December 2, 2020
Congratulations to the 2020 Work-in-Progress Winners
SCBWI is proud to announce the winners of the 2020 Work-in-Progress Awards and Karen Cushman Late Bloomer Grant. Both awards are part of SCBWI’s program to assist children’s book writers and illustrators who are in the process of completing a specific project currently not under contract.
 
The Work-in-Progress recipients will have their work posted on a special site which will be made available to a hand-selected list of agents and editors. The Karen Cushman Late Bloomer Award also comes with a stipend of $500 and tuition to any SCBWI conference.
 
Work-in-Progress Grants
 
Picture Book: 
“Miasma” by Claire Bobrow
 
Chapter Book:
“Riley O., Adventure Pro!” by Kirsten Kinney
 
Middle Grade:
“Camper Row” by Cressida Hanson
 
Young Adult:
“Focus. Click. Wind.” by Amanda West Lewis
 
Nonfiction:
“The Artist” by Elizabeth Armstrong Hall
 
Underrepresented (formerly known as Multicultural Fiction):
“I Cannot Wait for Grandma” by Zainab Khan
 
Cushman Late Bloomer Grant:
“At the End of Happy Road” by Sherrie Lorance
 
VISIT the official awards page to learn more about the Work-in-Progress Awards.
Announcing Narrative Art Award Winner
Leanne Hatch has just been announced as the winner of the 2020 Narrative Art Award. A writer, illustrator, and textile designer, Hatch is a rising talent from the Pacific Northwest. She has previously won two Portfolio honor awards at recent SCBWI international conferences, and a first place Portfolio prize at the SCBWI Western Washington Conference in 2019. Leanne is represented by Janine Le at Sheldon Fogelman Agency. Click here to see some of her vibrant art and designs.

Judged by a rotating panel of industry experts, this award honors one illustrator each year who combines artistic originality and strong technique with excellent storytelling skills. Applicants were challenged to tell a story in just three images. This year’s assignment was to submit “a narrative sequence based on the theme 'Silver Lining'."

The judges released this statement about their choice:

"Leanne Hatch’s three images carry us forward in a sequence that feels inevitable and right. They move from a scene of a girl’s panic, shown from behind as her school bus pulls away, to a stopped moment of assessment, looking back at her, so small against a wide, empty road, to the “silver lining” of a newfound walking companion, a kinetic scene of unfolding beauty. Leanne Hatch musters illustrators’ tools (point of view, scale, value contrast and more) to focus our attention on what counts in this story and highlight its emotional significance. Her engaging style and gorgeous color palette only add to the pleasure."
Winning art by Leanne Hatch
The winning illustrations will be displayed during the Portfolio Showcase of the 2021 Winter Conference.

CLICK HERE to find out more information about the Narrative Art Award.
Haunted States of America Rights Clarification:
Deadline Extended to December 15
As previously announced, Godwin Books, an imprint of Macmillan Publishers, in conjunction with SCBWI, iwill be publishing a collection of fifty-two short stories, one for each of the fifty states plus Puerto Rico and the District of Columbia. These stories should capture the spooky side of the U.S. All story authors will be chosen from the SCBWI membership. We’re actively looking for authors from underrepresented communities as well as traditional communities—our goal is to have a diversity of creators and a diversity of tellings. Submission deadline has been extended to December 15 and stories are welcomed from both first-time and more established authors.

Submissions Open for Spark Award for Independently Published Books
The Spark Award, SCBWI’s top prize for independently published books, opened for submission on November 15, but the process is a little different this year. In this time of social distancing, SCBWI has opted to go the digital route by letting members submit their books through our new online awards system. If you would like to submit your picture book or novel to the 2020 Spark Award, please upload a PDF of the book along with a short cover letter. (Most independent publishers will be able to provide you with a PDF if you do not already have one.) You may submit to one of two categories: Picture Book and Book for Older Readers. Judges will choose one winner and one honor winner from each category to receive free tuition to an upcoming SCBWI conference and heavy promotion of their book through SCBWI publications and social media.

CLICK HERE to submit before December 19.
First-Ever SCBWI/Smithsonian Nonfiction Workshop Highlights NF Creation and Marketplace
The SCBWI/Smithsonian online Nonfiction Workshop was truly a historic gathering. Over 800 participants gathered online for two days of keynotes, panels, and breakout sessions dedicated to creating nonfiction books for children. Though we were scattered all over the globe, we came together in the digital realm to listen and learn at this first-of-its-kind event.

Throughout the jam-packed two-days, workshop participants heard from renowned authors who discussed their personal motivations for writing nonfiction, their unique approaches to tackling nonfiction topics, and their specific challenges and triumphs. A panel of six nonfiction editors gave rare insight into what they’re looking to acquire as well as a fly-on-the-wall look at how they field queries during a live query letter panel. And a panel of authors, editors and Smithsonian experts discussed the ways authors can align their books to current curriculum guidelines. Though the speakers and their journeys were diverse, their guidance, and wisdom was universal.

SCBWI Celebrates Giving Tuesday
Happy Giving Tuesday! As we close out Native American Heritage month in the USA, and begin some of our December festivities, we at the SCBWI recognize International Day of Persons with Disabilities. With 100% of our Giving Tuesday donations, we plan to launch a fund for our disabled members. Disabled creators will be able to apply for grants for such things as: accommodations for conferences, tools to better do their work, and assistance with membership dues. We will also have an opportunity for non-members who identify as disabled to apply for grants towards their membership dues.

In thinking about our Giving Tuesday drive, SCBWI Member and Author, Karol Ruth Silverstein commented “I’d love to see #ownvoices disability books flood the kid lit market in the near future. One way to help bring that about is to offer assistance, encouragement and mentoring to disabled writers now. My community has a plethora of fascinating and important stories to tell. Training and access will enable many more of us to bring those stories to readers.”

Winter Conference Registration Continues:
BIPOC Women’s Scholarships Available
Looking for a holiday gift to give yourself that will inspire your creativity and forward your career? Consider registering for the SCBWI Winter Conference, held virtually from February 19-21. It’s a behind the scenes exploration of children’s publishing, with keynote speakers, editors and agent panels, inside looks at acquisitions and production meetings, and the career-changing illustrator’s intensive and showcase. Attending the winter conference is the next best thing to going to the heart of the New York children’s publishing industry.

To further our goal of equity and inclusivity, SCBWI will be offering ten scholarships to the Winter Conference for Black, Indigenous, and People of Color, five of which are reserved for BIPOC women. These scholarships, open to both illustrators and writers, are generously funded by legendary author Christopher Paul Curtis.

CLICK HERE for details on how to apply to the BIPOC Scholarship.
Regional Corner:
Australia East & New Zealand Loves the SCBWI Community
by Susanne Gervay
Susanne Gervay
Think kangaroos and New Zealand kiwi birds, first nation peoples, endless red deserts, extraordinary cities on the sea, rural towns, volcanic geysers and deep glacier lakes. We are two countries and one region called Australia East and New Zealand. We are the ‘Good on ya, mate’ and the ‘G’day mate’ SCBWI writers and illustrators DOWNUNDER. It is a huge region with 4 ARAs an IC and fabulous coordinators and committees. Everyone joins in, vested in our SCBWI communities. We have coordinators in Tasmania, an island-state across the wild, and windy Bass Straight and ACT our capital territory. Our dynamic ARAs are Deborah Abela (New South Wales), Carolyn Goodwin (Victoria), Kelly Hibbert (South Australia), Ali Stegert (Queensland) which is such a big state that we have three sub-chapters with coordinators for Far North Queensland, Sunshine Coast and Gold Coast, as well Frances Plumpton ARA (New Zealand) with its magnificent North and South Islands and smaller islands in the South Pacific.

SCBWI Exclusive With...
Stephanie Winter
Stephanie Winter
Stephanie Winter is an associate agent at P.S. Literary. She first joined the agency as an intern before becoming the agency’s relations assistant. Stephanie holds a B.A. from the University of Toronto in English Literature and an M.A. in English: Issues in Modern Culture from University College London. She is looking for diverse, inclusive voices in fiction and graphic novels for adults and young readers. Stephanie particularly appreciates strong characters who bend stereotypes and genders, and works that champion the LGBTQ+ community, mental health, and women in STE(A)M.  

Draw This!
Due to Instagram's freeze on all general tags (started after the US presidential election, ending TBD), we are unfortunately unable to see all of the Draw This! entries.
If you entered the October or November Draw This! competition, we ask that you please submit your artwork again HERE.

The October prompt was VOTE.
The November/December prompt is SNEAKY.

We do not have a new prompt word for December. Please continue to submit to the previous prompt of SNEAKY if you have not already.
Draw This! will be back after the new year! We are sorry for the inconvenience.
Happy Holidays from SCBWI
It's no secret that this has been a weird, tough, anxiety-producing year for publishing--not to mention every other aspect of daily life. Thank you for sticking with SCBWI as we adjusted to this new socially-distanced way of life, and we hope you enjoyed the digital content we were able to bring you this year.
In that spirit, we asked our SCBWI Board of Advisors to share a book or piece of art that sustained them in 2020. Here were their messages:

When COVID first hit, like everyone else, I went into a cleaning-organizing frenzy. While sorting my bookshelves, I found a copy of The Letters of EB White, and started leafing through it. Days later, I was still studying the correspondence of this great writer, the creator of Charlotte’s Web. What I loved was how personal and caring and beautifully crafted each letter was. Then I thought of the way I communicate these days, batting out emails and texts by the hundreds. I am going to try to write letters this year, real letters, to friends and colleagues. In this age of rapid-fire communication, I’m inspired by E.B. White to aim for a deeper communication expressed in thoughtful words. So check your mailboxes, friends, if you even remember what that is!
Lin Oliver


Throughout the pandemic, I've had a hard time focusing on reading. What that means is, anything that managed to hold my attention had to be really REALLY good.
--EVERYTHING SAD IS UNTRUE (a true story), by Daniel Nayeri. Middle-grade fiction, heartbreaking and hilarious by turns and sometimes even in the same moment.
--BRAIDING SWEETGRASS, by Robin Wall Kimmerer. Adult nonfiction collection of nature essays. I wanted this book to go on forever.
My wish for all SCBWI members: That what we learned in 2020 about the things that are truly important, we'll take with us into 2021 and beyond. 
Linda Sue Park

The work of Yuyi Morales has helped keep my heart strong through the horrors of 2020. Her gentle words and strong artwork remind me of childhood, of the best ways we can reach and teach the young. I recommend everything she has created! As 2020 wanes, I am lighting candles for hope, for justice, and for creativity. Wishing you the best of all three for the coming year.
Laurie Halse Anderson


In this unprecedented year of pandemic and political unrest, my spirits have been bolstered by photographer Pete Souza's beautiful photographs in OBAMA, AN INTIMATE PORTRAIT. The photos of President Obama with his wife, daughters, and dogs illustrate that a president is just a man after all. And those of him working with American politicians from both parties, as well as global leaders, are reminders that our system isn't yet broken. But my favorites are those of a powerful man, reaching out to ordinary people, from infants to the elderly--comforting them, lifting them up. And of him playing, laughing, listening, dancing, hugging, holding, eating pizza, raising a glass. Being human.
Ellen Hopkins


Throughout my life I have never gone to sleep without reading for about a half hour (for pleasure.) In this time of pandemic I've actually been going to bed earlier, and hence reading MORE. It was the outpouring of wonderful LGBTQIA stories that provided a stream of emotional distraction, among them Alice Oseman's HEARSTOPPER (sigh.). For pure visual distraction and amazement Peter Van den Ende's THE WANDERER gave me seemingly endless things to look at and be mesmerized by.
Arthur A. Levine


My favorite book of 2020 is All Thirteen: The Incredible Cave Rescue of the Thai Boys' Soccer Team by Christina Soontornvat. In a time when people across the U.S. need to come together, I was inspired by this story of international teamwork. Working quickly and with limited resources, people from different countries and cultures relied on everything from Buddhist practices to aquatic engineering design to save the lives of twelve young boys and their beloved coach. It's a must read as we head into a holiday season that I hope will be healthy and happy for SCBWI members around the world.
Melissa Stewart


Like many others in the unprecedented year that is 2020, starting with our ravaging bushfires to virus lockdowns, it has been very hard to concentrate. I have dipped in and out of a few books; some like the Moonflower Murders - a wonderful escape (Anthony Horowitz) and Becoming - powerful and moving (Michelle Obama) were even completed. But the words and embellishments scribed in very many handwritten letters, read and reread, they have been my solace. 
So roll-on 2021. May it be much more ‘ordinary’ and easy-going with oodles of time for our creating energies to shine; for sharing the joy of each other’s friendship and presence in our lives; and for never letting go of the love we have for those closest to us. 
Christopher Cheng


I, like so many others, have been too distracted, too exhausted, too fraught, too something to sit still and focus on any one thing to fully complete it, to fully know it. But. Art itself has sustained me. I've dipped into many books, watched portions of movies and series, skimmed through a few pages of virtual galleries, listened to parts of orchestral works, read stanzas from various poems, hummed parts of songs, peeked at handmade creations in Etsy shops or on Facebook pages—all of these moments of experiencing some amount, no matter how small, of artistry, beauty, language, color, music, creativity have been the sips and tastes that add up to a full meal. As we move into this next year, I wish health to all SCBWI members, colleagues, and friends--and I wish you the clarity and space in which to create fulfilling work--no matter how small.
Emma D Dryden


What has sustained me in this annus horribilis is not any single piece of writing or art, but the fact that so many of my fellow writers and artists have continued to create great and powerful new work in the face of all the challenges we have been facing. What has sustained me is the strength, courage, and bravery of my fellow writers and artists.
Bruce Coville


Rediscovering long-neglected books with the first member of the next generation of my family, I find comfort in the great green room and the quiet old lady whispering hush.
Tracy Barrett, RAC


This year I’ve had a hard time concentrating, so I didn’t get my sustenance from a specific book. Instead, I found the power to go on by taking daily walks in Prospect Park, Brooklyn. There, I explored rambles, romped through meadows, sat by the lake and watched the ducks frolic and the majestic swans swim. I heard jazz, steel drums and string quartets echoing under bridges and floating over the water. I took in snippets of conversations: English, Spanish, Russian, Yiddish. I witnessed buds turn to leaves: green, then yellow, red, orange, brown, crunching under my feet. I breathed in fresh air (under my mask, of course.) My wish for the coming year is to keep your eyes wide open, go for a long walk, and find beauty around you.
Bonnie Bader


During this year of tumult, I've repeatedly returned to Be Water My Friend: The Teachings of Bruce Lee by Shannon Lee. 
It's a quiet collection of philosophies that gently remind us to stay in our body, rather than our mind. Our mind can wander to the past
or jump to the future with catastrophic thinking, but our body is always in the present. For me, the rollercoaster of 2020 has emphasized
the mantra that sometimes it's not about trying harder, but resisting less. Sometimes we have to let go, be formless and flowing, like water.
Ruta Sepetys


This past year has been stressful (understatement!). However, I was able to snort and laugh while reading Amy Timberlake’s delightful SKUNK AND BADGER with art by Jon Klassen. I never knew how much I needed a book about a rock collecting badger, his interloper houseguest, Skunk, and a passel of noisy chickens. Their shenanigans and chaos was my comfort.
Lisa Yee


Kurt Vonnegut is one of my heroes. His wild imagination and sharp humor have inspired me to push my own writing in different directions. In the weirdness of 2020, I’ve found great comfort in getting to know the man behind so many of my favorite stories. Pity The Reader, by Suzanne McConnell, explores Vonnegut’s life and art, and reveals his decency and humanity, which has soothed my soul in an otherwise difficult year.
Peter Brown


Artist Leslie Lian’s stunning sculpture, constructed during 2017 – 2020, is a roughly six-foot replica of the Trump Tower, using New York Times clippings from this period.  The materials include discarded boxes, newsprint, starch, a papier-mâché Corona balloon, audacity and humor.  I find this work heartening and inspiring because it proves that art can triumph over bullying.  It demonstrates how words define us to others, and how with words we define ourselves.  It shows that an individual with little influence can defy a person of power and find her own humanity through resistance.  It uses language as a tool in a brilliant original context to connect and amplify, to hold up a magnifying glass for the viewer.  It tells me that, with courage, I can do this in my own work, too.
Susan Patron

2020 has been a year to appreciate and cultivate time’s ability, sometimes, to fly. And it’s been a time to remember that things have been bad for humans in history both distant and near. To which end, I found it deeply moving to read dear colleague Nikki Grimes’ memoir Ordinary Hazards, for the vicarious experience of what true resilience is, in the face of true hardships. 
I wish much resilience and much less need for it to all of our SCBWI family, starting immediately!
Paul Zelinsky

My creativity has been sustained this year by SCBWI's wonderful virtual workshops. I've missed the energy of the in-person conferences, but the on-line workshops have been extraordinary and unique opportunities to focus on craft. I'm grateful to all the authors, illustrators, translators, and industry professionals who shared their talents and expertise with us via Zoom. I wish comfort for all those who have experienced difficulties and loss in this difficult year, and I sincerely hope that 2021 will be a year of peace, plenty, and heightened creativity for everyone.
Patricia Wiles


Mary Oliver's poetry, particularly DEVOTIONS and DOG SONGS (illustrations by John Burgoyne) have been remarkably sustaining in 2020. The focus on the immediate present, on what we can hear and see around us, especially when we are afraid to go out, remind us that the beauty and grace of nature is always with us, no matter where we are.
Kathleen Ahrens


Steve Mooser