Eugene Textile Center
Monthly Newsletter
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Upcoming Classes & Workshops
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Next Level Spinning
With Janis Thompson: Sat, Oct 30
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Upgrade your skills from singles and 2-ply to Navajo/chain ply, bouclé, art yarn, cable, and spiral yarn structures. Explore and learn proper tensioning for plying, wheel mechanics, and wet finishing too!
You will need to bring your own spinning wheel to this class
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Keep your eyes open for Dead Man's Foot
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Rain is on its way! Take a look under local oak trees for this funky looking mushroom called Dead Man's Foot (Pisolithus arhizus). It dyes a luxurious golden brown! If you find one and you're not ready to use it, stick it in your freezer (and LABEL IT!!) for later.
We'll be experimenting with it for next month's newsletter, so if you've got one, you can play along.
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Check out the Latest Magazines
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We have all the latest issues! Some favorite articles include on-loom sashiko (VAV), all about nostepines (Spin-Off), an ADORABLE pin-loom foxy blanket (Little Looms), Judith MacKenzie's musings on life, yarn, and textiles (PLY), and a coverlet to baby blanket conversion project (Handwoven).
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Nature's Colorway
Conjuring the Chemistry and Culture of Natural Dyes
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Discover astonishing sources, colors, and stories of natural dyes worldwide, from the soil beneath your feet to the petals of common flowers to a few new tricks from the extraordinary indigo plant.
Much of what we hear about dyeing comes to us through received wisdom or hearsay. This collection invites you to question everything you know about natural dyes, from what a mordant is to what’s possible with indigo to how to get the colors you’ve dreamed of onto your cloth. Join us on a journey around the color wheel and beyond.
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Are you looking for bobbins for bobbin lace? We have multiple styles and enough bobbins for any project!
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Mark your Calendars for our Fall Sale!
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15% OFF (almost) Anything!!
October 15th - 24th
Online, on the Phone,
or in Person
With the long wait times for certain items, this is the perfect time to stock up for holiday gifts, upcoming projects, or your winter yarn stash.
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Help Suzie pay for a bigger desk!
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Feeling inspired by the new ETC dye garden, I decided to start a dye garden at home this year. I found seeds for black hollyhock, dyer’s chamomile, coreopsis, marigold, and indigo. Due to ordering late and further mail delays, I started my indigo seed late June. I planted the seeds in trays and kept them outside to sprout and grow to about 2.5 inches long before transplanting. My seed trays did not have individual cells, so I just scooped out clumps of indigo starts like serving a sheet cake. They transplanted well this way, with minimal loss.
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Right now, my growing area has a sandy topsoil with clay about 6-12 inches down. I’ve read that indigo likes frequent watering on well-drained soil, so I was cautious of that clay and tried not to overwater. Indigo is a full sun plant, and mine were getting about 6 hours of direct sun mid-day in their location.
For fresh indigo dying John Marshall recommends harvesting the indigo in the morning and using it right away. His book, Singing the Blues, has been very valuable for me as someone who decided to grow some indigo. Fresh indigo dyeing is likely the simplest way to dye with indigo, but it doesn’t work well with cellulose fibers. With my first attempt to get color from something I grew myself, I was happy to go with a safe bet and use silk scarves.
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On the morning in question, I went out and pulled enough of my plants to fill a 3-gallon bucket, as evidenced by the blank spot in my mulch on the left side of my indigo bed. This turned out to be plenty of leaves for my 4 silk scarves. We set my scarves to soak in hot water and synthrapol while we stripped the leaves from the stems. The dye kitchen was set up with towels, large bowls, blenders, mesh bags, gloves, ice, and water.
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We rinsed out the scarves and started blending ice, water, and indigo leaves. Once the mix was a little foamy, we poured it through the mesh bag and gave it a good squeeze into the bowl. We repeated until we had enough dyebath to submerge the scarves. Then swish for 15 minutes! Chopsticks were a lifesaver for our cold fingers.
By the end of the 15 minutes, we are just starting to see some blue on the fabric. After the dyebath the scarves got a quick rinse in regular water, then hung out to oxidize for about 10 minutes. We repeated the dye process several more times but found the blue color had saturated after the third dip. We also added more blended indigo and ice to keep the dye bath cold and top up the enzymes from the fresh leaves that enable the dye process.
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I had so much fun working on this, and it was so easy because all I needed was ice and a blender. I was worried the leaves wouldn’t have much pigment available due to starting late, but the color turned out absolutely great! As you can see, I still have plenty of indigo, so now I’m dreaming of having an outdoor brunch and dye party 😊.
I’ll explore drying some of the leaves as well and following some of the many other methods outlined in Singing the Blues. Apparently, you can dye cellulose fibers with fresh indigo if you shift the pH, which will also shift the color to that darker blue. I can’t wait to try it!
~Cameron Fries
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Sincerely,
Suzie, Staff and Buddy (the shop puppy)
Eugene Textile Center
2750 Roosevelt Blvd, Eugene, Oregon
541-688-1565
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Every-Buddy wants to go to the shows! See you all next year!
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WEAVING, SPINNING, DYEING, & FELTING!
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