DON'T MISS OUR SEASON FINALE 
ROOFTOP UNDERGROUND @ CURIOUS-ON-HUDSON

RACHELLE GARNIEZ
SATURDAY, AUGUST 9TH, 7:30 PM 
with Supper on the Terrace, beginning at 6 pm

 
Thomas Dolby & Rachelle Garniez:
Rachelle with Thomas Dolby: "La Vie en Rose"

Rachelle Garniez:
Rachelle Garniez:
"Pearls and Swine"

Rachelle Garniez:
Rachelle Garniez: "Jean Claude Van Damme"

 
Dear friends,

Many thanks to all who turned out for any of our first three evenings of Rooftop Underground, Common Ground's collaboration with  Curious-on-Hudson in its fabulous location on the banks of the Hudson. 

Part book lover's paradise, part life enrichment center for adults and kids, Curious-on-Hudson sits a top an historic former factory building providing social and engaging ways to learn, get inspired and share what you know. Weather permitting, we'll be outdoors on the terrace. Come early to browse the shelves, and meet fellow music lovers. Plus you can  choose from specially catered supper options or bring your own food and dine on the patio before the show.  

 

The theme of Rooftop Underground is shared musical discovery. I've curated the four intimate evenings to highlight some of my favorite artists that I've had the pleasure to present at Common Ground. And there could be no one I'd rather have for the finale show that the incomparable Rachelle Garniez. 


When I'm asked, I truly have trouble describing Rachelle's music. It's certainly not folk music -- at least in the traditional sense. But then, Rachelle isn't traditional anything.  She has been described as "a certified free spirit" (The New Yorker) and a "diva with a difference" (Billboard Magazine). She has produced and released 5 cds on her own label, as well as a vinyl single produced by Jack White and KinderAngst, a collection of punk rock children's songs, co-written and co-produced by Palmyra Delran, featuring Debby Harry. In the 1980's she began busking in parks and subways and performing in clubs, galleries and bars; playing solo and in a wide variety of bands ranging from bar-band roots to club-kid art-funk; samba fierce-showgirl revue to klezmer and old-time jazz, each of which have contributed significantly to her writing style.  Rachelle's songs can be heard on television soundtracks including the Chris Isaac Show, Real Sex, Anthony Bourdain's No Reservations, and Sex and the City. She has performed several times at the TED conference as a featured member of Thomas Dolby's house band both in Monterey California and in Oxford, UK.  Since spring of 2013, Rachelle has been a member of the acclaimed Roots-World band Hazmat Modine.  She continues to collaborate perform and record with diverse artists including violinist Jenny Scheinman, sonic wizard Sxip Shirey, neo-soul-jazz guitarist Marvin Sewell, glam cabaret troupe The Citizens Band, choreographer Keely Garfied. family music superstar Dan Zanes, and legendary garage band The Friggs.

 

Over the years, Rachelle has been commissioned to compose music for theater. In 2009 she composed the music for Taylor Mac's Obie Award winning epic theater piece "The Lily's Revenge," which premiered at HERE Arts Center in NYC and was most recently presented by American Repertory Theater at Harvard University.  That same year, The Franklin Stage Company located in Delaware County, NY commissioned and premiered the original musical "American Fairy Tales," based on little-known stories by L. Frank Baum, for which she wrote all of the songs and music and was cast as the principal character. She has composed and performed music for NYU's Experimental Theater Wing's productions of The Merchant of Venice and Romeo and Juliet, and wrote songs for the award-winning Grumbling Gryphons Traveling Children's Theater's production of Purim Spiel. For many years, she served as Musical Director of The Citizens Band, as well as writing and performing many of the troupe's signature anthems.  

 

If you've read this far, you can see that Rachelle is definitely a departure from the acoustic folk singer-songwriters  and roots music bands I often present at Common Ground. But I really want as many people as possible to hear her music and see her live. Her music is at once hilarious, bittersweet, childlike and challenging. I hope you'll join us.  


- Carter Smith, Common Ground 

    

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