In This Issue
From the Director From the Director
One of the activities I have been enjoying most as DIA director has been working with our tri-county partners. The DIA team meets three times a year with the Wayne, Oakland, and Macomb County Art Authorities, which work closely with the museum to ensure that we provide the best service possible to their residents. Last Thursday, January 25, after meeting with the Oakland Art Authority, the Oakland County Board of Commissioners invited me to speak to them. I had the opportunity to discuss some of our recent accomplishments from instituting our exciting Strategic Plan to the unveiling of the new Lumin technology that brings 3-D mapping and augmented reality tours to our galleries.
One of the commissioners, Marcia Gershenson, praised the work we are all doing in making the museum a place for everybody, a welcoming "town square" where all are included and represented. I was pleased to specifically underscore how in the last year we established meaningful connections with the Asian communities in Oakland, especially with Indian and Japanese groups, and that we are working to reach out to the Chinese and Korean ones too.
This is very good news because the museum has never engaged so deeply with these groups that are now beginning to feel better represented in the DIA as we get ready to re-install the extraordinary Asian Galleries-the Japan gallery will open this November and those for Indian, Korean, and Chinese art in fall 2018.
We want diverse audiences to come to the DIA and, to support this idea, we have launched an initiative called Reflecting Our Community. We would like the demographics of our visitors to mirror that of the tri-county area. With that in mind, we are approaching our Latino and Arab- American neighbors, among others, to assess how we can better engage with them. Moreover, we are focusing on our region's African American residents, speaking with and listening to them to better understand how the museum can be more attractive to their interests. In fact, we are collaborating with the  Charles H. Wright Museum of African American History on exhibitions in conjunction with the 50th anniversary of the Detroit '67 rebellion. On July 23,  Art of Rebellion: Black Art of the Civil Rights Movement opens at the DIA and opens at the Wright Museum. Further, February is Black History Month and we are partnering with the Detroit Pistons and very generous donors Arn and Nancy Tellem to celebrate the inspiring histories and vibrant futures of African Americans through a number of events at the DIA.
As Commissioner Gershenson said, we are opening the museum to everyone. The DIA welcomes the diverse cultures, backgrounds, and perspectives of all our communities from all corners of the world and incorporate them into the framework of our extraordinary art collection. We identify with the vast multicultural wealth of our society, and the museum brings us all together. This February bring your family and friends and celebrate the Chinese New Year, Black History Month, and Valentine's Day with us.


Salvador Salort-Pons 

Director
Detroit Institute of Arts
BittersweetExhibitions
BITTER|SWEET
Coffee, Tea, & Chocolate
Through March 5, 2017
Special Exhibition Galleries South
Teapot , 1750/1760, salt-glazed stoneware with polychrome enamel decoration; Straffordshire, England. Bequest of Robert H. Tannahill
Woman Taking Her Tea , mid-eighteenth century, etching; Pierre Filloeul, French. After Jean Siméon Chardin, French. Founders Society Purchase, Hal H. Smith Fund
Coffee, tea, and chocolate became the new hot drinks when they were introduced in Europe in the 1600s, causing a near revolution in drinking habits and social customs. Not only did these beverages set off an insatiable demand for specialized vessels, such as coffeepots, tea canisters, and chocolate pots, but they also generated new phrases and word meaning.
Take " Not my cup of tea." It started out in England in the late 1800s as just "my cup of tea," to mean something viewed positively, a reference to the ubiquitous presence of the drink in British life. In the 1920s, the word not was added to the phrase to describe something that was not liked.
The phrase " not for all the tea in China" derives from the huge amounts of tea that the Chinese export. It means there is no price high enough to induce someone to act. The saying originated in Australia in the 1890s and soon spread to the rest of the tea-drinking English-speaking world.
Ever wonder why the fancy dishes you set the table with are called china? Beginning in the fifteenth century, considerable quantities of Chinese porcelain entered Europe and were often referred to as "China wares" or just "china." The secret of making porcelain eluded European artisans for more than a century and, despite numerous attempts, they could not match the hardness, translucency, colors and beauty of the Chinese product. Today, china is used to describe any porcelain dishes, whether the adhere to the original Chinese recipe or not.
Didn't get enough of the hot chocolate samples at the end of exhibition? You can now purchase a full-sized cup of either the Aztec or French versions in Kresge Court. Have a shot of espresso added to create a mocha.
Click here for information on a lecture about coffee, tea, and chocolate in early America.
There are only four weeks left to see this exhibition. Tickets for adults are $14 and $10 for Wayne, Oakland, and Macomb county residents. Children ages 6-17 are $7 and $5 for Wayne, Oakland and Macomb county youngsters. Exhibitions are always free for DIA members, although complimentary timed tickets are necessary.
The exhibition is organized by the Detroit Institute of Arts with support from the National Endowment for the Arts.

Palace of Circe (Dessert Table), 2015, sugar sculptures on mirror glass base; Ivan Day, British. Created for the Getty Research Institute, 2015
The Edible Monument
The Art of Food for Festivals
Through April 16, 2017
Schwartz Galleries of Prints and Drawings
Ivan Day. Photo: Martin Campbell-Grasmere, UK.
Across Europe, from the Renaissance to the eighteenth century, sugar sculptures were part of highly decorative aristocratic European table settings that included flowers, fruit, ice and metal sculptures, candelabra, and fine china.
In the center of this exhibition devoted to historical pieces is a modern-day example, created by British culinary historian Ivan Day, based on a print of a table plan in the 1776 French cookbook La science du maître d'hôtel, confiseur by Menon, on view nearby. The sugar paste is sculpted in the form of a classical temple with sugar statues and sugar-sand gardens. The figures were intended to instruct guests on the consequences of gluttony with a story about the ancient Greek hero Ulysses. When he landed on the island of Aeaea, his men were so greedy that the sorceress Circe turned them into pigs.
Smaller table sculptures made from ice, butter, sugar paste, and marzipan were also part of Renaissance and baroque table decorations. Major artists--including Bernini and Giambologna--designed the works, which were then crafted by ornament makers in confectioneries using wood or plaster molds. Complex figures were modeled or built with wire or wooden supports. Artificial flowers were made of silk, paper, or sugar paste and used as garnishes atop pyramids of dried fruits or arranged in baskets.
Day discusses the evolution of sugar sculpture and decorative table art and introduces the materials, equipment, and methods used by the masters in an illustrated lecture on Saturday, February 4 at 2 p.m. Day returns on Sunday, February 5, for a demonstration of traditional tools and techniques to create a white gingerbread sculpture. Everyone is invited to take a close look into this unique art form and, as supplies last, participants will be able to create their own small sculpture to take home.
The exhibition is organized by the Getty Research Institute, Los Angeles.
DADDETROIT AFTER DARK
Photographs from the DIA Collection
Through April 23, 2017
Albert and Peggy de Salle Gallery of Photography
Nick Speed (left) and Seven the General (right) , 2015, pigment print; Jenny Risher, American. Museum Purchase, Graphic Arts Council Photography Fund.
Although the title of this exhibition is Detroit After Dark, photographer Jenny Risher prefers twilight, or what she calls the city's "Golden Hour," when there is a "short window of time as the sun just settles under the horizon and Mother Nature produces an even, magical light in the sky. It's also when the city itself lights up and comes alive."
Continuing the tradition of photographers documenting Detroit's musical history, Risher began a series of portraits featuring the city's hip-hop artists in 2015. She collaborated with her subjects as to location and scenery, taking photographs as twilight was settling in.
Early Detroit hip-hop pioneer Awesome Dre stands with two members of the Hardcore Committee in front of the Motor City's most recognizable icon, the Michigan Central Station. Risher photographed veteran producer Nick Speed holding his signature sampling machine that he used producing for Detroit rapper, emcee, and actor Seven the General. The portrait was taken at Detroit's Eastern Market.
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thalassaTHALASSA
Through March 19, 2017
Woodward Lobby
Thalassa, 2011, plywood, steel, paper; Swoon (Caledonia Curry), American.
New York street artist Swoon, born Caledonia Curry, was not a stranger to Detroit when she came last year to install her massive sculpture Thalassa above the museum's Woodward Lobby. "I have a long love of Detroit, having worked in the city at various times over the years with the Allied Media Conference and the Power House Project in Hamtramck," she says.
"Detroit and its powerful history have always been an inspiration, not to mention Tyree Guyton's Heidelberg Project being a long-standing beacon for anyone who is interested in how art can transform community."
Swoon made Thalassa, the ancient Greek goddess of the sea in 2010 in response to the Deepwater Horizon oil spill in the Gulf of Mexico, which upset her greatly. "I have found that a lot of my long-term projects are really about how creativity addresses crisis--from ecological disaster to social crisis," she says. "[They] tend to be about bringing the balm and the problem-solving skill set of creativity to some of the more difficult times and places in our lives."
DFTDetroit Film Theatre
Blind Vaysha
The Academy Award nominations have been released and February is the month to check out who is in the running for the short subject categories at one of the DFT's popular showings of Academy Award animated and live-action short films. The animated contenders screen first at each performance, followed by an intermission and the live action picks. The five nominated short films in the documentary category, which never fail to be revealing, enlightening, and moving glimpses of the world as seen through the eyes of some of the world's most talented filmmakers, show Saturday, February 18, at 1 p.m. and Thursday, February 23, at 7 p.m.
Also playing this month are restored feature-length films, numerous shorts, and rare fragments representative of the work of America's early African-American film artists as a start to Black History Month. The films are scheduled throughout the weekend of February 3 and on Saturday, February 18. See the listing of all the films and times at the link below.
For more DFT information, including dates and times, or to purchase tickets, click here.
Black History MonthBlack History Month
A festival of newly restored, rare African American independent feature films and shorts, made between 1915 and 1940, launches Black History Month activities that also include a lecture and musical performances.
Pioneers of African American Cinema, beginning the weekend of February 3, is a series of free screenings from an extraordinary project to restore feature-length films, numerous shorts and rare fragments representative of the work of America's early African-American film artists. Their films often dealt with issues of race very differently from Hollywood movies and created genre entertainments tailored to African-American audiences. Presented with new musical scores, this series was produced in association with the Library of Congress.
The Flying Ace, the first film, playing Friday, February 3, at 7 p.m. is a silent crime drama about a pair of rival aviators. Because the movie had a modest budget, the flight scenes were actually photographed on the ground using sleight-of-hand editing techniques. Also playing Friday evening is Dirty Gertie from Harlem U.S.A., the story of a sultry New York nightclub singer who arrives at a Caribbean resort to entertain tourists and G.I.s until a hard-nosed reformer vows to chase her back to Harlem.

Among the films playing Saturday, February 4, is Body and Soul with the great Paul Robeson (right) portraying twin brothers--one who's an ordinary working man, the other a cynical, hard-drinking, sexually predatory minister-who are vying for the affections of the same young woman. This restoration features original tinting and a newly recorded musical score by Paul D. Miller, aka DJ Spooky.
DJ Spooky also created a new score for Sunday's Within Our Gates, the tale of a young woman attempting to raise money for an elementary school to serve the black community but encounters racial politics, urban corruption, and the searing memories of the lynching of her parents at the hands of a white mob along the way. Click here for the complete schedule of these early films.
A special screening of The First to Do It, a feature-length documentary honoring the legacy of the first African American NBA player, Earl Lloyd, takes place Wednesday, February 22, at 7 p.m. Lloyd was a black man playing a white game at the time of the civil rights movement, when off-the-court battles included exclusion from the team hotel and entering stadiums through the service entrances.
The film is free but advance reservations are needed. There will be no tickets available at the door.
This year, the Alain Locke Awards, established in 1992 by the Friends of African and African American Art to honor those individuals who are dedicated to the promotion and understanding of African American culture, go to Michael Harris, associate professor of art history at Emory University, Atlanta, and Mahogany Jones, who was named a Kresge Arts Fellow in 2016.
Harris, recipient of the international award, discusses the works of artist Alison Saar evoking healing and transformation meaningful to black women. He connects Saar's work to larger issues of cultural expression not explicitly related to issues of race but as an extension of African rituals in a lecture on Sunday, February 12 at 2 p.m. Also making remarks is local honorary Jones, a recording and performance artist, educator, and activist.
Soul singer Bettye LaVette gives a special performance on Thursday, February 23, at 7:30 p.m. Raised in Detroit, she scored her breakout hit in 1962 at age sixteen, and her career has since taken her down any paths, exploring many musical genres. Among other musical performers this month are saxophonist Benny Rubin, Jr.; Lara Downers, whose music is a tribute to the generations of Americans-black and white, men and women, immigrants and pioneers; and jazz pianist Ian Finkelstein.
For all Black History Month activities along with dates and times, click here.
All activities are free with museum admission.
Black History Month programs are made possible with the generous support of Arn and Nancy Tellem.
Detroit Institute of AwesomeDetroit Institute of Awesome

Celebrate Black History Month and the Chinese New Year with this month's Detroit Institute of Awesome activities.
As part of Black History Month, there's an artist demonstration and storytelling. Detroit multimedia artist Donald Calloway displays some of his varied work and helps visitors create art with a heart motif using found objects on Saturday and Sunday, February 18 and 19, from noon to 4 p.m.
The following weekend, storyteller La'Ron Williams uses music and audience participation in an exploration of folk tales from African and African-American traditions, in addition to some from his own life, that teach lessons of self-esteem, self-reliance, and perseverance. He regales families with his tales at 2 p.m., both Saturday and Sunday, February 25 and 26.
A weekend of performances, demonstrations, art displays, and hands-on activities mark the Year of the Rooster on Saturday and Sunday, February 11 and 12, from noon until 4 p.m. Watch performances of a traditional Lion Dance (above) or modern Chinese yo-yoing, explore examples of Chinese calligraphy and paintings, and craft an art object of your own in these programs associated with Chinese New Year celebrations. Programs are sponsored by the Friends of Asian Arts and Cultures.
Continue celebrating the Chinese New Year and support the museum at a downtown gala Saturday evening, February 11, sponsored by the Detroit Chinese Business Association, which has selected the DIA as their sponsored nonprofit this year, with a portion of the proceeds benefitting the museum. (For more information or to purchase a ticket, contact Tarya Stanford at [email protected] or 313.833.1721.)
Every DIA Awesome weekend includes family-friendly guided tours, art-making workshops and, on Sundays, drawing in the galleries. Activities are free with museum admission, except for the Animation Club screenings, which are free for members and $5 for the general public.
LuminAugmented Reality

The DIA has moved to the forefront of museum technology with the introduction of Lumin, an augmented-reality program that allows the public to peel back the layers of artworks to see what is hidden from the naked eye or lost in the mists of time.
The DIA is the first art museum to utilize this technology, developed in partnership with Google and GuidiGo. Seven works of art in first floor galleries are overlaid with videos, photographs, and animations to provide context.
Look inside the 2,000-year-old mummy in the Egyptian galleries to see an X-ray of the skeleton beneath the sarcophagus and bandages. Use the device as a virtual magnifying glass to see intricate designs engraved on small Mesopotamian seals or check out how the Dragon of Marduk fit into the Ishtar Gate in the Ancient Middle East galleries.
The new mobile tour can be picked up in the Farnsworth lobby in exchange for an ID. Suitable for families with children eight and older.
The project is generously sponsored by the J. Addison and Marion M. Bartush Family Foundation
NewsNotesNews and Notes
In the Shop
Looking for a special gift for your valentine? The DIA Shop has assembled an assortment of whimsical gifts from jewelry and accessories to puzzles, décor, and books for Valentine's Day gift giving.
Instead of flowers, why not a Murano glass Bouquet necklace? Or, instead of a box of chocolates, try the game Chocolate-Opoly for guilt-free enjoyment. Find these and other items for men, women, and children at diashop.org.
College Night
The DIA is inviting students from colleges in Wayne, Oakland, and Macomb counties to a free evening of live music, games, and dancing on Friday, February 17.
Between 6 and 11 p.m., students receive free admission to the Bitter|Sweet Coffee, Tea and Chocolate special exhibition, can listen to the music of the Jason Moran Bandwagon Trio, dance to tunes spun by a local DJ, participate in a scavenger hunt with prizes, and enjoy snacks and, for those 21 and older, a cash bar. A college ID is required for free entry.
Conservation Grant
The DIA's painting Judith and the Head of Holofernes by Titian is scheduled for its first conservation treatment since it first went on the wall in 1938, thanks to an award of more than $25,000 by TEFAF. The award will support the use of new technology and imaging applications to develop scholarship and interpretations of Titian's masterpiece.
TEFAF, the organizers of three pre-eminent art fairs, donates money to one or two museum conservation projects  year as a means of giving back to the many museum that send representatives to their venues. The DIA received the Museum Restoration Fund grant along with the Musée Rodin and four Dutch museums that share ownership of Der Blaue Reiter, a rare, 140-page journal edited by Wassily Kandinsky and Franz Marc.
The fund's aim is both to support the restoration of particular art works and to boost awareness of the field of conservation science overall, encouraging the sharing of knowledge between museums and with the general public.
Detroit Institute of Arts
5200 Woodward Avenue
Detroit, Michigan 48202
313.833.7900
Comments or questions about the newsletter? Please contact us: [email protected]
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