EarthWays LLC
Winter 2019 Newsletter





The Time of Winter




It feels so bleak.
The talk seems to be about the darkness of night and the darkness of time. As the New Year approaches, we are challenged to gather our strength and resources to stand against the cold and damp wind.

Yet, look very, very closely. The year has yet to turn and the marigolds are just up. Their seeds have burst through. There's wild grass growing in places where grass was not planted. The grass is peach fuzz in the flower beds, a vibrant green shimmering in the glare of the frosty winter sun.

Even in this time of cold, darkness and turbulence there are new beginnings. The winter rain and sun bring them forth.

Look again. Can you find the mushrooms beginning - arising from the green?








Can you see the mushrooms growing?






On The Ridge 
by
Mark Nepo

We can grow by simply listening,
the way the tree on
that ridge listens its branches
to the sky, the way blood
listens its flow to the site
of a wound, the way you
listen like a basin when
my head so full of grief
can’t look you in the eye.
We can listen our way out
of anger, if we let the heart
soften the wolf we keep inside.
We can last by listening
deeply, the way roots reach for
the next inch of earth, the way
an old turtle listens all he hears
into the pattern of his shell.
From All of Us

Happy Holidays
To All of You
wolf_arctic_snow.jpg




Wolf Nation



by

Alan Michelson



An evocative short film,  Wolf Nation , is currently playing in New York at the Whitney Museum.  


The artist Alan Michelson has created a unique almost timeless piece from webcam footage of twenty red wolves in the Hudson Valley of New York. It is a meditation on the threat and survival of one of the most critically endangered species in the country, currently living in the Wolf Conservation Center, a sanctuary in New York State. 
 

  Wolf Nation links the possible eradication of the wolves with that of the Munsees, the Lenape people known as the Wolf tribe, whose lands include portions of New York State.


The film is presented in wide format, in purple and white colors reflecting Native wampum beads of the indigenous people of the American Northeast. 

 Michelson, a Mohawk, has used the symbolic shape and color of the wampum belt in his film to reinforce the importance and symbolism of the wampum belt itself. The belt, used to finalize treaties and commemorate significant understandings, reflects the authority of the speaker or the message.  A message not accompanied by wampum was considered false or trivial. 
 
The film features a haunting soundtrack by White Mountain Apache musician and composer Laura Ortman.  

The centerpiece of Michelson’s vision is what he calls a “relational approach to the land” and he makes a critical point in demonstrating that “interconnectedness of all life is sacred and key to human freedom and survival.”


Becoming Tree
by
Pam Noble


E ach poem and each essay captures the moments of a life lived in acute and loving observation of light, leaf and bird.
Each observation moves the speaker to revelation.
Like the best of spiritual meditations , the revelations are earned from the personal epiphanies discovered in a life open to wonder, drama, loss, pain, mystery, and delight.

Earthways LLC , Box 1104, Sebastopol, CA 95473