ALEXANDER THOMAS* (Kenyatta) is always thrilled to work Kitchen Theatre Company. Audiences know him from The Whipping Man (2013), Opus (2012), Broke-ology (2012), After Ashley (2007), his solo show Throw Pitchfork fresh off its off-Broadway debut at New York Theatre Workshop (2002) (which also closed 2004 Monodrama Festival in Kiel, Germany and won a Special Honours Award), and Black Stuff co-written and performed with LeVan D. Hawkins for the Kitchen Counter Culture series (2005). He was a cast member of the U.K. stage production of On the Waterfront directed by Steven Berkoff which ran in London's West End at the Royal Haymarket Theatre, as well the Edinburg Festival, Nottingham Playhouse and the Hong Kong Arts Festival, and won the UK'S What's On Stage Award for best Ensemble. He spent two months in Luxembourg City in the inaugural production for Actors Repertory Theatre Luxemburg playing the role of Ross in Edward Albee's The Goat or Who is Sylvia? While living in Berlin, Germany he performed in Utopia/Dystopia at the English Theatre of Berlin as well as participating in Colorblind?, a series of staged readings exploring issues of diversity in Germany. His own play Schwarz Gemacht or How Klaus Found His Blackness was produced at ETB last spring (with a far reaching helping hand from Kitchen Theatre Company). Other theatre credits include Sizwe Banzi Is Dead (Cubiculo Theatre, NY); Home (Tour); Tracers (Studio Theatre, LA); and The Blacks (Hillberry Theatre, Detroit). He currently resides in Toronto.