Product Design | Audio Electronics | Acoustics | DIY | Audio Innovations
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NAD Launches New M23 Masters Series Hybrid Digital Stereo Power Amplifier
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NAD Electronics took value and audio performance to a whole new level with the launch of its new M23 Masters Series stereo amplifier once again featuring Purifi Eigentakt amplifier technology. The M23 Hybrid Digital stereo power amplifier (US $3499 MSRP), builds on the design first introduced in the acclaimed M33 BluOS Streaming Amplifier - described by NAD as "a once-in-a-decade amplifier innovation that will define the pinnacle of power and performance in the category for years to come.". Read More
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New DIYclassD UcD700 Monoblock Amplifier Kit Now Available
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Hypex Electronics, a specialist supplier in power amplifiers, power supplies, and DSP solutions announced a new powerful UcD700 mono kit featuring its UcD technologies marketed under its DIYclassD brand - specifically for the DIY audio market. As the company explains, the Hypex UcD700HG with HxR amplifier module has been around for many years but was never offered as a DIY building kit before. Now, DIYclassD offers an easy to build 700W monoblock kit including all the necessary parts - users don't even need to solder. Read More
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WiSA Partners with Realtek to Develop and Launch a 5GHz Multichannel Immersive Audio Module
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WiSA, the Wireless Speaker and Audio Association, a wholly-owned subsidiary of Summit Wireless Technologies, announced plans to integrate WiSA’s multichannel wireless audio capabilities - and its latest high-performance Spatial Audio Software - into Realtek’s 5GHz IoT chipsets. The partnership will culminate in a cost-effective module capable of delivering uncompressed, high-definition spatial audio streams for an unparalleled immersive audio experience. Read More
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NTi Audio Introduces AI for Noise Classification and Updates for XL2 Sound Level Meter
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NTi Audio continues to expand its range of leading test and measurement solutions for acoustics, audio, and vibration applications. The company has recently moved to new headquarters and expanded its development team, accelerating development of software for its range of products. This includes adding artificial intelligence (AI) analysis and Noise Classification for its NoiseScout noise monitoring solution, and improving the features for its popular XL2 Sound Level Meter. Read More
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Yamaha Introduces Easy-to-Integrate Sound Masking and Speech Privacy System
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Leveraging Yamaha's research and expertise in audio systems for corporate environments, with extensive practical testing in Japan, Yamaha introduced the new VSP-2 Speech Privacy System. This ready-to-deploy system supports productive and confidential conferences and meetings in the office with a compact, high-performance, and customizable solution that comfortably masks conversation and can be easily integrated into existing facilities. Read More
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Luxman Announces Flagship M-10X Power Amplifier
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Luxman announced a new stereo power amplifier that introduces the new LUXMAN Integrated Feedback Engine System (LIFES1.0) circuit. The new refined audio design is said to achieve the ideal balance between low distortion and effortless musicality using three-stage Darlington equipped quadruple paralleled push-pull output modules. The Luxman M-10X replaces the classic M-900u of 2013 and joins the acclaimed D-10X digital player as flagship models that anticipate the company’s 100th anniversary in 2025. Read More
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HEAD acoustics Increases Audio Measurement and Analysis Flexibility with ACQUA 5.0.100 Software
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ACQUA 5.0.100 is the first iteration of the new generation of the well-established measurement and analysis software ACQUA from HEAD acoustics. ACQUA's significantly reworked software structure provides even greater flexibility for voice and audio quality evaluation, while paving the way for future expansions. Designed for the requirements in applications as diverse as communication systems, Bluetooth, ANC headphones, and smart speakers, ACQUA now supports faster hardware configuration, perceived loudness analysis, and MDAQS audio quality evaluation. Read More
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Zesto Audio Announces Tube Stereo Power Amplifier with Three-Position Bias Switch
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Zesto Audio, the Californian company founded by George Counnas, announced the launch of a new Class A amplifier design that offers an impressive 100W per channel (8Ω) plus a unique feature of a three-position "Auto Bias Select" switch. In order to achieve its power rating, the new Bia 200 Select Stereo Power Amplifier is sold with four 12AU7 plus four matched KT150 output tubes. Thanks to the new auto bias switch, the amplifier is ready to safely accommodate KT88, KT120, and KT170 tubes, delivering options for all preferences . Read More
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Editor's Desk
J. Martins
(Editor-In-Chief)
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The Standards We Need
What Should We Do with Bluetooth?
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My text this week is a review of the recently distributed book, Introducing Bluetooth LE Audio, by Nick Hunn, Chair of the Bluetooth SIG Hearing Aid Working Group, Vice Chair of the Generic Audio Working Group and a key contributor to the Bluetooth LE Audio specifications. This is an important book for everyone who wants to understand Bluetooth LE Audio.
Nick Hunn previously wrote Essentials of Short-Range Wireless (2010) – where he addressed Bluetooth Classic, Wi-Fi, Zigbee, and Bluetooth low energy (LE). He has been involved with Bluetooth since its inception and has helped author most of the major Bluetooth requirements documents, including those for Bluetooth Low Energy and LE Audio. Since 2013 he has chaired the Bluetooth Hearing Aid working group, which developed the concept of Bluetooth LE Audio and he has participated in writing all of the Bluetooth LE Audio specifications. As often mentioned (and I know I did a few times), in 2014, Nick Hunn coined the word "Hearables."
Before I discuss his book further, I need to address the topic of compression in audio. Data compression that is (not audio dynamics compression), and more specifically for Bluetooth wireless audio transmission. The process of reducing the size of a data file is often referred to as data compression - and Nick Hunn uses the term in his book. For those who like to discuss the terminology (and I'll proudly quote Wikipedia here), "in signal processing, data compression, source coding, or bit-rate reduction is the process of encoding information using fewer bits than the original representation." Any particular compression is either lossy or lossless. Typically, a device that performs data compression is referred to as an encoder, and one that performs the reversal of the process (decompression) is a decoder - hence, the use of the term "codec" is a blend of (en)coder/decoder.
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Click to read all the audioXpress news and updates on Bluetooth LE Audio.
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Also important, let's recap on the "LE Audio, the Next Generation of Bluetooth Audio" announcement by the Bluetooth Special Interest Group (SIG), which I reported directly from the show floor at CES 2020. This was an important moment for the audio industry, given that the next generation of Bluetooth audio was in the works for quite some time. The Bluetooth SIG announcement confirmed that, "Not only will LE Audio enhance Bluetooth audio performance, it will add support for hearing aids and enable Audio Sharing, an entirely new use case that is poised to once again transform the way we experience audio and connect with the world around us."
Two years after this announcement, even though the essential technology pieces are starting to fall into place, we don't know very clearly what will happen with the adoption of Bluetooth LE Audio. Manufacturers committed to its implementation (e.g., hearing-aid manufacturers) have not announced any specific product launches for the immediate future (2022). Consumer electronic companies, much less. We assume all are refraining from disclosing their plans, until we see wide support from source devices (smartphones).
Two years later, what we now have is a book by Nick Hunn to clarify all the doubts about LE Audio. Somehow, I have a feeling that the industry momentum has been partially lost.
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Introducing Bluetooth LE Audio, by Nick Hunn is now available for digital download or in print from Amazon.
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Even after LE Audio becomes a commercial reality and actual promotion to consumers occurs, Bluetooth audio is expected to continue to support two operation modes: LE Audio operating on the Bluetooth Low Energy (LE) radio, and Classic Audio operating on Bluetooth Classic radio (BR/EDR). An essential part of LE Audio, the new Low Complexity Communication Codec (LC3), "high-quality, low-power audio codec" that Fraunhofer IIS is successfully promoting and licensing, is generating interest in the industry.
At the time of the original Bluetooth LE Audio announcement in 2020, the big selling points were:
- Multi-Stream Audio to enable the transmission of multiple, independent, synchronized audio streams between an audio source device, such as a smartphone, and one or more audio sink devices (e.g., true wireless stereo earbuds).
- More efficient, low power, Bluetooth Hearing Aids.
- Broadcast Audio - one or more audio streams to an unlimited number of audio sink devices.
- Audio Sharing - personal or location-based.
We have all been waiting for the complete Bluetooth specifications that define LE Audio to be released ( www.bluetooth.com/le-audio) - which has been happening gradually - but has yet to be finalized.
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This graphic remains the leitmotif for Bluetooth LE Audio since the announcement in January 2022.
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As I wrote in my article for the Loudspeaker Industry Sourcebook 2021, the pandemic has delayed commercial deployments significantly, but everyone was expecting more evolution on the planned architecture updates. In that article, I quoted Nick Hunn saying that the work in progress would involve completing a set of specifications that supports more flexible speaker grouping, and surround or spatial sound modes, and using Bluetooth for controlling remote devices with voice commands. Those would be new valid selling points but they are probably being challenged by key commercial players in those areas.
The new book from Nick Hunn doesn't provide any new information about those possibilities and instead basically offers a consolidated overview of the work that occurred prior to the January 2020 announcement of Bluetooth LE Audio, and guides the reader through the specifications.
In the introduction, Hunn makes it clear that the Bluetooth LE Audio process started in 2013 for and by the hearing aid industry. And his inside perspective of what led to the updated LE Audio specifications is basically what makes this an important book to read, because it helps audio industry professionals in general to understand the thought process.
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Wireless software licensor Packetcraft, received Bluetooth 5.3 qualification for its development software, offering also LC3 codec support for Bluetooth LE Audio. Laird Connectivity partnered with Packetcraft to offer a complete Bluetooth LE Audio evaluation kit using Laird's development boards.
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In this regard, this book is revealing of how much of this solution was trying to solve a problem that was just looking at one side of the question. By trying to meet a very specific set of (very valid) requirements, I believe BLE Audio missed the target - because compression (the encoding/decoding process) in essence causes latency and a better technical solution can and should be built over an uncompressed (not lossless) signal. Carrying signals over a transparent "pipe" is always better when it comes to applying DSP and that is the whole point about hearing aids and all the applications for hearing augmentation that are being discussed - but that's for a different discussion.
As mentioned, Hunn does discuss "data compression" throughout the book. Specifically, discussing the trade-offs of quality and latency he mentions the following: "During the Bluetooth LE Audio development, it became apparent that the current Bluetooth codecs would struggle to meet the requirements. Not only were they limited in their quality and latency trade-offs, but SBC is not as efficient as earbud and hearing aid designers would like. (...) To address these limitations, the Bluetooth SIG went on a codec hunt, which resulted in the inclusion of LC3."
And he adds: "Bluetooth LE Audio allows manufacturers to use other codecs, but LC3 is mandatory for all devices. The reason for this is to ensure interoperability, as every Audio Source and every Audio Sink has to support it. The full specification for the codec is published and falls under the Bluetooth RANDZ35 license, so anybody can write their own implementation and incorporate it into their Bluetooth product, as long as those products pass the Bluetooth Qualification process. Given its quality, that’s a powerful incentive to use it."
Of course, for everyone who thinks that Bluetooth is a detriment to audio quality, this might be surprising - and likely demoralizing - because it doesn't hint at the slightest intention to improve things away from those early defined goals. As an example, I noted the part that mentions the "high-quality" sampling frequency limit if 48kHz, and the compromise in LC3 frame sampling (specific to Bluetooth LE Audio) to support "legacy 44.1kHz sampling" (when are we going to get rid of this CD-legacy curse?).
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Copyright © 2022 Nick Hunn | www bleaudio.com | www.nickhunn.com
Figure 5.2 from the book, illustrating the sweet spot for audio codec frame size, juggling latency and Quality of Service.
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Also about LC3 and the "audio quality" debate, Hunn discusses the fact that, "The Bluetooth SIG has commissioned extensive audio quality testing from independent test labs to quantify the subjective performance of the LC3 codec." And in Chapter 5.7 (Audio Quality) he writes: "Since the early days of electronic audio reproduction, a small group of users have constantly pressed for higher quality. That led to technical advances in recording and reproduction, along with marketing of terms such as hi-fi. As well as real technical advances, it saw the appearance of pseudo-scientific fashions such as oxygen-free copper cables and gold-plated connectors to ‘ensure’ that the analogue signals were not degraded. Digital technology didn’t lessen the enthusiasm for these, despite the fact that a gold-plated USB connector is an anachronism. Audio devotees kept clamouring for enhanced quality, with the digital age seeing calls for even higher sampling rates, lossless codecs and increased output levels. The fact that many people over 30 now have a level of hearing loss which means they are incapable of hearing any of these ‘improvements’ doesn’t stop product marketing managers pushing for ever higher audio quality."
So, if you feel you are part of the "small group of users," you might feel uncomfortable by reading this: "What is important is that audio application designers understand that there are compromises in designing a wireless audio experience and that some QoS choices may exclude the development of new use cases. Some sections of the audio industry will jump onto the higher quality that LC3 offers and promote the highest sampling rates, despite the fact that limitations in reproduction and the listening environment will probably mean that few, if any listeners will appreciate them."
So there. Without underrating any of the merits of Bluetooth LE Audio as a better option for replacement of what we currently have - which I fully support - it is painfully obvious that Bluetooth LE Audio targets a lower-common denominator that could meet the standard, without looking at the fundamental question of updating the standard itself.
A lot has happened since the requirements for the specifications were determined. And it's highly likely that there will be other audio wireless implementation alternatives coming to market very soon - proprietary, or based on existing standard technologies - to meet the demands from that "small group of users." Apple Music and other music streaming services are committed to lossless streaming, and everyone is reevaluating the "pipe" bandwith/latency trade-offs for wireless systems. More importantly, as Qualcomm knows, the "small group of users" is not that small.
Looking specifically at the topics that audioXpress readers most frequently search for in our published content, this book hardly addresses any of the terms. This book doesn't contain a single reference to "high-resolution audio" or "uncompressed"; it contains one single quote for the "lossless" term in the discussion about quality; it includes three mentions of the word "spatial" - only two of which refer to "immersive"; while 3D sound is quoted only once.
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Copyright © 2022 Nick Hunn | www bleaudio.com | www.nickhunn.com
Figure 5.4 from the book, showing the efficiency gains from using the new LC3 codec compared with the Bluetooth Classic profiles. When mentioning existing optional codecs for Bluetooth audio, Nick Hunn describes "AAC" simply as the codec "used by Apple in most of their Bluetooth products,” and aptX as an earlier attempt to solve Bluetooth audio limitations very specifically for streaming stereo to two independent earbuds.
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Some parts of this book are very accessible and enjoyable to read (if you bear in mind the reasoning behind it), while other parts of the book are extremely tedious because they contain extensive descriptions of the specification contents for audio product developers (not so much for product developers, but more for platform compliance).
And of course, most of it is intended to explain the new and exciting possibilities with Broadcast Audio Streams and Broadcast for all, Audio Sharing, as well as the multiple control mechanisms. Which will be a completely new experiment for consumers - so no one knows very well what to expect. As Hunn writes in Chapter 12, "The whole point of developing Bluetooth LE Audio was to support new audio applications, not just to produce a slightly lower power alternative to the existing Bluetooth Classic Audio profiles. Part of that was driven by the need to catch up with proprietary extensions, particularly for True Wireless Stereo."
And he adds earlier in Section 1.1: "The speed of development surrounding the introduction of earbuds, and Apple’s Airpods in particular, has been amazing. We have seen many new companies developing Bluetooth audio chips, advances in miniature audio transducers and MEMS microphones, along with a massive growth in the number of companies providing advanced audio algorithms to enable features like active noise cancellation, echo cancellation, spatial sound and frequency balancing."
After reading this, I was left with a feeling of a disconnect precisely with the companies he mentions in that passage - which essentially will be the ones to determine the future of Bluetooth LE Audio and beyond.
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Cascodes, Folded Cascodes, and Current Mirrors (Part 1) - Cascodes and Folded Cascodes
By Morty Tarr
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For this audio electronics article, Morty Tarr wrote a fascinating exploration of circuit topologies that are used to provide specific functions for an amplifier design. Cascodes, folded cascodes, and current mirrors are some of these topologies, intended to improve the performance of the devices, but which also add complications. In the first of a three-part series, the author discusses cascodes and folded cascodes, useful to improve high-frequency response and device linearity. This article was originally published in audioXpress, October 2021. Read the Full Article Now Available Here
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Klippel KA3 Modules — Time Frequency Analysis
By Vance Dickason
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While Voice Coil Test Bench reviews only make use of the Large Signal Identification (LSI) data from the Klippel analyzer, the reality is that there is an amazing list of 30 modules available for the KA3 that are seriously valuable for transducer and system development. As space permits, I will be covering a number of these modules in future issue of Voice Coil. The first module in this series is the Time Frequency Analysis (TFA) module. The TFA is a processing module that visualizes the characteristics of an audio signal over time and frequency. Processing is based on three different methods (Wavelet Transform, Short Time Fourier Transform, and Filter bank) and can be applied to any kind of time signal (e.g., from a measurement operation or an external .wav file). This article was originally published in Voice Coil, October 2021. Read the Full Article Now Available Here
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