of the 1960s, Julie Taymor's hallucinogenic musical follows the arduous journey of star-crossed lovers Jude (Jim Sturgess) and Lucy (Evan Rachel Wood) as they and a small group of musicians are swept up in the raging waters of the volatile counterculture movement. Guided through their journey by a pair known only as Dr. Robert (Bono) and Mr. Kite (Eddie Izzard), Jude and Lucy are eventually forced to find their way back to one another after being split apart by powerful forces beyond their control. The music in the film consists exclusively of songs made popular by the Beatles during the time period depicted in the movie.

Vittorio De Sica, Cesare Zavattini, and Giuseppe Marotta wrote this anthology of tales depicting various aspects of Neapolitan life, with the emphasis of poignancy and comedy: "The Racketeer" features Toto with a gangster as his unwanted house guest; "Pizza On Credit" gave Sophia Loren one of her first starring roles, as a wayward wife who loses her wedding ring; "The Gambler" stars De Sica in a hilarious performance as a compulsive gambler whose rich family won't give him money, so he's reduced to playing cards with the young son of his servant; "Theresa" features Silvana Mangano as a prostitute who discovers that a man really does have to be crazy to marry her. (Two other episodes were cut for the film's U.S. release.)

Director King Vidor intended An American Romance as the third entry in his "War, Wheat and Steel" trilogy (the War had been covered in The Big Parade, while Wheat was dispensed with in Our Daily Bread). Two years in production, the film cost nearly $3 million-little of which actually shows up on screen due to heavy post-production editing and rearranging of scenes. Brian Donlevy stars as immigrant laborer Steve Dangon, who becomes convinced early on that the only way he'll get anywhere in life is to accumulate huge sums of money. He takes a job in a midwestern steel mill, calculatedly working his way up the ladder from foreman to owner of an auto manufacturing firm. Though he regards himself as a "man of the people", Dangon resists the efforts of his workers to form a union.--even when his son Teddy (Horace McNally) is won over to the workers' point of view. A bitter three-month strike forces Dangon's board of directors to give in to the workers' wishes Disillusioned, Dangon retires from his business, but returns to work determined to switch over to the manufacture of airplanes when WW2 creates a demand for defense products. The "documentary" aspects of the story are far more compelling that the dramatic passages, with Donlevy's performance vacillating from strong to so-so. Minus any real star names (the leading lady is MGM contractee Ann Richards, a graduate of short subjects), An American Romance flopped at the box office, and Vidor in later years tended to dismiss the film as a misfire, severly damaged by studio tampering. The currently available 121-minute version stands up reasonably well, leading one to wonder if the film was not actually improved by MGM's insistence (over Vidor's protests) upon removing 30 minutes from the running time.

An uncommon motorcycle club led by Bosnian War veterans finds redemption helping their struggling small town heal and defending the threatened herd of wild horses they first met on the front line.

Alexander Hamilton was not precisely the life story of America's first secretary of the treasury--in fact, it doesn't even depict the most portentous moment of Hamilton's life, his fatal duel with Aaron Burr. Instead, Alexander Hamilton concentrates on Hamilton's efforts to pass the "Assumption Bill," which required the federal government to assume the debts incurred by the 13 states during the Revolutionary War. Hamilton's enemies attempt to blackmail him into silence by calling forth a Mrs. Reynolds, with whom the married Hamilton had had a brief affair while in London. Hamilton confounds his enemies by admitting publicly to the affair and condemning his opponents for compromising the goodwill of the country with such sordid tactics. George Arliss, who'd played Alexander Hamilton on stage, here revives the role, in the company of Alan Mowbray as George Washington (delivering a memorable "farewell to the troops") scene, Montagu Love as Thomas Jefferson, Morgan Wallace as James Monroe, and June Collyer as the hapless Mrs. Reynolds.

Based on the play New York Town by Ward Morehouse, Mervyn LeRoy directs the black-and-white 1932 comedy drama Big City Blues. A small-town innocent from Indiana, Bud Reeves (Eric Linden) inherits money and goes to New York to get in all sorts of trouble. He meets up with his cousin Gibby (Walter Catlett), who introduces him to chorus girl Vida Fleet (Joan Blondell). Bud and Gibby then throw a drunken hotel party with bootleg liquor that gets out of hand and a young woman (Josephine Dunn) is hit on the head and accidentally killed. Bud and Vida go gambling and drinking to escape the cops, but they are caught and arrested with everyone else from the party. Eventually, the police find the real killer and release everyone. Bud leaves for Indiana, but plans to go back, get his dog, and marry Vida. Humphrey Bogart appears in a brief uncredited role as Shep Adkins, a guy who gets into a fight with Lyle Talbot during the party.

Filmed on-location at the Naval Air Training Stations in San Diego, CA, and Pensacola, FL, this black-and-white Warner Bros. drama was dedicated to the U.S. Naval Aviation Service and probably served as propaganda when it was released in 1939, right before the U.S. involvement in WWII. Submarine officer Jerry Harrington (John Payne) goes to Pensacola to train as a flying cadet, just like his father and his brother, longtime airman Cass Harrington (George Brent). Jerry ends up falling for his brother's girlfriend, Irene Dale (Olivia deHavilland), which only increases the competition between the two brothers. After Cass gets injured, Jerry becomes a pilot in San Diego and Irene must choose which man she wants. Also starring Frank McHugh.

Produced by Stanley Kramer, A Child is Waiting is set in an institution for the mentally handicapped, with many actual residents playing supporting and bit roles. Doctor Burt Lancaster and instructor Judy Garland often find themselves at odds over teaching methods, with Garland preferring an intense one-on-one approach with her students. Bruce Ritchey, a non-developmentally challenged youth, plays the retarded son of Gena Rowlands and Steven Hill, whose intellectual and social progress becomes the focal point of the film. The most uplifting sequence in A Child is Waiting takes place during a play staged by the genuinely handicapped children for their parents; while director John Cassavetes gilds the lily with close-ups of the teary-eyed audience, the kids themselves are earnest, engaging, and totally devoid of self-pity. According to Stanley Kramer, Judy Garland left her best work in this film on the cutting room floor; whenever completing a scene in which she'd exercised professional restraint, she'd insist upon a retake, then resort to the sobbing and breast-beating that her fans had come to expect.

Set in the early 1900s, Adventure in Baltimore is a romantic comedy about the woman's suffrage movement. Shirley Temple plays a student at an exclusive girl's school who "sees the light" and begins campaigning for women's rights. This doesn't sit well with her minister father (Robert Young) nor with Temple's boyfriend (John Agar, then married to Temple). Eventually, Temple's dad is won over to his daughter's point of view, and delivers an impassioned sermon on tolerance and individual rights for the edification of the hidebound townspeople. Like most of Shirley Temple's "grown up" films, Adventure in Baltimore was a disappointment at the box office.

A man running away from his problems escapes conventional reality with the help of a band of pirates in this offbeat fantasy. Manuel (Manuel Mesquita) is a musician who is short on money and behind on his tax payments. Eager to leave his troubles behind, he spies a 15th Century pirate's ship and impulsively jumps on board. Throwing in his lot with the sea-going bandits, Manuel discovers they're an unusual bunch, searching for a strange but powerful substance called plutex and possessing the ability to become invisible, adopt new languages, or fashion strange gizmos at will. But matters of principle and opinion lead to conflicts among the crew, and Manuel searches for a way to follow his own path while doing right by his friends. A Espada e a Rosa (aka The Sword and the Rose) was the first feature film from director Joao Nicolau.

The wartime housing shortage in Washington DC is the basis for this comedy. Several attractive young ladies rent a single DC apartment, causing no end of complications to their various professional and private lives. Also moving in (due to a misunderstanding) is a young newlywed (Jane Wyman), whose flustered husband (Jack Carson) is denied access to the apartment. The funniest of the female roommates is a visiting Russian sniper, played con brio by Eve Arden. The Doughgirls is based on the popular Broadway play by Joseph A. Fields (with uncredited assistance by George S. Kaufman). Three Stooges fans are advised to keep an eye out for Curly Joe DeRita as an unhappy schlemiel who can't find a place to sleep.

The second and last of the Fred Astaire-Rita Hayworth vehicles, You Were Never Lovelier takes place in Argentina (courtesy of the Columbia Pictures art-direction department). Fred plays an American dancer whose fondness for betting on horse races has left him broke. Rita is the daughter of wealthy Argentinian nightclub owner Adolphe Menjou, who has vowed that his daughters will marry in the order of their ages-and since older sister Leslie Brooks is about to walk to the altar, Rita is next in line. To encourage his daughter to seek out an eligible husband, Menjou sends Rita unsigned love notes so that she'll think she has a secret admirer. Through a series of misunderstandings that could only happen in the movies, Rita becomes convinced that Fred is the man who's been plying her with notes and gifts. Menjou hires the impoverished Astaire as a potential son-in-law. Fred bridles at the thought of being a "bought spouse", but changes his mind when he falls in love with Rita on his own.

Complete with a final production number filmed in Technicolor, this tuneful musical depicts the highly fictive ups and downs of fabled vaudeville headliners Jack Norworth (1879-1959) and Nora Bayes (1880-1928). After rejecting a partnership with songstress Blanche Mallory (Irene Manning), Norworth (Dennis Morgan) discovers Miss Bayes (Ann Sheridan), who is wasting her considerable vocal talents by working in a honky tonk. Jack convinces the girl to become his partner but Nora's controlling boss, Costello (Robert Shayne), insures that the team is blacklisted everywhere. Despite this setback, the talented husband-and-wife duo finagles an engagement with the 1907 edition of the Ziegfeld Follies and vows the audiences with Jack's newest composition, the lilting "Shine on Harvest Moon." In reality, Norworth met the already famous Bayes at the office of a music publisher and later became one of her five husbands.

Oscar is trying to re-establish an affair with Sandra, a disturbed young woman. Having found her husband Fabrizio shot dead and her young son Ricky standing beside him with a gun, Sandra suffered a complete breakdown and now lives in isolation with her protective mother. The latter saved the young boy from recrimination by placing the gun in his father's hand, making it seem like he committed suicide. However, things are not what they seem...

Both Jane Russell and her uncredited stunt double look great in skimpy swimwear throughout the Technicolor and SuperScope romantic adventure Underwater. Ms. Russell is cast as the wife of fortune-chasing Richard Egan, who takes her along to the Caribbean on a treasure hunt. The couple is accompanied by mercenary Gilbert Roland, priest Robert Keith, and Egan's blonde-doxy secretary Lori Nelson. While exploring the depths in search of untold riches, the little party is menaced by a band of modern-day pirates, led by Joseph Calleila. Partially filmed on location in Mexico, Underwater was completed in a newly-constructed underwater tank in an RKO Radio soundstage. For its world premiere, Underwater was projected on a submerged movie screen at Silver Springs Florida, and the invited guests were encouraged to don aqualungs and bathing uits so that they could watch the picture while swimming! A similar publicity ploy was utilized nine years later at Marineland of the Pacific for the premiere of The Incredible Mr. Limpet (1955).

The Cinecolor "A" western Slaughter Trail anticipated High Noon by having its story narrated in song by troubadour Terry Gilkyson. The basic plotline is a traditional Indians-vs.-whites affair, with cavalry officer Dempster (Brian Donlevy) trying to undo the damage created by Indian-hating bandit Vaughn (Gig Young). Upon cold-bloodedly murdering two Navajos, Vaughn has fomented a deadly tribal war, with Dempster's cavalry post right in the middle. Other endangered species include a supposed damsel-in-distress (Virginia Grey), who turns out to be Vaughn's accomplice. Filmed in 1950, Slaughter Trail was purchased by RKO head-man Howard R. Hughes in 1951. Hughes withheld release of the film until he was able to reshoot all scenes involving Howard da Silva, who'd originally been cast in the Brian Donlevy role. Da Silva was under a political cloud as an alleged pro-communist at the time, and the xenophobic Hughes wasn't about to release any film with a "Pinko" in the lead.

This teen rock 'n roll tale features a raft of unknowns, headed by Arch Hall, Jr. as Bud Eagle who leaves on a motorscooter from Spearfish, South Dakota with his guitar and dreams, and heads toward Hollywood. Soon after he arrives, a comely young woman, Vicki, manages to get Bud a spot on a TV show and the response is wild. Crafty wheeler-dealer Mike McCauley cons Bud into taking him on as a manager and then does everything he can to exploit Bud and pump up his popularity -- and income. Since ethics are no consideration, Bud soon wants out of his contract. Several mishaps later, he and his brother come up with a devious plan.

In this action/thriller starring and directed by Mario Van Peebles, Chief (Peebles), a former U.S. Marshal, suffers from anxiety and hallucinations after a case gone wrong. He learns the survivors of his team are all suffering the same symptoms and embarks on a mission to find out more about what happened on that case and what his team was exposed to.

It's late Thursday night at the local paper and a savvy city editor, a world-weary but upright writer, and a beleagured copy boy prepare to put the next day's paper to bed. Suddenly two stories come over the wire. In the first, a young girl has gotten lost in the city's storm drains, and her life is endangered when a terrible storm erupts and the sewers begin to fill with runoff. In the second, the grandson of the writer is among a team of missing Air Force pilots who were attempting to set a record flying from Hawaii to Washington, DC. This suspenseful, newsroom drama chronicles the ways in which these situations affect the workers as they try to get the paper out on time.

In this dark crime drama, the trouble begins when a San Francisco bookie attempts to lead an honest life by marrying a comely widow. In preparation for his nuptials, the fellow stays on the straight and narrow, but when he learns that one of his cohorts has been murdered by an East Coast gang that is trying to horn in on West Coast territory, he reenters the underworld. A boyhood friend who became a cop tries to convince him to team up with the police, but the vengeful bookie remains determined to things his way. It proves to be a tragic mistake and shows the bookie that those closest to him are not what they seem.

Nathaniel West's novel Miss Lonelyhearts inspired two films of the early 1930s: Advice to the Lovelorn (33) and Hi, Nellie! Paul Muni stars in the latter film as a big-city newspaper editor who gets in trouble for printing unsubstantiated information about a murder case. Muni is demoted and forced to write the paper's advice column, signing himself "Nellie." As he recklessly dispenses frivolous advice, Muni keeps tabs on the person he'd accused of murder. Using his "Nellie" connections, Muni gets the goods on the killer--and nearly gets rubbed out by a gangster mob. Warner Bros. must have been crazy about Hi, Nellie!, since the studio remade the film three times: Love is on the Air (37), You Can't Escape Forever (42), and House Across the Street (49).

The ever-suffering Kay Francis once again makes an assault on the audience's tear ducts in My Bill. Francis is cast as Mary Colbrook, an impoverished widow with four children, ranging in age from 10 to 19. When she realizes she can no longer provide for her family, Mary ships the three eldest children (Bonita Granville, Anita Louise and Bobby Jordan) off to their wealthy Aunt Caroline (Elisabeth Risdon), while Bill Colbrook (Dickie Moore), the youngest, loyally remains with his mom. Salvation comes in the form of a wealthy old recluse (Helens Philips Evans) who takes a liking to Bill, and who conveniently expires at fade-out time, bestowing a fortune upon the Colbrook family. Critics in 1938 were amused that the "poverty stricken" Colbrook family lived in an enormous house with expensive furnishings, but who wanted reality back then? My Bill is based on Tom Barry's play Courage, previously filmed under that title in 1930.

Sanna (Victoria Vetri), a beautiful blonde woman, is condemned to death when she is blamed for a sudden aberration of the sun. Fortunately, the girl is rescued by fisherman Tara (Robin Hawdon), a member of the nearby Sand Tribe, but Sanna's presence infuriates Tara's girlfriend Ayak (Imogen Hassall). While others run from the carnivorous dinosaurs, Tara trains one of the beasts who believes she is one of her offspring. A typhoon leaves four survivors to fight for survival in this prehistorically inaccurate science fiction story.

The star of the Broadway version of Any Wednesday was Sandy Dennis. Headlining the 1966 film version is Jane Fonda, who imbues her character with enough quirkiness to satisfy both herself and the endearingly mannered Ms. Dennis. Fonda plays the dippy mistress of philanderer Jason Robards, who visits his paramour only on Wednesdays (hence the title). Dean Jones costars as the erstwhile swain who messes up Robards' routine by falling in love with Fonda. Screenwriter Julius J. Epstein does a expert job at expanding Muriel Resnick's play for the screen without robbing it of its inherent charm.

Henry Koster directed this cloying family musical based on the true life story of Soeur Sourire, a Belgian nun whose recordings made her an overnight sensation on The Ed Sullivan Show. Debbie Reynolds stars as Sister Ann, a Belgian nun who likes to compose little tunes on her guitar. She writes the song "Dominique" for a lonely little boy, Dominic Arlien (Ricky Cordell), whose mother has died and whose father is an alcoholic. Father Clementi (Ricardo Montalban) tries to promote the song, getting help from his old friend Robert Gerarde (Chad Everett), a record producer. "Dominique" becomes an international hit, thanks to Robert's efforts, and Ed Sullivan appears on the scene to film Sister Ann for his television program. Unsure of how to handle her amazing success, Sister Ann seeks out Father Clementi for advice, unsure of whether to give up her singing and remain a nun or to continue on with her singing career and renounce her vows.

Young at Heart is a soft-pedaled, musicalized remake of 1938's Four Daughters. Robert Keith takes over the Claude Rains role as paterfamilias to a family of musical prodigies, all girls: Doris Day, Dorothy Malone, Elizabeth Fraser (the fourth daughter was written out of proceedings, no great loss). Keith's new boarder Gig Young, a musical-comedy composer, becomes the three daughters' heart balm, whether he wants to our not. When he gets stuck creatively, Young invites his tempestuous pal Frank Sinatra to help him finish his score. Sinatra essays the old John Garfield role, retaining a generous supply of Garfield's chip-on-shoulder edginess. But whereas Garfield's character dies in Four Daughters, Sinatra survives for a happily-ever-after clinch with Doris Day. Most of the songs heard in Young at Heart were already standards in 1954--with the notable exception of the Johnny Richards-Carolyn Leigh title number, which of course became a part of Frank Sinatra's standard repertoire.

Although Rin Tin Tin had appeared before in several films, this Northwoods drama was his first starring vehicle. The story line is fairly typical for its genre, and the famed canine is pretty much the whole show. The Wolf Dog (Rin Tin Tin) is raised by a pack of wolves and becomes pals with Gabriel Dupre, a French trapper (Walter McGrail). He proves his loyalty to Dupre when he attacks "The Fox" (Charles Stevens), accomplice to Shad Galloway, the crooked trading post manager (Pat Hartigan). Galloway wants to get rid of Dupre for a number of reasons, not the least of which is that he wants the trapper's sweetheart, Felice McTavish (Claire Adams), for himself. When it is mistakenly believed that the dog has killed a baby, Dupre is ordered to shoot him. The broken-hearted dog runs away, but after he is cleared, Dupre finds him once again. Ultimately, the Wolf Dog attacks Galloway and kills him. Not only do hero and heroine get together at the fade-out, we also see the dog with a family of his own. Rin Tin Tin certainly wasn't the first dog to achieve stardom; his immediate predecessor was Strongheart who, like Rin Tin Tin, was a German Shepherd. This picture, incidentally, had some competition -- Hal Roach released Call of the Wild starring Buck, a Saint Bernard, at the same time.

Director Frank Lloyd was nominated for an Academy Award for this rather sappy gangster melodrama starring Richard Barthelmess and filmed as a silent with dialogue sequences. Sent up the river by a rival gangster, Jerry Larrabee (Barthelmess) is shown the way to redemption by an understanding warden (the silent era William Holden), who encourages the hoodlum's flair for singing sentimental love songs in general and "Weary River" (by Louis Silvers and Grant Clarke) in particular. Pardoned by the governor, Jerry attempts to make a go at it as a vaudeville entertainer billed as "the Master of Melody" but constant whispers of "Convict!" from the audience ruin his concentration and he returns to the old gang. On the night of the final confrontation with Spadoni (Louis Natheaux), the rival who framed him, Jerry is saved by the quick intervention of the warden and reformed gangster's moll Alice (Betty Compson). Watch closely for future stars Sally Eilers as a hat check girl, and Randolph Scott as Compson's theater companion. Weary River may be seen today in a version restored by UCLA and Turner Classic Movies.

"Barley" Scott Blair (Sean Connery) is an alcoholic book editor from a bargain-basement publishing house in Great Britain who'd rather be drinking in Lisbon than attending a book dealers' show in Russia. So he's surprised when a CIA agent (Mac McDonald) pulls him from his boozy holiday. It seems that the CIA has through a book show intermediary received a package from a Russian book editor named Katya (Michelle Pfeiffer) containing amazingly detailed notebooks written by a cynical Russian physicist named "Dante" (Klaus-Maria Brandauer). The notebooks show that Russia's nuclear threat is a joke: Russian rockets "suck instead of blow...and can't hit Nevada on a clear day," in the acerbic words of CIA Agent Russell Sheridan (Roy Scheider). But why is Dante sending the notebooks to Blair? How shall the Western world respond to what could be the end of the nuclear arms race? Blair gets drafted by a British Secret Service agent (James Fox) to go to the new Russia to meet Katya. He must see whether the new Russia is still immersed in the old Cold War and whether the notebooks are genuine or another deadly chapter in the war of the spies.

If you're wondering which Warners musical featured the songs "Old King Cole" and "Have You Got Any Castles?," we refer you to Varsity Show. Dick Powell stars as a musical producer, called back to his alma mater to stage the annual college variety show. Uptight dean Walter Catlett is dead set against Powell's "scandalous" form of entertainment. The college kids conspire with Powell to stage their show in an empty Broadway theatre during the off-season. Turns out that Powell has Busby Berkeley under contract; well, he doesn't really, but it is Berkeley who stages the "big show" finale, in a spectacular fashion that would be impossible for any stage, college or professional. Among the costars of Varsity Show are Rosemary Lane as the ingenue, Ted Healy (in his last screen appearance) as comic relief, and Our Gang's "Spanky," here billed more formally under his real name, George McFarland.

Hugh Herbert plays a middle-aged bumbler who is about to inherit a multimillion dollar estate. But there's a catch: Herbert must be married to a widow--any widow--within three days. Roger Pryor plays a suicidal young man who offers to marry young Phyllis Brooks, then kill himself and make Brooks a widow, leaving the field clear for Herbert to move in! Bandleader Fred Keating, who stands to get the money if Herbert doesn't marry, appoints himself Pryor's "protector." To Beat the Band is no worldbeater in the field of comedy, but it does feature Johnny Mercer, Joy Hodges, Sonny Lamont and Nick Condos on the musical end.

They Made Me a Criminal opens in New York, depicting the latest victory in the ring for Johnny Bradfield (John Garfield), a young boxer who seems headed for a championship. When a reporter finds Bradfield drunk and carousing with women, and learns that the squeaky-clean image that he has cultivated is a complete lie, he threatens to blow the lid off the boxer's real life, and is beaten to death by Bradfield's manager. Bradfield, who was in a drunken stupor during the fight, is framed for the killing by his manager, who rolls him for his wallet, watch, and anything else of value, makes a run for it, and is killed in a fiery car accident. As far as the police are concerned, the case is closed, "Bradfield" having been identified in the wreck by the watch he was wearing. But Johnny Bradfield now has to disappear from New York and anyplace else he's ever been seen, in order to stay "dead." He is sent on his way by his crooked attorney with just a few dollars in his pocket, thumbing rides and walking west. Bradfield collapses one day from exhaustion and near starvation outside of a ranch in Arizona. The ranch is run by May Robson as part of a relief effort to help a group of boys from the New York slums -- Tommy (Billy Halop), Spit (Leo Gorcey), Dippy (Huntz Hall), T.B. (Gabriel Dell), Angel (Bobby Jordan), and Milty (Bernard Punsly) -- keep out of trouble. Identifying himself as "Jack Dorney," he first tries to see what he can get in the way of a free ride from the kids and Tommy's sister, Peggy (Gloria Dickson), who doesn't trust Dorney or his influence over the kids. Meanwhile, back in New York, one police detective, Phelan (Claude Rains), is convinced that the body found in the burned wreck of Johnny Bradfield's car wasn't Bradfield. Phelan is an outcast in his department for having once presented "conclusive" evidence in court against a man who was executed for murder, only to discover later that the man was innocent. He sees this as his chance to redeem himself and his career, and he is such a pariah that his chief gives him permission to follow up leads anywhere he needs to. At the ranch, Dorney takes a genuine liking to the kids, and sees Peggy as a kind of woman he's never known, who has no "angles" in her approach to life. The ranch may have to be sold, however, as there is no more money coming from the church in New York to keep it going. In order to save the ranch and set Peggy and the kids up in a roadside business pumping gas -- an idea of Tommy's -- Dorney decides to enter a prize fight for money against a barnstorming boxer. On the eve of the fight, however, Phelan shows up, drawn by a newspaper photo of Dorney, his face obscured but using the same unusual left-handed boxing stance he used as Johnny Bradfield. Dorney goes into the ring, and finds himself up against a brute who has already flattened two opponents in less than one round each, trying to hide his identity by fighting right-handed. He gets savaged, round after round, until Phelan tells him from ringside that he knows who he is. Free to use his left, Dorney saves himself. Phelan confronts him in the dressing room, and Johnny tells him he'll give him no trouble -- they're about to head back east, with Peggy and the kids trying to thank him, and it dawns on Phelan that possibly this is one case that might better be left "solved" officially the way it is already, even though it means the detective going back to his job as a laughing stock.