Nov. 11, 2019




Today the US observes Veteran's Day, or, more traditionally, Remembrance Day or Armistice Day; the celebration of the end of the war to end all wars. Sigh...

Adobe released new versions of Premiere Pro and the rest of its Creative Cloud applications last week. So, this week, my lead story is a "First Look" at one of the centerpiece features in Premiere: Auto-Reframe. Here's the link.

First, though, the news.

ftrack announced that it has acquired Cospective. ftrack provides a project management, production tracking and media review platform, while Cospective created a synchronized remote review tool. I was intrigued at the story behind the news, so I emailed ftrack CEO Fredrik Limsater to learn more. Here's the link.

Earlier this week, I was looking for material to write for The Inside Tips. As I was exploring Premiere I re-discovered the Project Manager. What's cool about the Project Manager is that you can use it for archiving, or consolidating files for sharing, or transcoding files into a more efficient codec for editing. This week, my third article illustrates how to use the Project Manager in Premiere. (And, for all you Final Cut editors, no, I don't know why Apple doesn't create something similar and, yes, I think it would be very useful.) Here's the link.

Thinking of The Inside Tips, our newest subject, " Codecs & Media," went live last week. And, starting next week, the Apple Motion tips go live on Thursday, Nov. 21. Visual Effects will start Dec. 4. Sign-up now - the entire service is free - so don't miss a single tip. I'm having great fun researching cool, fun stuff.

If you haven't joined, learn more here. If you like what you are reading, please tell your friends and followers. Also, you can find us on Twitter and Facebook. Please help us spread the word!

As some of us wait for the new Mac Pro and HDR display - and the rest of us wait for the holidays - things are winding down a bit. Still, there is more news coming, which I'll share with you next week. In the meantime, edit well.

Using HDR Media in
Apple Final Cut Pro X
RAW, sLog, HDR, 12-bit, 16-bit... What are all these different video formats and how do you work with them in Final Cut?

It's easy to get confused!
 
 
This session covers:  
* What HDR and log media is 
* Tips to color grading HDR  
* How to work with RAW, HDR, log
   and ProRes media in Final Cut Pro X
Using HDR Media in
Adobe Premiere Pro CC
RAW, sLog, HDR, 12-bit, 16-bit... What are all these different video formats and how do you work with them in Premiere?

It's easy to get confused!
 
This session covers:  
* What HDR and log media is
* Limitations of HDR in Premiere 
* How to work with RAW, HDR, and
   log media in Premiere Pro CC
Download: HDR in Premiere Pro  
» First Look: Auto-Reframe in Adobe Premiere Pro CC ( Tutorial)
    » An AI-driven, automated way to convert aspect ratios for clips & sequences.

» CEO Interview: ftrack Acquires Cospective ( News)
    » ftrack CEO Fredrik Limsater explains why they acquired Cospective last week.

» Premiere Pro: Archive Projects with Project Manager ( Tutorial)
   » Project Manager transcodes, consolidates and organizes. Learn more here.
» New Font Menu in Premiere Pro CC

» EQ: Warm a Voice & Improve Clarity

» Premiere: Effects Control

» Pick the Right Version of ProRes
 
» View all tutorials here.
» Apple Final Cut Pro X: Complete  
   
» 274: HDR Media in Premiere Pro  
 
» 273: HDR Media in FCP X       
 
» 226: Maximize Your Storage    
        
» View all webinars here.
 
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