Celebrating National Historic Preservation Month

May is National Historic Preservation Month. To celebrate, the Preservation Alliance asked 31 historic preservation leaders in Philadelphia to name a building that has inspired them and why. We invite you to watch this space daily and hear from leaders in the local preservation movement as they reveal the historic buildings that have inspired them.

David Hollenberg Franklin Court Independence National Historical Park, Philadelphia

What a pleasure to have been asked by the Preservation Alliance to reflect about “a building in the Philadelphia region that has influenced you, and why.” My response is Franklin Court within Independence National Historical Park, designed by a remarkable team: Venturi, Rauch and Scott Brown Architects, National Heritage Corporation (later John Milner Associates) as Associated Architect, and, Keast and Hood, Structural Engineers.   A team enriched by the passionately applied expertise in history, archeology and interpretation provided by the client, the National Park Service. That expertise had long researched and debated how address the recognized absence anywhere of a tangible and appropriate memorial to Benjamin Franklin. The known historical presence of his house within the block plus his ownership of the five properties on Market Street were tangible connections to Franklin, as powerful as his pew a few blocks away at Christ Church. NPS was ultimately driven by its extreme caution about undertaking reconstructions absent sufficient evidence. Here, though there was much documentary and archeological evidence, it was far from enough. The brilliant design that emerged showed that this seeming dilemma actually could provoke a design response that remains unexpected and resonant.   I love Franklin Court for: Its clear expression of the interdisciplinary necessities of its own making Its urbanity, generosity, and sheer design intelligence Its combination of the historic and the contemporary -- beautifully realized, for example, in its small but complex garden design, with its tough but perfectly scaled 18th c. garden intimacy The candor of the equal weight it gives to knowledge and its absence – especially in the ghost structures’ blunt sculptural acknowledgement of what was and what was not known about Franklin’s houses. They remain a fresh and stirring answer to the perennial challenge of reconstructing historic buildings. The inclusion in the overall mix of the meticulous restoration of the exteriors of the five houses at 314-322 Market Street, and, within 318, of the stunning collage of the raw and the modern, revealing and explaining along the full height of its open multi-story metal and cable stairway the bits of physical evidence that in turn informed the broader restoration. The delicious ploy of injecting overt and covert interpretive gestures into the public circulation through the garden and along Orianna Street between Market and Chestnut Streets. The satisfying surprise of the underground Museum, especially the enticing long ramp within its modest on-grade entrance building -- a museum that upped the detail of the Franklin story from that offered on-grade above. The forthright expression of the fundamental role in the project of archeology, with exposure of the historic houses’ foundations and other features from viewing wells inside the ghost structure footprints.

To add a personal and grateful note: I was fortunate to work on Franklin Court as a young and VERY inexperienced draftsperson, in two offices. First, at Keast and Hood, an office where preservation and contemporary design were not separate. Any of the three remarkable partners (Carl Baumert, Nick Gianopulos, and Tom Leidigh) could nimbly shift between engineering design for the best new or old buildings. I vividly recall them grappling with the ghost structure design, in which the gable ends met not at their apex (very desirable structurally) but rather at a void -- the hollow box that was an abstraction of the house’s unknown original chimney mass. They figured it out – with mutual commiseration – making clear to young me the impact of orchestral teamwork and collective respect. Then, as a perhaps slightly less inexperienced young draftsman a year or so later, at National Heritage Corporation (later John Milner Associates), where I worked on documents associated with the ongoing construction of the Market Street houses, in particular the beautiful interpretive stairway and interior within 318 .   So, for me, Franklin Court is a career starter, inextricably interdisciplinary, where excellent contemporary and historic urban design, architecture, landscape and preservation design, plus interpretive planning and archeology all converge. Those are the situations I’ve consistently loved the most in my career – whether within a historic district, a national park, or an urban campus.

David Hollenberg University Architect (retired), University of Pennsylvania and Adjunct Faculty in the University of Pennsylvania’s Graduate Program in Historic Preservation program

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Tuesday, May 26, 6:00 PM to 7:30 PM Penn Square, City Hall, and the Emergence of Modern Philadelphia Presented by Paul Steinke ,   Executive Director,  Preservation Alliance for Greater Philadelphia The building of Philadelphia City Hall at Center Square in the late 19th century was not only a monumental feat of art, architecture and engineering. It was also a powerful catalyst for city building, and for the forging of a civic identity. Preservation Alliance executive director Paul Steinke discusses the forces that led our municipal headquarters to be located where it is, as well as the forces it unleashed to transform the surrounding neighborhood.

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Tuesday, June 2, 6:00 PM to 7:30 PM Saving Neon and Rowhouse Culture Presented by Len Davidson ,   Founder,  Neon Museum of Philadelphia For over 40 years Len Davidson has produced new neon and collected the old, both in sign and story. His 1999 book "Vintage Neon" is an essential photo archive and cultural history for sign lovers. Len’s interactive talk will examine Philly neon history including his establishment of the Neon Museum of Philadelphia in lower Kensington.

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