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The Newsletter of Fig Tree Books | |
June 2024: Issue #55 --- Fredric D. Price, Founder & Publisher | |
SHORT STORY: Never Again, by Howard Jay Smith | |
Growing up in NYC in the '50's & 60's, was to live in the shadow of the Holocaust which saw the entirety of our European family, save one, murdered. How, I wondered as a writer, does a Jew survive in an essentially hostile world? That question is a recurring theme in my novels. Over the decades however, that concern appeared to have little urgency as the specter of antisemitism seemed to have faded in a very secular America - until this past October. The assault by Hamas was akin to many of the pogroms that have plagued we Jews throughout our history. The renewed and extreme rise of antisemitism since the attack, reminds me of the ever-present need to remember the past and to learn from it, as in NEVER AGAIN, VIENNA, a short story adapted from my novel, MEETING MOZART: FROM THE SECRET DIARIES OF LORENZO DA PONTE, amzn.to/2P9Xfzu.
Mozart’s librettist, Lorenzo Da Ponte, the creator of The Marriage of Figaro, Don Giovanni, and Cosi Fan Tutte, and the man who introduced opera to America, was derogatorily known behind his back as “the Jewish Priest.” My newly released multi-generational novel Meeting Mozart In Venice, Vienna & Prague; From the Secret Diaries of Lorenzo Da Ponte, explores how Da Ponte and his modern day descendants endured the anti-Semitism of Europe, early modern New York City, and the Holocaust, by asking the question: “How does a Jew survive in an essentially hostile world?”
Howard Jay Smith is an award-winning writer from Santa Barbara, California. Meeting Mozart is his fourth book. A former TV & Film executive, Smith taught in the UCLA Extension Writers’ Program. and has lectured nationally. He serves on the board of directors of the Santa Barbara Symphony.
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JEWS OF DIFFERENT HUES: Growing up Jewish in the South | |
The Nativity video was the turning point for my mother. My kindergarten teacher had called her at home that December to ask whether she should let me — the only Jewish kid in the class — watch a video about the birth of Jesus, or have me sit in the hall.
Where am I? my mother thought, not for the first time.
My parents’ sojourn in North Carolina was meant to be brief. She was from Manhattan; he was from a heavily Jewish Baltimore suburb. He was offered a two-year fellowship position, after which they’d move back north. But two years came and went, and the fellowship turned into a permanent job. Now they were homeowners raising kids in 1980s Durham, a place where the butcher looked at you quizzically when you requested a shank bone for Passover; where the synagogue was referred to as “Jewish church”; and where showing a Nativity video in public school was apparently normal. They had choices to make — how to react in situations like these?
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Emily Matchar has written for an array of publications, including the New York Times, the Washington Post, Outside, Smithsonian, and the Atlantic. Originally from North Carolina, she lives with her husband and two sons. In the Shadow of the Greenbrier is her first novel. | |
ARTICLE: The Persian-Jewish grandma who wants
to feed the entire IDF from her apartment
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NYC-raised scion of one of Tehran's most prominent Jewish families, 84-year-old 'Chicki' Elghanian makes 300 meals a day while praying for the destruction of the Iranian regime. | |
GUEST COLUMNIST - EVE BARLOW, Creator of Blacklisted
Israel Retaliates
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Eve Barlow @Eve_Barlow
"The interrupter"
Journalist. Zionist. Feminist. Scottish.
evebarlow.substack.com/subscribe
64.9K Followers
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GUEST EDITORIAL: What Others Won't Say
by Thane Rosenbaum
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"In Michigan, this past week, pro-Hamas demonstrators chanted, “Death to America!” The congresswoman who represents that district refused to condemn her constituents. The Founding Fathers gave us the First Amendment so as to debate the issues of the day, not to issue death sentences." | |
Novelist. Essayist. Author. News Analyst. Culture Critic. Talk Show Host. Renaissance Guy...
Thane Rosenbaum is a law professor, legal and Middle East analyst, novelist, essayist, and Distinguished University Professor at Touro University.
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ESSAY: A Necklace by Michelle Braun | |
In my memory, I always owned, always wore the Star of David necklace my mother had given me. It had been hers, a gift from an older brother, I think. The design was the simple six-pointed star encircled by a lightly textured rim—all in gold—with a silver-toned shape meant to invoke the two tablets brought down from Sinai by Moses. The entire charm was maybe the size of an American dime. | |
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Following a career in public policy, in 2022 Michele Braun earned an MA in Jewish Education from Hebrew University and now provides adult Jewish education classes and consulting services to synagogues and community organizations. Topics of particular interest include Contemporary Torah Study, Jewish Textile Art as Modern Midrash, and making mainstream classrooms more accessible to students with disabilities. | |
SHORT STORY: I’m no Anne Frank.
I’m not a man of words, by Maurice Labi
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The letter didn’t arrive. My father leaned over the fifth-floor balcony railing of his apartment building and searched for the postman below. “Why couldn’t he be punctual like the Germans?” he said, wanting to draw in my mother’s attention.
At first, he hinged the letter’s delay on Israel’s antiquated postal service. “They might as well carry mail on camelback,” he hissed, and returned to the living room, his eyes on the wall-mounted clock.
| | Maurice Labi was born in London, educated in Tel-Aviv, and in Los Angeles. He holds a master’s degree in English. His blog https://notesfromgalilee.wordpress.com tells of his return to Israel. He is the son of a holocaust survivor, a young boy who had been transported from Benghazi, Libya, to Italy, to Bergen-Belsen camp. His short stories were shortlisted with New Letters, won first prize at University of Haifa. Married with children, he splits his time between the US and Galilee, Israel. His prior story, a memoir, A BOY ADRIFT, tells of his Israeli immigrant clash with 1960s America. | |
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