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Roof Piece (1971) Photo: Jim Prisching
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Dear TBDC Family &
Friends,
We are thrilled to share the news that longtime Board member Dorothy Lichtenstein has assumed the role of Board Chair and has generously contributed $600,000 to the Company to advance vital initiatives including the placement of the archive and the reconstruction of works such as
Geometry of Quiet (2002)
. Also, Jeanne Linnes has taken the role Board President, and brings to us her decades of leadership both in the non-profit sector and over twenty years as a TBDC Board Member.
Dancers around the world are engrossed in learning Trisha's work in workshops and classes near and far. Our July Summer Intensive brought dancers to New York City from across the United States and from five different countries to learn repertory selections from
Newark (Niweweorce) (1987) and to study Trisha's improvisation and composition strategies. Instructors included TBDC dancers Tara Lorenzen and Samuel Wentz, as well as Associate Artistic Director Diane Madden.
July also brought Trisha's work to the west coast for the
Summer Arts program through the California State University system, headquartered in Monterrey, California. For two weeks, participants worked with TBDC alums Eva Karczag and Lisa Kraus on material from Trisha Brown's
Son of Gone Fishin' (1981). It is incredible to have Trisha's work being taught on both the east and west coasts, in rigorous programs for dancers who are eager to learn her work.
August is a time to prepare for our fall engagements in Vienna and Athens, as well as multiple venues in Paris, France. We are bringing
Trisha Brown: In Plain Site to cities and campuses across the American south, due to the incredible touring support from the
National Dance Project and New England Foundation for the Arts. We look forward to continuing to share Trisha's work with new audiences around the world.
Diane Madden & Carolyn Lucas
Associate Artistic Directors
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Thank you for your support!
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TBDC DANCER MARC CROUSILLAT WINS A PRINCESS GRACE AWARD
TBDC is proud to share that dancer Marc Crousillat has been selected as a 2016
Princess Grace Foundation recipient for his contributions to the Trisha Brown Dance Company, as well as several choreographers in New York City. He joins the roster of TBDC dancers and alumni that have also received the honor, including Neal Beasley, Jamie Scott, Leah Morrison, Lance Gries, and two-time award winner Diane Madden.
The
Princess Grace Foundation is a non-profit, publicly-supported charity, headquartered in New York City and established 34 years ago by Prince Rainier III of Monaco to honor his wife, Princess Grace's [Kelly] legacy. The Foundation is dedicated to identifying and assisting emerging talent in theater, dance, and film by awarding grants in the form of scholarships, apprenticeships, and fellowships.
Congratulations, Marc!
Marc Crousillat in
Set and Reset (1983)
Photo by Stephanie Berger
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Marc Crousillat performs
Sticks (1973)
Photo by Ted Alcorn
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SUPPORT THE RECONSTRUCTION OF GEOMETRY OF QUIET
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Spanish Dance (1973) in Trisha Brown: In Plain Site, Lynden Sculpture Garden, Milwaukee. Photo: Kat Schleicher
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reconstruction of Trisha's work!
This year, we are rebuilding works for our new site-specific program,
Trisha Brown: In Plain Site. Mining and recombining material from Trisha's vast repertory, we collaborate with presenters to select a site and set the dances for that specific venue. Your donation will help to support expenses for rebuilding
Geometry of Quiet (2002), such as:
- Salary for eight dancers to rehearse for six weeks
- The return of former company members Brandi Norton, Stacy Matthew Spence and Todd Lawrence Stone to help teach the work
- Studio rental in New York City for six weeks
- Remaking the costumes based on the original designs by Christophe de Menil
- The rights to use the original musical score by Salvatore Sciarrino
- Reconstruction of the fabric sails for our set pieces
We thank you for your continued support of TBDC.
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THE ANDREW W. MELLON FOUNDATION AWARDS
THE TRISHA BROWN ARCHIVE
The Andrew W. Mellon Foundation continues its long-time support of the Trisha Brown Dance Company with a major grant award of $850,000 over the next two years to the Trisha Brown Archive program. Over the past three years, the TBDC Archive team created an extensive catalogue of the Company holdings and the personal collection of Trisha Brown. With sustained funding from The Andrew W. Mellon Foundation, TBDC will focus on the preservation of moving-image material, and facilitate the transfer of the Trisha Brown Archive to a public institution.
We thank the Andrew W. Mellon Foundation for its continued support of Trisha Brown Dance Company!
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TBDC IN THE WALL STREET JOURNAL
In a feature article in
The Wall Street Journal,
Pia Catton writes of the Company's artistic future, while announcing major developments in our fundraising campaign. You can read the full article
here.
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FROM THE TRISHA BROWN ARCHIVE
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PORTLAND, OREGON
July 23- September 2
Trees in the Forest at
Yale Union in Portland, Oregon will be showing three videos of works by Trisha Brown,
La Chanteuse (1963),
Falling Duet (1968), and
Spiral (1974). Kari Rittenbach, the exhibition's guest curator, comments,
"The metaphorical concept of the forest is the organizing principle of this exhibition, in terms of the diversity of artworks and the cyclical or intergenerational perspectives they explore. Considering nature as a concept, structure, or formal subject, the exhibited works examine its cultural and social mediation, as well as "naturalized" systems of knowledge and power in the world at large. Trees in the Forest takes an ecological approach to a disparate selection of recent art practices; it is an experimental survey of understudied territory in an era of routine environmental catastrophe."
800 SE 10th Avenue, Portland, Oregon, 97214
CITY UNIVERSITY OF NEW YORK TELEVISION
Study with the Best:
A profile of Vicky Shick, TBDC alumma and adjunct professor at Hunter College Dance Program (New York, NY), in which she discusses how Trisha Brown greatly influenced her life and work. The video can be seen
here
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TBDC SUMMER INTENSIVE RECAP
Participants from around the world convened to study Trisha Brown's work for two weeks in New York City
"Trisha's work, and the way Tara, Diane and Sam transmit it, is massive and impressive.
It's so complex that I just feel like standing in front of a huge monument to explore,
intimidated and excited....There is something intangible and very surprising.
So because of that elusive sensation, I wanted to experience it
with my own body and mind in order to understand the systems
which organize and structure her work."
-Maya, a Summer Intensive participant from France
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New York, NY 10018
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