In This Issue

Director's LetterDirector's Letter

   

One of the favorite objects of our younger visitors is the mummy in our Egyptian galleries. Standing before this remarkable piece of funerary art is quite impressive, and I understand perfectly how its contemplation becomes a springboard for our visitors' imaginations--and we want the museum to help your imagination fly high. Our Egyptian holdings are not vast, but we have beautiful pieces, some of which belonged to the personal collection of Howard Carter, the Egyptologist who discovered the famous tomb of Tutankhamen, "King Tut."

I visited the Egyptian Galleries for a special and very inspiring occasion in July: the naming of the space for the Founders Junior Council (FJC). The FJC is one of the DIA's auxiliary groups, founded in 1965; it recruits passionate, young (under 40) lovers of the arts to support the DIA. I attend their events and admire this group of smart, energetic women and men and its commitment to the institution for which they generously give their time. Furthermore, they are extraordinary fundraisers for the DIA. The last time I attended their board meeting, I shared with them the challenge we have ahead of us to bring our operating endowment up to $400 million by early 2023 (currently it is about $130 million). I remember how, on that day in a very silent meeting room, they attentively listened to my presentation and how their eyes sparked when I asked for their help with the museum's overarching goal.

 

After much deliberation, led by president Amy Zimmer, the FJC approved in April a motion for an unprecedented pledge by an auxiliary group to raise $1 million to be given to our operating endowment over the next four years. I was almost in shock when I learned the news. This is a Herculean effort, and I cannot be more grateful to this amazing group for their generosity and far-reaching vision. The FJC is investing in the DIA's financial sustainability that will help keep the doors of the museum open forever. They are making history and establishing a foundation to secure the DIA for future generations. I am honored to have a team of volunteers of this stature, and I look forward to working with them in the upcoming years. In the meantime, please bring your family and visit our new Founders Junior Council Gallery. Our more than 2,000 year-old mummy is waiting for you there and will continue to receive visitors for thousands of years to come, thanks to the FJC and many generous DIA donors. Thank you for your leadership and inspiration!

Salvador Salort-Pons Signature
Salvador Salort-Pons
Director

Detroit Institute of Arts

Back to top

Exhibitions

Open RoadTHE OPEN ROAD
Photography and the American Road Trip

Through September 11
Special Exhibitions Central Galleries

Before William Eggleston, Joel Meyerowitz, and Stephen Shore, photography was considered art only if it was in black and white. Color photographs were considered the stuff of advertisements and family snapshots. Eggleston's first solo exhibition at the Museum of Modern Art in 1976 was greeted with derision: critic Hilton Kramer countered the curator's assertion that the show was perfect, writing "perfectly bad, perhaps... perfectly boring, certainly."

Now forty years later, their works are considered classics, not only for their use of color but also the spontaneous compositions they snapped while traveling the country's byways. All three were influenced by Swiss-born photographer Robert Frank, who documented his travels across the United States in his book The Americans.

In turn, Eggleston, Meyerowitz, and Shore greatly influenced the next generation of color photographers, including Justine Kurland and Alec Soth, whose works are included in this exhibition along with all the other photographers mentioned above.

Visitors can share their favorite American road trip memories on social media using the hashtag #DIAOpenRoad. The DIA is hosting a photo contest on Instagram through August 22 and has created a summer road trip playlist on Spotify to accompany the exhibition.

This exhibition is organized by Aperture Foundation, New York, David Campany and Denise Wolff, curators, and is supported in part by an award from the National Endowment for the Arts.

Above: Florida, 1970 (printed 2015), pigment print; Joel Meyerowitz, American
© Joel Meyerowitz, courtesy of the artist and Howard Greenberg Gallery, New York

Back to top

Guest of HonorGUEST OF HONOR
Gallery of the Louvre

Through September 18

Gallery of the Louvre, 1931-33, oil on canvas; Samuel F. B. Morse, American. Terra Foundation for American Art, Daniel J. Terra Collection, 1992.51

Who are all those people Samuel F. B. Morse scattered about in his painting Gallery of the Louvre? The Louvre was unusual for its time, opening up to the public on Sundays and to artists during the week. Morse filled the space with figures modeled after members of the large ex-pat American community living in Paris, who had come to the French capital to paint, write, or study in the first half of the nineteenth century.

Morse placed himself front and center as the artist looking over the shoulder at the work of a female student. Women were not allowed into traditional art schools, so working with an established artist and using the Louvre as a studio proved a viable option. The student is likely based on a copyist, a Miss Joreter who took lessons from Morse in the museum, or his daughter Susan Walker Morse.

The artist working at the left side of the canvas is Richard West Habersham, who was one of Morse's roommates in Paris. Huddled behind him in the back corner is noted American author James Fenimore Cooper (The Last of the Mohicans), his wife, Susan DeLancey Cooper, and daughter, Susan Fenimore Cooper. Standing in the doorway to another museum gallery is Horatio Greenough, an artist and another of Morse's Paris roommates. Off to the right side of the composition is a seated copyist, possibly based on Morse's recently deceased wife, Lucretia Pickering Walker, or another likeness of Miss Joreter.

Gallery of the Louvre is on loan from the Terra Foundaton for American Art

Back to top

Detroit Film TheatreDetroit Film Theatre

The DFT celebrates the renowned Senegalese filmmaker Ousmane Sembène with screenings of his first feature film, a twenty-minute short, and a documentary about the man widely considered the father of sub-Saharan African cinema.

 
 

Black Girl (La Noire de...) (left), the 1965 film that marked Sembène's debut as a director of features, tells the story of a young Senegalese maid's forced exile when her white employers want to use her as a servant at their home in the south of France. Also playing is Sembène's 1963 Borom Sarret, a short, vivid portrait of a Dakar cart driver's daily struggle for survival. The two films can be seen for two weekends beginning Friday, August 12.

The documentary Sembène! (left), showing Saturday, August 13, follows the former dockworker who transformed himself into a fearless spokesman for the marginalized, becoming a hero to millions.

Norman Lear is arguably the most influential creator, writer, and producer in the history of television. His legendary 1970s shows--All In the Family, Maude, Good Times, and The Jeffersons--which helped to shift the national consciousness by injecting humanism into sociopolitical debates on race, class, creed, and feminism. He's still going strong at 93 years of age as can be seen in the documentary Norman Lear: Just Another Version of You, directed by Rachel Grady and Michigan native Heidi Ewing. Ewing introduces the film on Friday, August 5, and holds a question-and-answer session with the audience after the screening.

For more DFT information, including dates and times, or to purchase tickets, click here.

Back to top

Awesome FunAwesome Fun

The museum's Detroit Institute of Awesome weekends get even more so later this month with the introduction of art games for use in the galleries as a means of encouraging family engagement with the art on the walls and each other.

The games range from simple matching activities for the youngest visitors to a fill-in-the-blanks Mad-Libs style story telling exercise, both requiring only a pencil and paper and can be used in any gallery. And if you ever played a game of car bingo on long trips, the game in the special exhibition The Open Road will be a drive down memory lane to share with your kids. Look for art carts, placed in strategic public spaces, to pick up a game.

 

Play with your food on Saturday, August 6, and Sunday, August 7, in the Interstate Arts production of that name (left) which mixes live performers with puppets of all sizes to tell humorous stories of fact and fantasy about Detroit gardens, food justice, and nutrition. The performance is at 2 p.m. both days.

 

90-Second Newbery Film Festival: A Wrinkle In Time

The DFT Animation Club features the work of young filmmakers in selections from the 90-Second Newbery Film Festival on Saturday and Sunday, August 27 and 28, at 2 p.m. This annual video contest invites kids to create movies that tell the entire stories of Newbery Award winning books in about ninety seconds. In past years, winners have crafted hilarious, weird, impressive, and always amazing mini-films, including a James Bond version of Ramona and Her Father and a zombie apocalypse version of Mr. Popper's Penguins.

Awesome activities are free with museum admission, except for the Animation Club screenings, which are free for members and $5 for the general public.

Every DIA Awesome weekend includes family-friendly guided tours, art-making workshops and, on Sundays, drawing in the galleries.

Back to top

Winning DesignWinning Design

The DIA's popular interactive dining table and two other high-tech interpretive projects have been named among the most influential exhibit designs this century, by the Society for Experiential Graphic Design (SEGD), a multidisciplinary group of professionals who plan, design, and build environments that communicate with audiences in unexpected ways. The awards are given to designs that showed significant innovation and inspiration, as well as raising the bar for exhibit design.

 

The group cited the table in the third floor Fashionable Living gallery (left, above) for bringing the museum's eighteenth-century decorative art holdings to life and enabling visitors to "feel they are participating as three courses of historically accurate food are 'served' using porcelain and silver pieces from the collection."

Three digital books were singled out for giving visitors the ability to "flip" through the pages of an Egyptian Book of the Dead, a sixteenth-century Book of Hours, and a pictorial guide of American home interiors dating from 1883. The displays provide translations and interpretive information about the books.

 

Also praised was the three-minute animated film Antiquities Silhouette (left, below), showing continuously in the Greek and Roman ancient art galleries for its depiction of the mixing and serving of wine using vessels similar to those on view while also explaining the purposes behind their various shapes.

The DIA worked with the design firm Pentagram on these interpretive projects.

Back to top

News and NotesNews and Notes

Fash Bash
Tickets are still available for the Thursday, August 11 Lincoln Black Label After Party at this year's Fash Bash®, the DIA's annual summer celebration of fashion and art. The After Party beings at 8:30 p.m. with drinks, dancing, and late night bites under the stars. The event is one of the DIA's signature fundraisers and the sponsoring Founders Junior Council has raised more than $4 million for the DIA, not including their recent $1 million gift mentioned in the Director's column above. Click here or call the DIA Ticket Office at 313.833.4005 to purchase tickets.

In the Museum Shop
Form meets function in this award-winning ScoopTHAT! ice-cream scoop and SpreadTHAT! butter spreader. The utensils transfer heat from your hand to the scoop or spreader edge turning the cold butter or frozen ice-cream a more servable consistency. Now you can easily dish up large, perfectly rounded scoops of your favorite ice cream straight from the freezer. Explore the selection of this summer's essential design products in the Museum Shop and online.

Yoga and Zumba on the Lawn
In celebration of the tenth annual ARISE Detroit Neighborhoods Day, the DIA is hosting back-to-back yoga and Zumba sessions on the museum's north lawn on Saturday, August 6.

At 10 a.m., instructors from the Detroit Yoga Lab lead an hour of slow flow yoga with music, with moves for stretching and strengthening. All levels of experience are welcome. Don't forget your yoga mat, water bottle, and sun screen.

Following yoga, Zumba instructor Yvonne Simpson directs a full-body, heart-pounding, sweat-inducing workout to Latin and international music beginning at 11 a.m. No prior dance or fitness experience required and beginners are welcome.

Activities are for those 18 years of age and older. In the event of inclement weather, events will be held in Rivera Court.

Inside|Out
The DIA's popular Inside|Out installations, featuring reproductions of museum masterpieces, have taken up new residences for the months of August, September, and October. The nine communities welcoming the works of art are Belleville, Beverly Hills, Chesterfield Township, Detroit's Grandmont-Rosedale neighborhood, the city's East English Village, Morningside, and Cornerstone Village areas, Lake Orion, Oxford, River Rough, and Romeo.

Downloadable maps are available at dia.org/insideout. Social media users can follow Inside|Out updates and share their Inside|Out experiences on Facebook, Instagram (@DIADetroit #DIAInsideOut) and Twitter (@DIADetroit #DIAInsideOut).

Back to top

Detroit Institute of Arts
5200 Woodward Avenue
Detroit, Michigan 48202
www.dia.org
313.833.7900

Comments or questions about the newsletter? Please contact us: [email protected] 

ADMISSION
$12.50 adults
$8 seniors (62+)
$ 6 youth (6-17)

The museum is free for members and residents of Wayne, Oakland, and Macomb Counties
Contact the Membership HelpLine at
313.833.7971 or [email protected] 

For group sales (15 or more) contact 313.833.1292 or dia.org/grouptours 

CATERING & RENTALS
Call 313.833.1925 or
[email protected] 

HOURS
Museum
Mon CLOSED
Tue, Wed, Thur 9 a.m.-4 p.m.
Fri 9 a.m.-10 p.m.
Sat, Sun 10 a.m.-5 p.m.

PARKING
Lighted, secure self-parking is available in the museum parking lot, between John R and Brush behind the museum, for $7.

CaféDIA
313.833.7966
Tue, Wed, Thur 11:30 a.m.-2:30 p.m.
Fri 11 a.m.-2:30 p.m., 4-9 p.m.
Sat, Sun 11 a.m.-3 p.m.

Kresge Court
Tue, Wed, Thur 9 a.m.-3:30 p.m.
Fri 9 a.m.-9:30 p.m.
Sat., Sun 10 a.m.-4:30 p.m.

Museum Shop
313.833.7944 or [email protected]
Open during museum hours or online at diashop.org 

Connect with us!

Keep up-to-date with text messages about upcoming DIA events! Sign-up here.

Facebook   YouTube   Flickr Twitter   Proud to be located in Midtown Detroit
Become a Member Donate