We look forward to seeing returning alumni during Bowdoin Reunions this coming weekend.  Tours of the current exhibitions will be held each day. If you haven't already seen Second Sight: The Paradox of Vision in Contemporary Art, please make a point of doing so, as this acclaimed exhibition closes on June 3 rd. Later in the month, on June 23 rd, we open Winslow Homer and the Camera: Photography and the Art of Painting, an exhibition that highlights art works and objects from the Museum's Winslow Homer Archival Collection and includes loans from twenty-six museums and private collectors. Four years in the making, this project sheds new light on one of America's most revered artists. Student-led tours of this and other exhibitions will happen daily at 1:30 pm throughout the summer.
 
See you at the Museum!

Anne Collins Goodyear & Frank H. Goodyear
Co-Directors
Bowdoin College Museum of Art
exhibitions

CONTINUING      
   
Richard Pousette-Dart:
Painting/Light/Space


Through September 16, 2018

By 1960, Richard Pousette-Dart was widely recognized for his contributions to Abstract Expressionism. Between 1960 and the mid-1970s, however, the painter explored new artistic strategies and techniques. The resulting works, replete with sparkling colors and brilliant whites, reflect the energy that the artist experienced in his environment. Stressing the immaterial and performative qualities of art and the importance of the creative process itself, Pousette-Dart created a legacy of enduring significance for contemporary artists and viewers.
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OPENING SOON

Winslow Homer and the Camera: Photography and the Art of Painting

Opening June 23, 2018 
 
This exhibition explores the question of Homer's relationship with the medium of photography and its impact on his artistic practice. As one attuned to appearances and how to represent them, Homer understood that photography, as a new visual technology, had much to reveal. This exhibition thus adds an important new dimension to our appreciation of this pioneering American painter, demonstrating his recognition that photography did not undermine, but instead complemented his larger artistic interests.
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spotlight
Winslow Homer's Eight Bells

Eight Bells features two mariners, nearly identical in appearance and outfit. While one looks through his nautical instrument out to sea --- like Homer looking out from the second floor balcony of his studio at Prout's Neck --- the other looks down at his instrument-like a painter studying his palette. Might Homer have considered this work a self-portrait?  The pair presents two types of looking, one peering out in the distance, the other focused on something close at hand. In their spatial relationship, the two individuals bear similarities to the subjects represented in the motion study photographs of Homer's contemporaries Thomas Eakins and Eadweard Muybridge.
museum news

James Bowdoin III's Collection and Its Legacy

This semester I have been working on an essay that will be published in the Museum's online scholarly catalogue, Art Treasures, Gracefully Drawn: James Bowdoin III and America's Earliest Drawing Collection. I am excited to be a part of such a dynamic and innovative resource. My project explores the impact of Bowdoin's youth in Europe on his collecting practices, with a particular focus on his time in England.
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Work on Paper of the Month

The Museum proudly announces the acquisition of a rare lithograph, Proun 2B, by El Lissitzky, a key member of the Russian Avant-garde. El Lissitzky invented the Proun (pronounced Pro-oon) in Vitebsk in the autumn of 1919, at the height of the Russian revolution, where the young architect and illustrator taught printmaking and architecture at a "people's art school" under the direction of Kazimir Malevich. Since about 1913, Malevich had developed Suprematism, an artistic philosophy that became foundational for geometric abstraction in twentieth century art.

membership
Become a Member of the Bowdoin College Museum of Art

We hope you'll stop by the Museum this summer! There are several exhibitions, featuring art from ancient times to the present, on view for your enjoyment. For more information, please check our home page, or contact Caroline Baljon, Membership and Programs Coordinator, at (207)-725-3276.
 
The support of our members helps us to realize future exhibitions, public programs, and educational offerings, which are always open to students and the general public free of charge. Membership offers special access to events and serves as a connection to a community of students and faculty who are actively engaged at the Museum. If you are not already a member, we hope that you will show your support for the Bowdoin College Museum of Art by joining today !  
 
calendar

June 8
Second Friday ArtWalk 
4:00 pm - 7:00 pm
Museum of Art
more

June 23
Revisiting Winslow Homer: A Conversation with the Curators 
4:00 pm - 5:00 pm
Kresge Auditorium
more

June 23
Reception to celebrate  Winslow Homer and the Camera
5:00 pm - 6:30 pm
Museum of Art
more

June 28
Bowdoin International Music Festival at the Museum of Art 
11:00 am
Museum of Art
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Museum Hours
Tuesday - Saturday: 10:00 am - 5:00 pm  |  Thursday: 10:00 am-8:30 pm  |  Sunday: 1:00 pm-5:00 pm
Special Sunday hours: 12:00 noon-5:00 p.m. (June 24 through October 28)
Closed on Mondays and national holidays. 
 
The Bowdoin College Museum of Art is open to the public FREE of charge, although donations are welcome. The Museum is wheelchair accessible through the Pavilion entrance.
 
Bowdoin College Museum of Art  |  9400 College Station |  Brunswick, ME 04011  |  207.725.3275 

[email protected]  
    bowdoin.edu/art-museum       Directions

Banner image:
Detail from Perils of the Sea, 1881, watercolor  by Winslow Homer.  Sterling and Francine Clark Art Institute, Williamstown MA.  The painting is included in the exhibition Winslow Homer and the Camera: Photography and the Art of Painting.